7330 lines
107 KiB
Plaintext
7330 lines
107 KiB
Plaintext
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1
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00:00:01,968 --> 00:00:05,105
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(<i> mystical theme playing</i> )
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2
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00:00:08,375 --> 00:00:11,778
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{\an8}(<i> Imam praying</i> )
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3
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00:00:41,574 --> 00:00:44,310
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( people chattering
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indistinctly )
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4
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00:00:48,748 --> 00:00:50,216
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Listen to me!
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5
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00:00:50,283 --> 00:00:53,386
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Killing a few hostages
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is not sufficient.
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6
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00:00:53,453 --> 00:00:56,289
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The Americans
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must be made to suffer.
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7
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00:00:56,356 --> 00:00:58,057
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We must humiliate them!
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8
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00:00:58,124 --> 00:01:01,127
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You do not go far enough,
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General Amin.
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9
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00:01:01,194 --> 00:01:03,062
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We must rip
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their entrails out
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10
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00:01:03,129 --> 00:01:04,898
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and drag them
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from here to Damascus
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11
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00:01:04,964 --> 00:01:07,734
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until they include us
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in the peace process.
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12
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00:01:07,801 --> 00:01:09,869
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No! Nonsense!
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13
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00:01:09,936 --> 00:01:13,573
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This solution
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is not bold enough for Libya.
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14
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00:01:13,640 --> 00:01:17,610
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I say wipe out Washington
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and New York.
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15
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00:01:17,677 --> 00:01:21,681
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What? And spoil three years
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of good public relations!
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16
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00:01:21,748 --> 00:01:24,884
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I have the Americans
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believing I am a nice guy.
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17
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00:01:24,951 --> 00:01:26,286
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In some of their polls,
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18
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00:01:26,352 --> 00:01:28,621
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I am more popular
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than their president.
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19
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00:01:28,688 --> 00:01:30,857
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( all chattering )
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20
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00:01:30,924 --> 00:01:33,893
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Gentlemen! Gentlemen!
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21
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00:01:33,960 --> 00:01:36,062
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This is getting us
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nowhere.
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22
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00:01:36,129 --> 00:01:39,065
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If we do nothing else
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this week,
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23
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00:01:39,132 --> 00:01:43,403
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we must conceive
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at least one terrorist act
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24
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00:01:43,470 --> 00:01:45,972
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that will show all the world
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25
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00:01:46,039 --> 00:01:49,342
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that the United States,
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the great satan,
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26
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00:01:49,409 --> 00:01:51,344
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is but a paper tiger,
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27
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00:01:51,411 --> 00:01:54,481
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a weak nation of weak people!
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28
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00:01:54,547 --> 00:01:57,517
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A people ripe for destruction!
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29
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00:01:57,584 --> 00:02:00,987
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Cowards, no longer
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willing to fight!
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30
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00:02:01,054 --> 00:02:03,022
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{\an8}( heat hissing )
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Argh!
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31
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00:02:03,089 --> 00:02:04,657
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( gasping )
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32
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00:02:04,724 --> 00:02:07,694
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(<i> dramatic theme playing</i> )
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33
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00:02:20,039 --> 00:02:22,008
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( squeaking )
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34
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00:02:22,075 --> 00:02:23,643
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I knew it!
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35
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00:02:26,880 --> 00:02:28,281
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( ululates )
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36
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00:02:28,348 --> 00:02:30,717
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MAN:
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Get the American!
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37
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00:02:46,099 --> 00:02:47,767
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( screams )
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38
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00:02:56,743 --> 00:02:58,311
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Ooh-ow!
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39
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00:03:00,013 --> 00:03:02,582
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MAN:
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Hey, who are you?
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40
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00:03:02,649 --> 00:03:05,418
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I'm Lieutenant Frank Drebin,
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police squad.
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41
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00:03:05,485 --> 00:03:10,323
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And don't ever let me catch
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you guys in America. Oh!
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42
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00:03:11,057 --> 00:03:13,860
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(<i> Frank yells</i> )
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43
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00:03:13,927 --> 00:03:16,229
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( siren wailing )
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44
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00:03:16,296 --> 00:03:19,532
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(<i> jazzy theme playing</i> )
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45
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00:03:36,115 --> 00:03:37,283
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Hey!
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46
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00:03:37,350 --> 00:03:39,752
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Oh! Watch out! Whoa!
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47
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00:03:39,819 --> 00:03:41,521
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Watch out!
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48
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00:03:41,588 --> 00:03:44,524
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( tires squealing )
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49
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00:04:27,233 --> 00:04:29,035
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( all screaming )
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50
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00:04:40,880 --> 00:04:43,516
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( people screaming )
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51
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00:04:57,630 --> 00:04:59,932
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( service bell dings )
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52
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00:05:09,609 --> 00:05:12,745
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(<i> suspenseful theme playing</i> )
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53
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00:05:40,506 --> 00:05:44,844
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MAN 1 ( on listening device ):
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<i>Thirty-eight, 39, 40.</i> <i>It's all here.</i>
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54
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00:05:44,911 --> 00:05:47,380
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MAN 2:
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<i>This completes our first</i> <i>shipment of heroin--</i>
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55
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00:05:47,447 --> 00:05:49,115
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<i>One hundred percent pure.</i>
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56
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00:05:49,182 --> 00:05:52,285
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MAN 3:
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<i>Yeah, it better be,</i> <i>all 40 kilos.</i>
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57
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00:05:52,351 --> 00:05:55,054
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MAN 2:
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<i>Final shipment will be</i> <i>delivered in three days.</i>
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58
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00:05:55,121 --> 00:05:57,056
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<i>Then we'll expect payment.</i>
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59
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00:05:57,123 --> 00:05:58,891
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MAN 3:
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<i>Don't worry.</i>
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60
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00:06:06,933 --> 00:06:10,069
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(<i> suspenseful theme swelling</i> )
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61
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00:06:26,819 --> 00:06:30,022
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Police!
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Throw down your guns!
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62
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00:06:36,662 --> 00:06:38,798
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( door opens )
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63
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00:06:43,736 --> 00:06:46,472
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(<i> ominous theme playing</i> )
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64
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00:06:52,478 --> 00:06:53,913
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Kill him.
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65
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00:06:59,719 --> 00:07:01,020
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Agh!
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66
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00:07:02,588 --> 00:07:03,890
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( sizzling )
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Aah!
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67
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00:07:06,058 --> 00:07:07,193
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Oh, no!
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68
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00:07:11,764 --> 00:07:13,499
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Aah!
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69
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00:07:19,338 --> 00:07:20,873
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Aah!
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70
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00:07:24,076 --> 00:07:25,812
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Aah!
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71
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00:07:42,295 --> 00:07:44,697
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REPORTER:
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It's a great day for Americans everywhere.
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72
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00:07:44,764 --> 00:07:46,332
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This man is loved...
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73
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00:07:46,399 --> 00:07:47,900
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( people chattering )
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74
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00:07:47,967 --> 00:07:49,635
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Look! I think
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that's his plane!
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75
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00:07:49,702 --> 00:07:51,704
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( women squealing )
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76
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00:07:51,771 --> 00:07:53,973
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He takes
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a typical airline dinner.
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77
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00:07:56,209 --> 00:07:57,610
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There he is!
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78
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00:07:57,677 --> 00:07:58,845
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( women squealing )
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79
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00:07:58,911 --> 00:08:00,513
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No, no flowers,
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thank you.
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80
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00:08:00,580 --> 00:08:03,049
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Welcome home, Frank.
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Good work in Beirut.
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81
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00:08:03,115 --> 00:08:05,117
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We all heard what you did.
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Thank you, Ed.
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82
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00:08:05,184 --> 00:08:06,719
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I just want to know one thing.
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83
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00:08:06,786 --> 00:08:08,821
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Is it true what you
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wrote me about Victoria?
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84
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00:08:08,888 --> 00:08:10,256
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I'm afraid so,
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Frank.
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85
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00:08:10,323 --> 00:08:12,225
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She just ran off
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with some guy.
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86
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00:08:12,291 --> 00:08:14,894
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They got married
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last week.
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87
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00:08:14,961 --> 00:08:19,131
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Then it's over. It's all over.
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All of this is meaningless.
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88
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00:08:19,198 --> 00:08:20,233
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I did it for her.
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89
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00:08:20,299 --> 00:08:22,134
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I did everything for her,
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90
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00:08:22,201 --> 00:08:23,970
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and now she's gone.
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91
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00:08:24,036 --> 00:08:28,441
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And you, you came down here to
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get the hot story, didn't you?
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92
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00:08:28,507 --> 00:08:30,776
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Pictures of me to sell
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your lousy newspapers.
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93
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00:08:30,843 --> 00:08:33,079
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Uh, Frank--
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Sure, you think I'm a big hero.
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94
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00:08:33,145 --> 00:08:34,647
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The man of the hour.
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95
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00:08:34,714 --> 00:08:36,482
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Well,
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do any of you understand
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96
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00:08:36,549 --> 00:08:39,418
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how a man can hurt inside?
|
||
|
|
|
||
|
|
97
|
||
|
|
00:08:39,485 --> 00:08:40,419
|
||
|
|
Frank, Frank--
|
||
|
|
|
||
|
|
98
|
||
|
|
00:08:40,486 --> 00:08:42,021
|
||
|
|
They're not here
|
||
|
|
for you.
|
||
|
|
|
||
|
|
99
|
||
|
|
00:08:42,088 --> 00:08:44,257
|
||
|
|
Weird Al Yankovic
|
||
|
|
is on the plane.
|
||
|
|
|
||
|
|
100
|
||
|
|
00:08:44,323 --> 00:08:46,225
|
||
|
|
( women squealing )
|
||
|
|
|
||
|
|
101
|
||
|
|
00:08:49,896 --> 00:08:52,064
|
||
|
|
What about the wedding?
|
||
|
|
What was she wearing?
|
||
|
|
|
||
|
|
102
|
||
|
|
00:08:52,131 --> 00:08:54,033
|
||
|
|
Don't torture yourself,
|
||
|
|
Frank.
|
||
|
|
|
||
|
|
103
|
||
|
|
00:08:54,100 --> 00:08:55,835
|
||
|
|
Just put her
|
||
|
|
out of your mind.
|
||
|
|
|
||
|
|
104
|
||
|
|
00:08:55,902 --> 00:08:58,404
|
||
|
|
I can't get her
|
||
|
|
out of my mind.
|
||
|
|
|
||
|
|
105
|
||
|
|
00:08:58,471 --> 00:08:59,939
|
||
|
|
What about the guy?
|
||
|
|
|
||
|
|
106
|
||
|
|
00:09:00,006 --> 00:09:01,440
|
||
|
|
You know anything
|
||
|
|
about him?
|
||
|
|
|
||
|
|
107
|
||
|
|
00:09:01,507 --> 00:09:02,775
|
||
|
|
Not much.
|
||
|
|
|
||
|
|
108
|
||
|
|
00:09:02,842 --> 00:09:04,610
|
||
|
|
Just that he's
|
||
|
|
an Olympic gymnast,
|
||
|
|
|
||
|
|
109
|
||
|
|
00:09:04,677 --> 00:09:07,446
|
||
|
|
and it's the best sex
|
||
|
|
she's ever had.
|
||
|
|
|
||
|
|
110
|
||
|
|
00:09:07,513 --> 00:09:09,048
|
||
|
|
( metal crunches )
|
||
|
|
|
||
|
|
111
|
||
|
|
00:09:09,115 --> 00:09:10,683
|
||
|
|
I trusted her,
|
||
|
|
|
||
|
|
112
|
||
|
|
00:09:10,750 --> 00:09:13,719
|
||
|
|
followed my heart,
|
||
|
|
foolishly, it seems.
|
||
|
|
|
||
|
|
113
|
||
|
|
00:09:13,786 --> 00:09:15,955
|
||
|
|
Just gonna have
|
||
|
|
to learn to forget.
|
||
|
|
|
||
|
|
114
|
||
|
|
00:09:16,022 --> 00:09:18,391
|
||
|
|
That's why I took my
|
||
|
|
vacation in Beirut,
|
||
|
|
|
||
|
|
115
|
||
|
|
00:09:18,457 --> 00:09:19,592
|
||
|
|
to get her
|
||
|
|
out of my mind,
|
||
|
|
|
||
|
|
116
|
||
|
|
00:09:19,659 --> 00:09:21,894
|
||
|
|
to find some peace.
|
||
|
|
|
||
|
|
117
|
||
|
|
00:09:21,961 --> 00:09:23,629
|
||
|
|
It's not going
|
||
|
|
to be easy.
|
||
|
|
|
||
|
|
118
|
||
|
|
00:09:23,696 --> 00:09:24,964
|
||
|
|
Everywhere I look,
|
||
|
|
|
||
|
|
119
|
||
|
|
00:09:25,031 --> 00:09:27,233
|
||
|
|
something reminds me
|
||
|
|
of her.
|
||
|
|
|
||
|
|
120
|
||
|
|
00:09:28,968 --> 00:09:32,505
|
||
|
|
Maybe it's just that cops
|
||
|
|
and women don't mix.
|
||
|
|
|
||
|
|
121
|
||
|
|
00:09:32,571 --> 00:09:34,340
|
||
|
|
What about Nordberg?
|
||
|
|
|
||
|
|
122
|
||
|
|
00:09:34,407 --> 00:09:35,841
|
||
|
|
I came as soon
|
||
|
|
as I heard.
|
||
|
|
|
||
|
|
123
|
||
|
|
00:09:35,908 --> 00:09:38,110
|
||
|
|
He's alive, Frank,
|
||
|
|
though he's on life support.
|
||
|
|
|
||
|
|
124
|
||
|
|
00:09:38,177 --> 00:09:41,714
|
||
|
|
Doctors say he's got
|
||
|
|
a 50-50 chance of living,
|
||
|
|
|
||
|
|
125
|
||
|
|
00:09:41,781 --> 00:09:44,917
|
||
|
|
though there's only
|
||
|
|
a 10 percent chance of that.
|
||
|
|
|
||
|
|
126
|
||
|
|
00:09:52,291 --> 00:09:54,060
|
||
|
|
( clanging )
|
||
|
|
|
||
|
|
127
|
||
|
|
00:09:58,497 --> 00:10:00,633
|
||
|
|
( monitors beeping )
|
||
|
|
|
||
|
|
128
|
||
|
|
00:10:07,440 --> 00:10:08,708
|
||
|
|
Mrs. Nordberg,
|
||
|
|
|
||
|
|
129
|
||
|
|
00:10:08,774 --> 00:10:11,510
|
||
|
|
I think we can save
|
||
|
|
your husband's arm.
|
||
|
|
|
||
|
|
130
|
||
|
|
00:10:11,577 --> 00:10:12,912
|
||
|
|
Where would you
|
||
|
|
like it sent?
|
||
|
|
|
||
|
|
131
|
||
|
|
00:10:12,979 --> 00:10:15,948
|
||
|
|
Oh, Frank, I'm so glad
|
||
|
|
you came.
|
||
|
|
|
||
|
|
132
|
||
|
|
00:10:16,015 --> 00:10:17,450
|
||
|
|
Wilma,
|
||
|
|
it's good to see you.
|
||
|
|
|
||
|
|
133
|
||
|
|
00:10:17,516 --> 00:10:18,651
|
||
|
|
I came
|
||
|
|
as soon as I heard.
|
||
|
|
|
||
|
|
134
|
||
|
|
00:10:18,718 --> 00:10:20,619
|
||
|
|
Thank you, Frank.
|
||
|
|
You bet.
|
||
|
|
|
||
|
|
135
|
||
|
|
00:10:20,686 --> 00:10:22,955
|
||
|
|
Where's Nordberg?
|
||
|
|
He's right here, Frank.
|
||
|
|
|
||
|
|
136
|
||
|
|
00:10:23,022 --> 00:10:24,056
|
||
|
|
Right.
|
||
|
|
|
||
|
|
137
|
||
|
|
00:10:24,123 --> 00:10:27,326
|
||
|
|
Nordberg, it's me,
|
||
|
|
Frank, your buddy.
|
||
|
|
|
||
|
|
138
|
||
|
|
00:10:27,393 --> 00:10:28,894
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
139
|
||
|
|
00:10:28,961 --> 00:10:32,398
|
||
|
|
I'll get it.
|
||
|
|
Wait a minute.
|
||
|
|
|
||
|
|
140
|
||
|
|
00:10:32,465 --> 00:10:34,633
|
||
|
|
Oh!
|
||
|
|
|
||
|
|
141
|
||
|
|
00:10:34,700 --> 00:10:36,836
|
||
|
|
Get the switch
|
||
|
|
on the bottom of the bed!
|
||
|
|
|
||
|
|
142
|
||
|
|
00:10:39,105 --> 00:10:41,440
|
||
|
|
( groaning )
|
||
|
|
|
||
|
|
143
|
||
|
|
00:10:41,507 --> 00:10:43,309
|
||
|
|
Nordberg?
|
||
|
|
|
||
|
|
144
|
||
|
|
00:10:43,376 --> 00:10:44,677
|
||
|
|
It's me-- Frank.
|
||
|
|
|
||
|
|
145
|
||
|
|
00:10:44,744 --> 00:10:46,312
|
||
|
|
Now who did this
|
||
|
|
to you?
|
||
|
|
|
||
|
|
146
|
||
|
|
00:10:46,379 --> 00:10:48,047
|
||
|
|
I...love you.
|
||
|
|
|
||
|
|
147
|
||
|
|
00:10:48,114 --> 00:10:51,150
|
||
|
|
I love you too,
|
||
|
|
Nordberg.
|
||
|
|
|
||
|
|
148
|
||
|
|
00:10:51,217 --> 00:10:53,085
|
||
|
|
Who were they?
|
||
|
|
|
||
|
|
149
|
||
|
|
00:10:53,152 --> 00:10:54,820
|
||
|
|
Ship. Boat.
|
||
|
|
|
||
|
|
150
|
||
|
|
00:10:54,887 --> 00:10:56,856
|
||
|
|
That's right,
|
||
|
|
Nordberg, a boat.
|
||
|
|
|
||
|
|
151
|
||
|
|
00:10:56,922 --> 00:10:58,057
|
||
|
|
When you're better,
|
||
|
|
|
||
|
|
152
|
||
|
|
00:10:58,124 --> 00:10:59,759
|
||
|
|
we'll go sailing
|
||
|
|
together on a boat.
|
||
|
|
|
||
|
|
153
|
||
|
|
00:10:59,825 --> 00:11:01,327
|
||
|
|
We'll take a cruise
|
||
|
|
just like last year.
|
||
|
|
|
||
|
|
154
|
||
|
|
00:11:01,394 --> 00:11:03,195
|
||
|
|
No. Drugs.
|
||
|
|
|
||
|
|
155
|
||
|
|
00:11:03,262 --> 00:11:05,865
|
||
|
|
Hey, nurse, give
|
||
|
|
this man some drugs.
|
||
|
|
|
||
|
|
156
|
||
|
|
00:11:05,931 --> 00:11:07,366
|
||
|
|
Quick! Can't you see
|
||
|
|
he's in pain?
|
||
|
|
|
||
|
|
157
|
||
|
|
00:11:07,433 --> 00:11:11,070
|
||
|
|
Give him a shot. Quickly.
|
||
|
|
No. No. Heroin!
|
||
|
|
|
||
|
|
158
|
||
|
|
00:11:11,137 --> 00:11:12,972
|
||
|
|
Heroin, Frank!
|
||
|
|
|
||
|
|
159
|
||
|
|
00:11:13,039 --> 00:11:15,541
|
||
|
|
Nordberg,
|
||
|
|
that's a pretty tall order.
|
||
|
|
|
||
|
|
160
|
||
|
|
00:11:15,608 --> 00:11:18,444
|
||
|
|
You're gonna have to give me
|
||
|
|
a couple of days on that one.
|
||
|
|
|
||
|
|
161
|
||
|
|
00:11:18,511 --> 00:11:20,613
|
||
|
|
( Wilma sobbing )
|
||
|
|
|
||
|
|
162
|
||
|
|
00:11:20,679 --> 00:11:22,915
|
||
|
|
Oh, oh,
|
||
|
|
my poor Nordberg.
|
||
|
|
|
||
|
|
163
|
||
|
|
00:11:22,982 --> 00:11:25,251
|
||
|
|
He was such a good man,
|
||
|
|
Frank.
|
||
|
|
|
||
|
|
164
|
||
|
|
00:11:25,317 --> 00:11:27,620
|
||
|
|
He never wanted
|
||
|
|
to hurt anyone.
|
||
|
|
|
||
|
|
165
|
||
|
|
00:11:27,686 --> 00:11:30,423
|
||
|
|
Who would do
|
||
|
|
such a thing?
|
||
|
|
|
||
|
|
166
|
||
|
|
00:11:30,489 --> 00:11:32,024
|
||
|
|
Well, it's hard to tell.
|
||
|
|
|
||
|
|
167
|
||
|
|
00:11:32,091 --> 00:11:33,993
|
||
|
|
Could be a roving
|
||
|
|
gang of thugs,
|
||
|
|
|
||
|
|
168
|
||
|
|
00:11:34,060 --> 00:11:36,128
|
||
|
|
a blackmailer,
|
||
|
|
an angry husband,
|
||
|
|
|
||
|
|
169
|
||
|
|
00:11:36,195 --> 00:11:37,463
|
||
|
|
a gay lover.
|
||
|
|
|
||
|
|
170
|
||
|
|
00:11:37,530 --> 00:11:40,132
|
||
|
|
( Wilma wails )
|
||
|
|
Frank, get a hold of yourself.
|
||
|
|
|
||
|
|
171
|
||
|
|
00:11:40,900 --> 00:11:42,601
|
||
|
|
A good cop...
|
||
|
|
|
||
|
|
172
|
||
|
|
00:11:42,668 --> 00:11:44,570
|
||
|
|
Needlessly cut down
|
||
|
|
and ambushed
|
||
|
|
|
||
|
|
173
|
||
|
|
00:11:44,637 --> 00:11:46,472
|
||
|
|
by some cowardly
|
||
|
|
hoodlum.
|
||
|
|
|
||
|
|
174
|
||
|
|
00:11:46,539 --> 00:11:48,174
|
||
|
|
That's no way for a man to die.
|
||
|
|
|
||
|
|
175
|
||
|
|
00:11:48,240 --> 00:11:50,076
|
||
|
|
FRANK:
|
||
|
|
Yeah, you're right, Ed.
|
||
|
|
|
||
|
|
176
|
||
|
|
00:11:50,142 --> 00:11:53,145
|
||
|
|
A parachute not opening--
|
||
|
|
That's a way to die.
|
||
|
|
|
||
|
|
177
|
||
|
|
00:11:53,212 --> 00:11:55,881
|
||
|
|
Getting caught in
|
||
|
|
the gears of a combine,
|
||
|
|
|
||
|
|
178
|
||
|
|
00:11:55,948 --> 00:11:58,050
|
||
|
|
having your nuts bit off
|
||
|
|
by a Laplander--
|
||
|
|
|
||
|
|
179
|
||
|
|
00:11:58,117 --> 00:11:59,685
|
||
|
|
That's the way I wanna go.
|
||
|
|
|
||
|
|
180
|
||
|
|
00:11:59,752 --> 00:12:01,554
|
||
|
|
( Wilma sobbing )
|
||
|
|
|
||
|
|
181
|
||
|
|
00:12:01,620 --> 00:12:03,322
|
||
|
|
Oh, Frank!
|
||
|
|
|
||
|
|
182
|
||
|
|
00:12:03,389 --> 00:12:05,291
|
||
|
|
Oh! This is terrible!
|
||
|
|
|
||
|
|
183
|
||
|
|
00:12:05,357 --> 00:12:06,725
|
||
|
|
Don't you worry, Wilma.
|
||
|
|
|
||
|
|
184
|
||
|
|
00:12:06,792 --> 00:12:08,594
|
||
|
|
Your husband is going
|
||
|
|
to be all right.
|
||
|
|
|
||
|
|
185
|
||
|
|
00:12:08,661 --> 00:12:10,629
|
||
|
|
Don't you worry
|
||
|
|
about anything.
|
||
|
|
|
||
|
|
186
|
||
|
|
00:12:10,696 --> 00:12:12,598
|
||
|
|
Just think positive.
|
||
|
|
|
||
|
|
187
|
||
|
|
00:12:12,665 --> 00:12:15,568
|
||
|
|
Never let a doubt
|
||
|
|
enter your mind.
|
||
|
|
|
||
|
|
188
|
||
|
|
00:12:15,634 --> 00:12:16,969
|
||
|
|
He's right, Wilma,
|
||
|
|
|
||
|
|
189
|
||
|
|
00:12:17,036 --> 00:12:18,838
|
||
|
|
but I wouldn't wait
|
||
|
|
until the last minute
|
||
|
|
|
||
|
|
190
|
||
|
|
00:12:18,904 --> 00:12:20,539
|
||
|
|
to fill out
|
||
|
|
those organ donor cards.
|
||
|
|
|
||
|
|
191
|
||
|
|
00:12:20,606 --> 00:12:22,608
|
||
|
|
( Wilma sobbing )
|
||
|
|
|
||
|
|
192
|
||
|
|
00:12:22,675 --> 00:12:24,743
|
||
|
|
What I'm trying
|
||
|
|
to say is that, Wilma,
|
||
|
|
|
||
|
|
193
|
||
|
|
00:12:24,810 --> 00:12:26,679
|
||
|
|
as soon as Nordberg
|
||
|
|
is better,
|
||
|
|
|
||
|
|
194
|
||
|
|
00:12:26,745 --> 00:12:28,848
|
||
|
|
he's welcome back
|
||
|
|
at police squad.
|
||
|
|
|
||
|
|
195
|
||
|
|
00:12:28,914 --> 00:12:30,916
|
||
|
|
Unless he's a drooling
|
||
|
|
vegetable.
|
||
|
|
|
||
|
|
196
|
||
|
|
00:12:30,983 --> 00:12:32,651
|
||
|
|
But I think
|
||
|
|
that's only common sense.
|
||
|
|
|
||
|
|
197
|
||
|
|
00:12:32,718 --> 00:12:35,921
|
||
|
|
( wails )
|
||
|
|
|
||
|
|
198
|
||
|
|
00:12:35,988 --> 00:12:38,124
|
||
|
|
Wilma, can you think
|
||
|
|
of any reason
|
||
|
|
|
||
|
|
199
|
||
|
|
00:12:38,190 --> 00:12:40,459
|
||
|
|
that Nordberg was at
|
||
|
|
the waterfront last night?
|
||
|
|
|
||
|
|
200
|
||
|
|
00:12:41,760 --> 00:12:43,062
|
||
|
|
No...
|
||
|
|
|
||
|
|
201
|
||
|
|
00:12:44,530 --> 00:12:46,665
|
||
|
|
But I found this
|
||
|
|
at home...
|
||
|
|
|
||
|
|
202
|
||
|
|
00:12:46,732 --> 00:12:48,601
|
||
|
|
in a drawer.
|
||
|
|
|
||
|
|
203
|
||
|
|
00:12:48,667 --> 00:12:50,035
|
||
|
|
A photograph.
|
||
|
|
|
||
|
|
204
|
||
|
|
00:12:51,003 --> 00:12:54,540
|
||
|
|
<i>I Luv You,</i>
|
||
|
|
out of Caracas.
|
||
|
|
|
||
|
|
205
|
||
|
|
00:12:54,607 --> 00:12:57,176
|
||
|
|
A Panamanian ship.
|
||
|
|
|
||
|
|
206
|
||
|
|
00:12:57,243 --> 00:12:59,345
|
||
|
|
Frank, when Nordberg
|
||
|
|
said "I love you,"
|
||
|
|
|
||
|
|
207
|
||
|
|
00:12:59,411 --> 00:13:01,914
|
||
|
|
he was telling you
|
||
|
|
the name of the ship.
|
||
|
|
|
||
|
|
208
|
||
|
|
00:13:01,981 --> 00:13:03,449
|
||
|
|
I realize that...
|
||
|
|
|
||
|
|
209
|
||
|
|
00:13:03,516 --> 00:13:05,417
|
||
|
|
now.
|
||
|
|
|
||
|
|
210
|
||
|
|
00:13:05,484 --> 00:13:07,019
|
||
|
|
We'd better check this out.
|
||
|
|
|
||
|
|
211
|
||
|
|
00:13:07,086 --> 00:13:08,954
|
||
|
|
I want every available
|
||
|
|
man on this.
|
||
|
|
|
||
|
|
212
|
||
|
|
00:13:09,021 --> 00:13:10,923
|
||
|
|
I can't spare
|
||
|
|
anybody, Frank.
|
||
|
|
|
||
|
|
213
|
||
|
|
00:13:10,990 --> 00:13:12,424
|
||
|
|
You know we're in charge
|
||
|
|
of security
|
||
|
|
|
||
|
|
214
|
||
|
|
00:13:12,491 --> 00:13:15,294
|
||
|
|
for Queen Elizabeth's visit.
|
||
|
|
I'm short-handed already.
|
||
|
|
|
||
|
|
215
|
||
|
|
00:13:15,361 --> 00:13:17,963
|
||
|
|
Wilma, I promise you,
|
||
|
|
whatever scum did this,
|
||
|
|
|
||
|
|
216
|
||
|
|
00:13:18,030 --> 00:13:19,765
|
||
|
|
not one man
|
||
|
|
on this force will rest
|
||
|
|
|
||
|
|
217
|
||
|
|
00:13:19,832 --> 00:13:21,867
|
||
|
|
for one minute
|
||
|
|
until he's behind bars.
|
||
|
|
|
||
|
|
218
|
||
|
|
00:13:21,934 --> 00:13:23,102
|
||
|
|
Now let's grab
|
||
|
|
a bite to eat.
|
||
|
|
|
||
|
|
219
|
||
|
|
00:13:23,169 --> 00:13:24,403
|
||
|
|
Yeah, come on,
|
||
|
|
Wilma.
|
||
|
|
|
||
|
|
220
|
||
|
|
00:13:28,274 --> 00:13:30,676
|
||
|
|
...that due to
|
||
|
|
the extraordinary efforts
|
||
|
|
|
||
|
|
221
|
||
|
|
00:13:30,743 --> 00:13:33,145
|
||
|
|
of some
|
||
|
|
of our civic leaders,
|
||
|
|
|
||
|
|
222
|
||
|
|
00:13:33,212 --> 00:13:37,483
|
||
|
|
Queen Elizabeth has included
|
||
|
|
the city of Los Angeles
|
||
|
|
|
||
|
|
223
|
||
|
|
00:13:37,550 --> 00:13:39,652
|
||
|
|
as one of the three cities
|
||
|
|
she will visit
|
||
|
|
|
||
|
|
224
|
||
|
|
00:13:39,718 --> 00:13:41,220
|
||
|
|
during her American tour.
|
||
|
|
|
||
|
|
225
|
||
|
|
00:13:43,255 --> 00:13:45,191
|
||
|
|
Mayor Barkley,
|
||
|
|
will the city hire additional
|
||
|
|
|
||
|
|
226
|
||
|
|
00:13:45,257 --> 00:13:46,959
|
||
|
|
security officers
|
||
|
|
for the police force
|
||
|
|
|
||
|
|
227
|
||
|
|
00:13:47,026 --> 00:13:48,127
|
||
|
|
during the Queen's
|
||
|
|
visit?
|
||
|
|
|
||
|
|
228
|
||
|
|
00:13:48,194 --> 00:13:51,063
|
||
|
|
We have placed
|
||
|
|
the Queen's security
|
||
|
|
|
||
|
|
229
|
||
|
|
00:13:51,130 --> 00:13:53,132
|
||
|
|
in the hands
|
||
|
|
of police squad,
|
||
|
|
|
||
|
|
230
|
||
|
|
00:13:53,199 --> 00:13:55,701
|
||
|
|
a special division
|
||
|
|
of the police department,
|
||
|
|
|
||
|
|
231
|
||
|
|
00:13:55,768 --> 00:13:59,838
|
||
|
|
represented here today
|
||
|
|
by Lieutenant Frank Drebin.
|
||
|
|
|
||
|
|
232
|
||
|
|
00:13:59,905 --> 00:14:02,241
|
||
|
|
( applause )
|
||
|
|
|
||
|
|
233
|
||
|
|
00:14:03,909 --> 00:14:05,878
|
||
|
|
Thank you, Your Honor.
|
||
|
|
|
||
|
|
234
|
||
|
|
00:14:05,945 --> 00:14:07,413
|
||
|
|
Protecting
|
||
|
|
the safety of...
|
||
|
|
|
||
|
|
235
|
||
|
|
00:14:07,479 --> 00:14:08,747
|
||
|
|
Louder!
|
||
|
|
|
||
|
|
236
|
||
|
|
00:14:08,814 --> 00:14:10,516
|
||
|
|
( microphone static crackles )
|
||
|
|
|
||
|
|
237
|
||
|
|
00:14:10,583 --> 00:14:13,285
|
||
|
|
Here, you can use my radio mic.
|
||
|
|
|
||
|
|
238
|
||
|
|
00:14:13,352 --> 00:14:14,353
|
||
|
|
Thank you.
|
||
|
|
|
||
|
|
239
|
||
|
|
00:14:17,423 --> 00:14:18,657
|
||
|
|
( coughs )
|
||
|
|
|
||
|
|
240
|
||
|
|
00:14:18,724 --> 00:14:19,959
|
||
|
|
( snorts )
|
||
|
|
|
||
|
|
241
|
||
|
|
00:14:20,025 --> 00:14:21,961
|
||
|
|
Thank you, Your Honor.
|
||
|
|
|
||
|
|
242
|
||
|
|
00:14:22,027 --> 00:14:24,997
|
||
|
|
Protecting the safety
|
||
|
|
of the Queen is a task
|
||
|
|
|
||
|
|
243
|
||
|
|
00:14:25,064 --> 00:14:28,300
|
||
|
|
that's gladly accepted
|
||
|
|
by police squad,
|
||
|
|
|
||
|
|
244
|
||
|
|
00:14:28,367 --> 00:14:30,736
|
||
|
|
for no matter
|
||
|
|
how silly the idea
|
||
|
|
|
||
|
|
245
|
||
|
|
00:14:30,803 --> 00:14:32,871
|
||
|
|
of having a queen
|
||
|
|
might be to us,
|
||
|
|
|
||
|
|
246
|
||
|
|
00:14:32,938 --> 00:14:35,074
|
||
|
|
as Americans,
|
||
|
|
we must be gracious
|
||
|
|
|
||
|
|
247
|
||
|
|
00:14:35,140 --> 00:14:36,942
|
||
|
|
and considerate hosts.
|
||
|
|
|
||
|
|
248
|
||
|
|
00:14:37,009 --> 00:14:39,345
|
||
|
|
( applause )
|
||
|
|
|
||
|
|
249
|
||
|
|
00:14:39,411 --> 00:14:42,014
|
||
|
|
Thank you,
|
||
|
|
Lieutenant Drebin.
|
||
|
|
|
||
|
|
250
|
||
|
|
00:14:43,048 --> 00:14:45,551
|
||
|
|
Of course,
|
||
|
|
we all have a stake
|
||
|
|
|
||
|
|
251
|
||
|
|
00:14:45,618 --> 00:14:47,086
|
||
|
|
in seeing that this portion
|
||
|
|
|
||
|
|
252
|
||
|
|
00:14:47,152 --> 00:14:49,822
|
||
|
|
of the Queen's
|
||
|
|
American goodwill tour
|
||
|
|
|
||
|
|
253
|
||
|
|
00:14:49,888 --> 00:14:51,957
|
||
|
|
is completed successfully,
|
||
|
|
|
||
|
|
254
|
||
|
|
00:14:52,024 --> 00:14:54,927
|
||
|
|
and we can all take pride that
|
||
|
|
the Queen has chosen
|
||
|
|
|
||
|
|
255
|
||
|
|
00:14:54,994 --> 00:14:56,795
|
||
|
|
our city--
|
||
|
|
(<i> zipper unzips</i> )
|
||
|
|
|
||
|
|
256
|
||
|
|
00:14:56,862 --> 00:14:58,731
|
||
|
|
(<i> urine splashing</i> )
|
||
|
|
|
||
|
|
257
|
||
|
|
00:14:58,797 --> 00:15:00,966
|
||
|
|
(<i> Frank grunting and sighing</i> )
|
||
|
|
|
||
|
|
258
|
||
|
|
00:15:02,067 --> 00:15:05,237
|
||
|
|
Indeed, it-it is
|
||
|
|
for all the people...
|
||
|
|
|
||
|
|
259
|
||
|
|
00:15:05,304 --> 00:15:07,973
|
||
|
|
(<i> urinating continues</i> ) ...who will be able to share
|
||
|
|
(<i> urinating continues</i> ) ...who will be able to share
|
||
|
|
|
||
|
|
260
|
||
|
|
00:15:08,040 --> 00:15:10,075
|
||
|
|
in the, uh, celebration...
|
||
|
|
|
||
|
|
261
|
||
|
|
00:15:10,142 --> 00:15:12,044
|
||
|
|
(<i> Frank grunts</i> )
|
||
|
|
|
||
|
|
262
|
||
|
|
00:15:12,111 --> 00:15:13,545
|
||
|
|
Especially...
|
||
|
|
|
||
|
|
263
|
||
|
|
00:15:13,612 --> 00:15:15,514
|
||
|
|
(<i> Frank humming</i> )
|
||
|
|
|
||
|
|
264
|
||
|
|
00:15:15,581 --> 00:15:21,353
|
||
|
|
will be the Queen's...
|
||
|
|
public appearances.
|
||
|
|
|
||
|
|
265
|
||
|
|
00:15:21,420 --> 00:15:23,889
|
||
|
|
(<i> humming and urinating</i> )
|
||
|
|
|
||
|
|
266
|
||
|
|
00:15:23,956 --> 00:15:26,025
|
||
|
|
<i>♪ River... ♪</i>
|
||
|
|
|
||
|
|
267
|
||
|
|
00:15:26,091 --> 00:15:28,294
|
||
|
|
<i>♪ La-da-dum ♪</i>
|
||
|
|
|
||
|
|
268
|
||
|
|
00:15:28,360 --> 00:15:30,496
|
||
|
|
♪ Hmm-hmm-mmph ♪ ( splashing )
|
||
|
|
♪ Hmm-hmm-mmph ♪ ( splashing )
|
||
|
|
|
||
|
|
269
|
||
|
|
00:15:30,562 --> 00:15:33,032
|
||
|
|
( dripping )
|
||
|
|
|
||
|
|
270
|
||
|
|
00:15:36,535 --> 00:15:39,071
|
||
|
|
(<i> dripping stops</i> )
|
||
|
|
Um, we also would like--
|
||
|
|
|
||
|
|
271
|
||
|
|
00:15:39,138 --> 00:15:41,006
|
||
|
|
(<i> loud splashing,</i>
|
||
|
|
<i>humming</i> )
|
||
|
|
|
||
|
|
272
|
||
|
|
00:15:41,073 --> 00:15:42,841
|
||
|
|
(<i> whistling</i> )
|
||
|
|
|
||
|
|
273
|
||
|
|
00:15:42,908 --> 00:15:44,143
|
||
|
|
(<i> heavy splashing</i> )
|
||
|
|
|
||
|
|
274
|
||
|
|
00:15:44,209 --> 00:15:46,378
|
||
|
|
(<i> splattering</i> )
|
||
|
|
FRANK:<i> Whoops!</i>
|
||
|
|
|
||
|
|
275
|
||
|
|
00:15:46,445 --> 00:15:48,080
|
||
|
|
<i>Uh-oh.</i>
|
||
|
|
|
||
|
|
276
|
||
|
|
00:15:48,147 --> 00:15:50,949
|
||
|
|
( grunting )
|
||
|
|
|
||
|
|
277
|
||
|
|
00:15:51,016 --> 00:15:52,985
|
||
|
|
(<i> farting</i> )
|
||
|
|
|
||
|
|
278
|
||
|
|
00:15:53,052 --> 00:15:54,520
|
||
|
|
( Frank singing )
|
||
|
|
|
||
|
|
279
|
||
|
|
00:15:56,889 --> 00:15:58,257
|
||
|
|
(<i> jazzy theme playing</i> )
|
||
|
|
|
||
|
|
280
|
||
|
|
00:15:58,324 --> 00:16:00,059
|
||
|
|
FRANK:
|
||
|
|
<i>Ed and I</i> <i>drove down to the docks</i>
|
||
|
|
|
||
|
|
281
|
||
|
|
00:16:00,125 --> 00:16:01,460
|
||
|
|
<i>where Nordberg</i>
|
||
|
|
<i>had been found</i>
|
||
|
|
|
||
|
|
282
|
||
|
|
00:16:01,527 --> 00:16:03,095
|
||
|
|
<i>floating face-down</i>
|
||
|
|
<i>in the water.</i>
|
||
|
|
|
||
|
|
283
|
||
|
|
00:16:03,162 --> 00:16:04,930
|
||
|
|
<i>In a case where</i>
|
||
|
|
<i>there are no leads,</i>
|
||
|
|
|
||
|
|
284
|
||
|
|
00:16:04,997 --> 00:16:06,365
|
||
|
|
<i>you have to start somewhere,</i>
|
||
|
|
|
||
|
|
285
|
||
|
|
00:16:06,432 --> 00:16:08,233
|
||
|
|
<i>and that somewhere</i>
|
||
|
|
<i>was the harbor area.</i>
|
||
|
|
|
||
|
|
286
|
||
|
|
00:16:08,300 --> 00:16:10,102
|
||
|
|
OFFICER ( on bullhorn ):
|
||
|
|
Please disperse.
|
||
|
|
|
||
|
|
287
|
||
|
|
00:16:10,169 --> 00:16:12,037
|
||
|
|
Please disperse.
|
||
|
|
|
||
|
|
288
|
||
|
|
00:16:12,104 --> 00:16:14,573
|
||
|
|
There's nothing
|
||
|
|
for you to see here.
|
||
|
|
|
||
|
|
289
|
||
|
|
00:16:14,640 --> 00:16:16,175
|
||
|
|
Keep moving.
|
||
|
|
|
||
|
|
290
|
||
|
|
00:16:16,241 --> 00:16:17,676
|
||
|
|
Where'd they find
|
||
|
|
Nordberg at?
|
||
|
|
|
||
|
|
291
|
||
|
|
00:16:17,743 --> 00:16:20,312
|
||
|
|
Right out there, Frank.
|
||
|
|
You want to take a dinghy?
|
||
|
|
|
||
|
|
292
|
||
|
|
00:16:20,379 --> 00:16:22,915
|
||
|
|
No, no, I took care of that
|
||
|
|
at the press conference.
|
||
|
|
|
||
|
|
293
|
||
|
|
00:16:22,981 --> 00:16:24,717
|
||
|
|
It doesn't make sense, you know.
|
||
|
|
|
||
|
|
294
|
||
|
|
00:16:24,783 --> 00:16:26,385
|
||
|
|
Good policeman,
|
||
|
|
bright future--
|
||
|
|
|
||
|
|
295
|
||
|
|
00:16:26,452 --> 00:16:29,221
|
||
|
|
Something like this
|
||
|
|
happens.
|
||
|
|
|
||
|
|
296
|
||
|
|
00:16:29,288 --> 00:16:31,056
|
||
|
|
He was found
|
||
|
|
by the night watchman.
|
||
|
|
|
||
|
|
297
|
||
|
|
00:16:31,123 --> 00:16:32,491
|
||
|
|
We better do some
|
||
|
|
checking around.
|
||
|
|
|
||
|
|
298
|
||
|
|
00:16:32,558 --> 00:16:34,226
|
||
|
|
I'm gonna talk
|
||
|
|
to the harbormaster.
|
||
|
|
|
||
|
|
299
|
||
|
|
00:16:34,293 --> 00:16:36,462
|
||
|
|
I'll walk around the docks,
|
||
|
|
take a snoop.
|
||
|
|
|
||
|
|
300
|
||
|
|
00:16:41,700 --> 00:16:42,868
|
||
|
|
Yeah?
|
||
|
|
|
||
|
|
301
|
||
|
|
00:16:42,935 --> 00:16:44,770
|
||
|
|
Lieutenant Drebin,
|
||
|
|
police squad.
|
||
|
|
|
||
|
|
302
|
||
|
|
00:16:44,837 --> 00:16:48,407
|
||
|
|
Oh, I remember you, Drebin.
|
||
|
|
What do you want?
|
||
|
|
|
||
|
|
303
|
||
|
|
00:16:48,474 --> 00:16:50,242
|
||
|
|
I wanna ask you
|
||
|
|
some questions.
|
||
|
|
|
||
|
|
304
|
||
|
|
00:16:50,309 --> 00:16:52,111
|
||
|
|
Are you familiar
|
||
|
|
with that face?
|
||
|
|
|
||
|
|
305
|
||
|
|
00:16:52,177 --> 00:16:54,913
|
||
|
|
I don't know.
|
||
|
|
My memory ain't so great.
|
||
|
|
|
||
|
|
306
|
||
|
|
00:16:54,980 --> 00:16:56,615
|
||
|
|
Oh, yeah?
|
||
|
|
|
||
|
|
307
|
||
|
|
00:16:56,682 --> 00:16:58,317
|
||
|
|
Maybe this'll
|
||
|
|
refresh your memory.
|
||
|
|
|
||
|
|
308
|
||
|
|
00:16:58,384 --> 00:17:00,018
|
||
|
|
I don't know,
|
||
|
|
it's still kinda hazy.
|
||
|
|
|
||
|
|
309
|
||
|
|
00:17:00,085 --> 00:17:01,754
|
||
|
|
How about this?
|
||
|
|
Yeah, I remember him.
|
||
|
|
|
||
|
|
310
|
||
|
|
00:17:01,820 --> 00:17:03,055
|
||
|
|
Why do you wanna know?
|
||
|
|
|
||
|
|
311
|
||
|
|
00:17:03,122 --> 00:17:04,857
|
||
|
|
I can't tell you that.
|
||
|
|
|
||
|
|
312
|
||
|
|
00:17:04,923 --> 00:17:06,558
|
||
|
|
Well, maybe this'll help.
|
||
|
|
|
||
|
|
313
|
||
|
|
00:17:06,625 --> 00:17:08,260
|
||
|
|
I really don't think
|
||
|
|
I should.
|
||
|
|
|
||
|
|
314
|
||
|
|
00:17:08,327 --> 00:17:10,429
|
||
|
|
Yeah, you still
|
||
|
|
don't think so?
|
||
|
|
|
||
|
|
315
|
||
|
|
00:17:10,496 --> 00:17:12,398
|
||
|
|
All right, his name
|
||
|
|
is Nordberg. He's a cop.
|
||
|
|
|
||
|
|
316
|
||
|
|
00:17:12,464 --> 00:17:14,099
|
||
|
|
He was no cop,
|
||
|
|
he was dealin' H.
|
||
|
|
|
||
|
|
317
|
||
|
|
00:17:14,166 --> 00:17:15,801
|
||
|
|
What?!
|
||
|
|
I'm tellin' you, he was dirty.
|
||
|
|
|
||
|
|
318
|
||
|
|
00:17:15,868 --> 00:17:17,302
|
||
|
|
Oh, you sniveling scum.
|
||
|
|
|
||
|
|
319
|
||
|
|
00:17:17,369 --> 00:17:18,904
|
||
|
|
I oughta run you in
|
||
|
|
right now.
|
||
|
|
|
||
|
|
320
|
||
|
|
00:17:18,971 --> 00:17:20,572
|
||
|
|
All right,
|
||
|
|
he worked at Ludwig Shipping.
|
||
|
|
|
||
|
|
321
|
||
|
|
00:17:20,639 --> 00:17:22,408
|
||
|
|
He tried to push something
|
||
|
|
on one of my boys, I swear it.
|
||
|
|
|
||
|
|
322
|
||
|
|
00:17:22,474 --> 00:17:24,209
|
||
|
|
What are you gonna do
|
||
|
|
about it, copper?
|
||
|
|
|
||
|
|
323
|
||
|
|
00:17:24,276 --> 00:17:25,577
|
||
|
|
Why should I tell you?
|
||
|
|
|
||
|
|
324
|
||
|
|
00:17:25,644 --> 00:17:27,079
|
||
|
|
Maybe this'll help.
|
||
|
|
|
||
|
|
325
|
||
|
|
00:17:27,146 --> 00:17:29,048
|
||
|
|
I still don't think
|
||
|
|
I should tell you.
|
||
|
|
|
||
|
|
326
|
||
|
|
00:17:29,114 --> 00:17:31,517
|
||
|
|
Can you spot me a 20?
|
||
|
|
How about now?
|
||
|
|
|
||
|
|
327
|
||
|
|
00:17:31,583 --> 00:17:33,519
|
||
|
|
All right. I'm going
|
||
|
|
down to Ludwig's office.
|
||
|
|
|
||
|
|
328
|
||
|
|
00:17:33,585 --> 00:17:36,488
|
||
|
|
I'll find out
|
||
|
|
if you're telling the truth.
|
||
|
|
|
||
|
|
329
|
||
|
|
00:17:36,555 --> 00:17:38,624
|
||
|
|
(<i> jazzy theme playing</i> )
|
||
|
|
|
||
|
|
330
|
||
|
|
00:17:38,690 --> 00:17:40,359
|
||
|
|
FRANK:
|
||
|
|
<i>Vincent Ludwig</i> <i>presided over</i>
|
||
|
|
|
||
|
|
331
|
||
|
|
00:17:40,426 --> 00:17:42,327
|
||
|
|
<i>one of the largest</i>
|
||
|
|
<i>corporations in the city.</i>
|
||
|
|
|
||
|
|
332
|
||
|
|
00:17:42,394 --> 00:17:44,463
|
||
|
|
<i>A respected businessman</i>
|
||
|
|
<i>and civic leader,</i>
|
||
|
|
|
||
|
|
333
|
||
|
|
00:17:44,530 --> 00:17:46,465
|
||
|
|
<i>the mayor had chosen him</i>
|
||
|
|
<i>to be the chairman</i>
|
||
|
|
|
||
|
|
334
|
||
|
|
00:17:46,532 --> 00:17:48,367
|
||
|
|
<i>of the Queen's</i>
|
||
|
|
<i>reception committee,</i>
|
||
|
|
|
||
|
|
335
|
||
|
|
00:17:48,434 --> 00:17:50,302
|
||
|
|
<i>and now I was getting ready</i>
|
||
|
|
<i>to question him</i>
|
||
|
|
|
||
|
|
336
|
||
|
|
00:17:50,369 --> 00:17:51,937
|
||
|
|
<i>about drugs</i>
|
||
|
|
<i>and attempted murder</i>
|
||
|
|
|
||
|
|
337
|
||
|
|
00:17:52,004 --> 00:17:53,405
|
||
|
|
<i>on his own docks.</i>
|
||
|
|
|
||
|
|
338
|
||
|
|
00:17:58,177 --> 00:17:59,812
|
||
|
|
Mr. Ludwig?
|
||
|
|
|
||
|
|
339
|
||
|
|
00:18:00,946 --> 00:18:02,047
|
||
|
|
Yes?
|
||
|
|
|
||
|
|
340
|
||
|
|
00:18:02,114 --> 00:18:04,183
|
||
|
|
Lieutenant Drebin
|
||
|
|
to see you, sir.
|
||
|
|
|
||
|
|
341
|
||
|
|
00:18:06,985 --> 00:18:08,487
|
||
|
|
Show him in.
|
||
|
|
|
||
|
|
342
|
||
|
|
00:18:13,992 --> 00:18:14,927
|
||
|
|
Lieutenant.
|
||
|
|
|
||
|
|
343
|
||
|
|
00:18:14,993 --> 00:18:16,762
|
||
|
|
The feeling is mutual.
|
||
|
|
|
||
|
|
344
|
||
|
|
00:18:16,829 --> 00:18:18,964
|
||
|
|
Nice to meet you too.
|
||
|
|
|
||
|
|
345
|
||
|
|
00:18:19,031 --> 00:18:20,933
|
||
|
|
Uh, Cuban?
|
||
|
|
|
||
|
|
346
|
||
|
|
00:18:20,999 --> 00:18:22,568
|
||
|
|
Uh, no.
|
||
|
|
Dutch-Irish.
|
||
|
|
|
||
|
|
347
|
||
|
|
00:18:22,634 --> 00:18:24,570
|
||
|
|
My father
|
||
|
|
was from Wales.
|
||
|
|
|
||
|
|
348
|
||
|
|
00:18:24,636 --> 00:18:25,637
|
||
|
|
Oh.
|
||
|
|
|
||
|
|
349
|
||
|
|
00:18:25,704 --> 00:18:26,872
|
||
|
|
Uh, sit down.
|
||
|
|
|
||
|
|
350
|
||
|
|
00:18:26,939 --> 00:18:29,241
|
||
|
|
A magnificent office
|
||
|
|
you have here, Mr. Ludwig.
|
||
|
|
|
||
|
|
351
|
||
|
|
00:18:29,308 --> 00:18:30,876
|
||
|
|
Thank you, thank you,
|
||
|
|
lieutenant.
|
||
|
|
|
||
|
|
352
|
||
|
|
00:18:30,943 --> 00:18:33,245
|
||
|
|
Most of the objects
|
||
|
|
in this room I have collected
|
||
|
|
|
||
|
|
353
|
||
|
|
00:18:33,312 --> 00:18:35,347
|
||
|
|
over a period
|
||
|
|
of many years.
|
||
|
|
|
||
|
|
354
|
||
|
|
00:18:35,414 --> 00:18:37,883
|
||
|
|
A Gainsborough,
|
||
|
|
Ming vases...
|
||
|
|
|
||
|
|
355
|
||
|
|
00:18:37,950 --> 00:18:39,551
|
||
|
|
Priceless.
|
||
|
|
|
||
|
|
356
|
||
|
|
00:18:39,618 --> 00:18:41,019
|
||
|
|
They are objects
|
||
|
|
|
||
|
|
357
|
||
|
|
00:18:41,086 --> 00:18:44,323
|
||
|
|
which I feel reflect
|
||
|
|
my personality,
|
||
|
|
|
||
|
|
358
|
||
|
|
00:18:44,389 --> 00:18:46,992
|
||
|
|
like the Japanese
|
||
|
|
fighting fish.
|
||
|
|
|
||
|
|
359
|
||
|
|
00:18:47,059 --> 00:18:49,328
|
||
|
|
Beautiful,
|
||
|
|
graceful, elegant,
|
||
|
|
|
||
|
|
360
|
||
|
|
00:18:49,394 --> 00:18:53,098
|
||
|
|
yet single-minded
|
||
|
|
of purpose
|
||
|
|
|
||
|
|
361
|
||
|
|
00:18:53,165 --> 00:18:56,401
|
||
|
|
and deadly when it finds
|
||
|
|
what it wants.
|
||
|
|
|
||
|
|
362
|
||
|
|
00:18:56,468 --> 00:19:01,840
|
||
|
|
This particular one
|
||
|
|
is valued at over $20,000.
|
||
|
|
|
||
|
|
363
|
||
|
|
00:19:01,907 --> 00:19:03,942
|
||
|
|
A luxury item,
|
||
|
|
to be certain,
|
||
|
|
|
||
|
|
364
|
||
|
|
00:19:04,009 --> 00:19:05,344
|
||
|
|
but as you can see,
|
||
|
|
|
||
|
|
365
|
||
|
|
00:19:05,410 --> 00:19:08,580
|
||
|
|
I am a man who appreciates
|
||
|
|
the finer things in life.
|
||
|
|
|
||
|
|
366
|
||
|
|
00:19:08,647 --> 00:19:10,215
|
||
|
|
Oh, this.
|
||
|
|
|
||
|
|
367
|
||
|
|
00:19:10,282 --> 00:19:12,384
|
||
|
|
This is a rare
|
||
|
|
samurai pen,
|
||
|
|
|
||
|
|
368
|
||
|
|
00:19:12,451 --> 00:19:15,354
|
||
|
|
a gift from
|
||
|
|
Emperor Hirohito.
|
||
|
|
|
||
|
|
369
|
||
|
|
00:19:15,420 --> 00:19:19,391
|
||
|
|
Unbreakable. Impervious
|
||
|
|
to everything but water.
|
||
|
|
|
||
|
|
370
|
||
|
|
00:19:19,458 --> 00:19:22,227
|
||
|
|
Its value
|
||
|
|
is beyond estimation.
|
||
|
|
|
||
|
|
371
|
||
|
|
00:19:22,294 --> 00:19:24,096
|
||
|
|
That's fascinating.
|
||
|
|
|
||
|
|
372
|
||
|
|
00:19:24,162 --> 00:19:26,732
|
||
|
|
But I'm sure you didn't
|
||
|
|
pay me this visit
|
||
|
|
|
||
|
|
373
|
||
|
|
00:19:26,798 --> 00:19:29,601
|
||
|
|
to hear a lecture
|
||
|
|
on fine art, lieutenant.
|
||
|
|
|
||
|
|
374
|
||
|
|
00:19:29,668 --> 00:19:31,670
|
||
|
|
To what do I owe
|
||
|
|
the honor?
|
||
|
|
|
||
|
|
375
|
||
|
|
00:19:31,737 --> 00:19:34,373
|
||
|
|
I'm investigating
|
||
|
|
the attempted murder
|
||
|
|
|
||
|
|
376
|
||
|
|
00:19:34,439 --> 00:19:36,375
|
||
|
|
of one
|
||
|
|
of your dockworkers,
|
||
|
|
|
||
|
|
377
|
||
|
|
00:19:36,441 --> 00:19:39,878
|
||
|
|
a man named Nordberg,
|
||
|
|
|
||
|
|
378
|
||
|
|
00:19:39,945 --> 00:19:41,847
|
||
|
|
a police officer.
|
||
|
|
|
||
|
|
379
|
||
|
|
00:19:43,782 --> 00:19:45,784
|
||
|
|
He's still alive, then?
|
||
|
|
|
||
|
|
380
|
||
|
|
00:19:45,851 --> 00:19:47,753
|
||
|
|
He was shot six times.
|
||
|
|
|
||
|
|
381
|
||
|
|
00:19:47,819 --> 00:19:50,489
|
||
|
|
Fortunately, the bullets missed
|
||
|
|
every vital organ,
|
||
|
|
|
||
|
|
382
|
||
|
|
00:19:50,556 --> 00:19:53,158
|
||
|
|
and the salt water preserved him
|
||
|
|
until he was found.
|
||
|
|
|
||
|
|
383
|
||
|
|
00:19:53,225 --> 00:19:54,993
|
||
|
|
So they were able to--
|
||
|
|
|
||
|
|
384
|
||
|
|
00:19:55,060 --> 00:19:57,763
|
||
|
|
So they were able to get him
|
||
|
|
to the hospital in time?
|
||
|
|
|
||
|
|
385
|
||
|
|
00:19:57,829 --> 00:19:59,865
|
||
|
|
Yes. He's in
|
||
|
|
the intensive care ward
|
||
|
|
|
||
|
|
386
|
||
|
|
00:19:59,932 --> 00:20:01,833
|
||
|
|
at Our Lady of the
|
||
|
|
Worthless Miracle.
|
||
|
|
|
||
|
|
387
|
||
|
|
00:20:01,900 --> 00:20:05,337
|
||
|
|
Well, this certainly comes
|
||
|
|
as a shock to me, lieutenant.
|
||
|
|
|
||
|
|
388
|
||
|
|
00:20:05,404 --> 00:20:07,639
|
||
|
|
But as you know,
|
||
|
|
I am not the kind of man
|
||
|
|
|
||
|
|
389
|
||
|
|
00:20:07,706 --> 00:20:09,374
|
||
|
|
who takes this type of thing
|
||
|
|
lightly.
|
||
|
|
|
||
|
|
390
|
||
|
|
00:20:09,441 --> 00:20:11,143
|
||
|
|
There is no room
|
||
|
|
in my organization...
|
||
|
|
|
||
|
|
391
|
||
|
|
00:20:11,209 --> 00:20:12,311
|
||
|
|
( snap ) ( yells softly )
|
||
|
|
( snap ) ( yells softly )
|
||
|
|
|
||
|
|
392
|
||
|
|
00:20:12,377 --> 00:20:14,112
|
||
|
|
...for any type
|
||
|
|
of criminal activity.
|
||
|
|
|
||
|
|
393
|
||
|
|
00:20:14,179 --> 00:20:15,447
|
||
|
|
Look out there.
|
||
|
|
|
||
|
|
394
|
||
|
|
00:20:15,514 --> 00:20:19,184
|
||
|
|
A vast commercial
|
||
|
|
development built by me.
|
||
|
|
|
||
|
|
395
|
||
|
|
00:20:19,251 --> 00:20:20,719
|
||
|
|
Do you have any idea
|
||
|
|
|
||
|
|
396
|
||
|
|
00:20:20,786 --> 00:20:22,821
|
||
|
|
what was out there
|
||
|
|
just five years ago?
|
||
|
|
|
||
|
|
397
|
||
|
|
00:20:22,888 --> 00:20:24,222
|
||
|
|
Yah!
|
||
|
|
|
||
|
|
398
|
||
|
|
00:20:24,289 --> 00:20:26,758
|
||
|
|
You bet you do--
|
||
|
|
Orange groves,
|
||
|
|
|
||
|
|
399
|
||
|
|
00:20:26,825 --> 00:20:29,528
|
||
|
|
acres of them,
|
||
|
|
as far as the eye could see.
|
||
|
|
|
||
|
|
400
|
||
|
|
00:20:29,595 --> 00:20:31,029
|
||
|
|
But now, of course, that land
|
||
|
|
|
||
|
|
401
|
||
|
|
00:20:31,096 --> 00:20:32,598
|
||
|
|
is able to generate ten times
|
||
|
|
|
||
|
|
402
|
||
|
|
00:20:32,664 --> 00:20:34,333
|
||
|
|
the amount of profit
|
||
|
|
per square foot.
|
||
|
|
|
||
|
|
403
|
||
|
|
00:20:34,399 --> 00:20:36,101
|
||
|
|
( squelches )
|
||
|
|
|
||
|
|
404
|
||
|
|
00:20:36,168 --> 00:20:37,603
|
||
|
|
Are you all right,
|
||
|
|
lieutenant?
|
||
|
|
|
||
|
|
405
|
||
|
|
00:20:39,137 --> 00:20:41,406
|
||
|
|
Let me get you
|
||
|
|
some Kleenex.
|
||
|
|
|
||
|
|
406
|
||
|
|
00:20:41,473 --> 00:20:43,742
|
||
|
|
Has this officer--
|
||
|
|
|
||
|
|
407
|
||
|
|
00:20:43,809 --> 00:20:47,079
|
||
|
|
Uh, what's his name--
|
||
|
|
Nordberg?
|
||
|
|
|
||
|
|
408
|
||
|
|
00:20:47,145 --> 00:20:50,882
|
||
|
|
Been able to tell you
|
||
|
|
anything?
|
||
|
|
|
||
|
|
409
|
||
|
|
00:20:50,949 --> 00:20:52,117
|
||
|
|
Uh...
|
||
|
|
Well, of course,
|
||
|
|
|
||
|
|
410
|
||
|
|
00:20:52,184 --> 00:20:55,754
|
||
|
|
he hasn't been able
|
||
|
|
to tell us a thing so far,
|
||
|
|
|
||
|
|
411
|
||
|
|
00:20:55,821 --> 00:20:58,790
|
||
|
|
but as soon as he regains
|
||
|
|
consciousness...
|
||
|
|
|
||
|
|
412
|
||
|
|
00:20:58,857 --> 00:21:01,693
|
||
|
|
We'll see if he can
|
||
|
|
still play guitar.
|
||
|
|
|
||
|
|
413
|
||
|
|
00:21:02,794 --> 00:21:03,962
|
||
|
|
I beg your pardon?
|
||
|
|
|
||
|
|
414
|
||
|
|
00:21:04,029 --> 00:21:06,498
|
||
|
|
I've taken up too much
|
||
|
|
of your time already.
|
||
|
|
|
||
|
|
415
|
||
|
|
00:21:06,565 --> 00:21:08,867
|
||
|
|
I'd like to look
|
||
|
|
at your employment records now
|
||
|
|
|
||
|
|
416
|
||
|
|
00:21:08,934 --> 00:21:10,569
|
||
|
|
and speak to someone
|
||
|
|
in personnel,
|
||
|
|
|
||
|
|
417
|
||
|
|
00:21:10,636 --> 00:21:12,004
|
||
|
|
if you don't mind,
|
||
|
|
of course.
|
||
|
|
|
||
|
|
418
|
||
|
|
00:21:12,070 --> 00:21:13,138
|
||
|
|
Of course.
|
||
|
|
|
||
|
|
419
|
||
|
|
00:21:13,205 --> 00:21:14,406
|
||
|
|
{\an8}( line buzzes )
|
||
|
|
Dominique,
|
||
|
|
|
||
|
|
420
|
||
|
|
00:21:14,473 --> 00:21:16,174
|
||
|
|
{\an8}will you please
|
||
|
|
send in Miss Spencer?
|
||
|
|
|
||
|
|
421
|
||
|
|
00:21:16,241 --> 00:21:17,476
|
||
|
|
{\an8}<i>Yes, sir.</i>
|
||
|
|
|
||
|
|
422
|
||
|
|
00:21:17,542 --> 00:21:19,277
|
||
|
|
As you know, I am quite busy
|
||
|
|
|
||
|
|
423
|
||
|
|
00:21:19,344 --> 00:21:20,979
|
||
|
|
making last-minute
|
||
|
|
arrangements
|
||
|
|
|
||
|
|
424
|
||
|
|
00:21:21,046 --> 00:21:22,648
|
||
|
|
for the royal visit.
|
||
|
|
|
||
|
|
425
|
||
|
|
00:21:22,714 --> 00:21:26,218
|
||
|
|
I'll have my assistant provide
|
||
|
|
you with anything you need.
|
||
|
|
|
||
|
|
426
|
||
|
|
00:21:26,284 --> 00:21:27,452
|
||
|
|
You've been
|
||
|
|
very cooperative.
|
||
|
|
|
||
|
|
427
|
||
|
|
00:21:27,519 --> 00:21:29,221
|
||
|
|
I'll make a note of that
|
||
|
|
in my report.
|
||
|
|
|
||
|
|
428
|
||
|
|
00:21:29,287 --> 00:21:30,589
|
||
|
|
My pleasure.
|
||
|
|
|
||
|
|
429
|
||
|
|
00:21:34,192 --> 00:21:35,394
|
||
|
|
Ah, Miss Spencer,
|
||
|
|
|
||
|
|
430
|
||
|
|
00:21:35,460 --> 00:21:37,362
|
||
|
|
this is Lieutenant
|
||
|
|
Frank Drebin
|
||
|
|
|
||
|
|
431
|
||
|
|
00:21:37,429 --> 00:21:39,965
|
||
|
|
from police squad.
|
||
|
|
|
||
|
|
432
|
||
|
|
00:21:40,032 --> 00:21:43,068
|
||
|
|
Hello, Mr. Drebin.
|
||
|
|
|
||
|
|
433
|
||
|
|
00:21:43,135 --> 00:21:45,003
|
||
|
|
Hello.
|
||
|
|
|
||
|
|
434
|
||
|
|
00:21:45,070 --> 00:21:47,606
|
||
|
|
(<i> jazzy theme playing</i> )
|
||
|
|
|
||
|
|
435
|
||
|
|
00:21:52,010 --> 00:21:53,345
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
436
|
||
|
|
00:21:53,412 --> 00:21:55,947
|
||
|
|
( Jane thudding )
|
||
|
|
|
||
|
|
437
|
||
|
|
00:22:08,293 --> 00:22:09,628
|
||
|
|
FRANK:
|
||
|
|
<i>Her hair was the color</i>
|
||
|
|
|
||
|
|
438
|
||
|
|
00:22:09,695 --> 00:22:12,531
|
||
|
|
<i>of gold in old paintings.</i>
|
||
|
|
|
||
|
|
439
|
||
|
|
00:22:13,732 --> 00:22:16,268
|
||
|
|
<i>She had a full set</i>
|
||
|
|
<i>of curves</i>
|
||
|
|
|
||
|
|
440
|
||
|
|
00:22:16,334 --> 00:22:20,639
|
||
|
|
<i>and the kind of legs you'd</i>
|
||
|
|
<i>like to suck on for a day.</i>
|
||
|
|
|
||
|
|
441
|
||
|
|
00:22:22,207 --> 00:22:25,477
|
||
|
|
<i>She was giving me a look</i>
|
||
|
|
<i>I could feel in my hip pocket.</i>
|
||
|
|
|
||
|
|
442
|
||
|
|
00:22:27,145 --> 00:22:28,580
|
||
|
|
<i>Yep...</i>
|
||
|
|
|
||
|
|
443
|
||
|
|
00:22:28,647 --> 00:22:31,983
|
||
|
|
<i>This was starting</i>
|
||
|
|
<i>to get interesting.</i>
|
||
|
|
|
||
|
|
444
|
||
|
|
00:22:37,255 --> 00:22:39,191
|
||
|
|
Nice beaver.
|
||
|
|
|
||
|
|
445
|
||
|
|
00:22:39,257 --> 00:22:40,625
|
||
|
|
Thank you.
|
||
|
|
|
||
|
|
446
|
||
|
|
00:22:40,692 --> 00:22:42,094
|
||
|
|
I just had it stuffed.
|
||
|
|
|
||
|
|
447
|
||
|
|
00:22:42,160 --> 00:22:43,995
|
||
|
|
Let me help you with that.
|
||
|
|
|
||
|
|
448
|
||
|
|
00:22:46,998 --> 00:22:49,501
|
||
|
|
This should be what you're
|
||
|
|
looking for, lieutenant--
|
||
|
|
|
||
|
|
449
|
||
|
|
00:22:49,568 --> 00:22:52,738
|
||
|
|
Shipping and employment
|
||
|
|
records for pier 32.
|
||
|
|
|
||
|
|
450
|
||
|
|
00:22:52,804 --> 00:22:53,872
|
||
|
|
Thank you.
|
||
|
|
|
||
|
|
451
|
||
|
|
00:22:55,440 --> 00:22:57,609
|
||
|
|
I've heard police work
|
||
|
|
is dangerous.
|
||
|
|
|
||
|
|
452
|
||
|
|
00:22:57,676 --> 00:23:00,545
|
||
|
|
It is. That's why
|
||
|
|
I carry a big gun.
|
||
|
|
|
||
|
|
453
|
||
|
|
00:23:00,612 --> 00:23:03,482
|
||
|
|
Aren't you afraid
|
||
|
|
it might go off accidentally?
|
||
|
|
|
||
|
|
454
|
||
|
|
00:23:03,548 --> 00:23:05,951
|
||
|
|
I used to have that problem.
|
||
|
|
|
||
|
|
455
|
||
|
|
00:23:06,017 --> 00:23:07,686
|
||
|
|
What did you do about it?
|
||
|
|
|
||
|
|
456
|
||
|
|
00:23:07,753 --> 00:23:09,154
|
||
|
|
I just think about baseball.
|
||
|
|
|
||
|
|
457
|
||
|
|
00:23:12,023 --> 00:23:14,559
|
||
|
|
Hey, that's a honey of an ankle
|
||
|
|
bracelet you have there.
|
||
|
|
|
||
|
|
458
|
||
|
|
00:23:14,626 --> 00:23:17,529
|
||
|
|
Oh, did it slip
|
||
|
|
down there again?
|
||
|
|
|
||
|
|
459
|
||
|
|
00:23:18,563 --> 00:23:19,698
|
||
|
|
Yes, well...
|
||
|
|
|
||
|
|
460
|
||
|
|
00:23:19,765 --> 00:23:21,767
|
||
|
|
I'll go through this
|
||
|
|
as fast as I can
|
||
|
|
|
||
|
|
461
|
||
|
|
00:23:21,833 --> 00:23:23,602
|
||
|
|
and get them back to you
|
||
|
|
tomorrow maybe.
|
||
|
|
|
||
|
|
462
|
||
|
|
00:23:23,668 --> 00:23:26,471
|
||
|
|
That would be fine...
|
||
|
|
But there's no rush.
|
||
|
|
|
||
|
|
463
|
||
|
|
00:23:26,538 --> 00:23:28,406
|
||
|
|
I mean, whenever you're through.
|
||
|
|
|
||
|
|
464
|
||
|
|
00:23:28,473 --> 00:23:29,841
|
||
|
|
Thank you.
|
||
|
|
|
||
|
|
465
|
||
|
|
00:23:29,908 --> 00:23:32,477
|
||
|
|
I wish there was some way
|
||
|
|
I could repay you. Uh...
|
||
|
|
|
||
|
|
466
|
||
|
|
00:23:32,544 --> 00:23:33,779
|
||
|
|
How about dinner?
|
||
|
|
|
||
|
|
467
|
||
|
|
00:23:33,845 --> 00:23:34,946
|
||
|
|
I know this little
|
||
|
|
out-of-the-way place
|
||
|
|
|
||
|
|
468
|
||
|
|
00:23:35,013 --> 00:23:37,649
|
||
|
|
that serves
|
||
|
|
great Viking food.
|
||
|
|
|
||
|
|
469
|
||
|
|
00:23:37,716 --> 00:23:39,951
|
||
|
|
That's quite a tempting offer,
|
||
|
|
lieutenant,
|
||
|
|
|
||
|
|
470
|
||
|
|
00:23:40,018 --> 00:23:42,654
|
||
|
|
but I'm afraid I'm gonna have
|
||
|
|
to get my rest this evening,
|
||
|
|
|
||
|
|
471
|
||
|
|
00:23:42,721 --> 00:23:44,122
|
||
|
|
tomorrow being
|
||
|
|
Arbor Day and all.
|
||
|
|
|
||
|
|
472
|
||
|
|
00:23:44,189 --> 00:23:47,292
|
||
|
|
Oh, of course.
|
||
|
|
Well, perhaps some other time.
|
||
|
|
|
||
|
|
473
|
||
|
|
00:23:47,359 --> 00:23:48,660
|
||
|
|
How about a rain check?
|
||
|
|
|
||
|
|
474
|
||
|
|
00:23:48,727 --> 00:23:50,829
|
||
|
|
Well, let's just
|
||
|
|
stick to dinner.
|
||
|
|
|
||
|
|
475
|
||
|
|
00:23:50,896 --> 00:23:53,865
|
||
|
|
Thank you for your help,
|
||
|
|
Miss Spencer.
|
||
|
|
|
||
|
|
476
|
||
|
|
00:23:56,101 --> 00:23:57,803
|
||
|
|
My pleasure.
|
||
|
|
|
||
|
|
477
|
||
|
|
00:23:57,869 --> 00:23:58,870
|
||
|
|
Well?
|
||
|
|
|
||
|
|
478
|
||
|
|
00:23:58,937 --> 00:24:01,907
|
||
|
|
Oh, Mr. Ludwig!
|
||
|
|
You startled me.
|
||
|
|
|
||
|
|
479
|
||
|
|
00:24:01,973 --> 00:24:03,842
|
||
|
|
I'm sorry, my dear.
|
||
|
|
|
||
|
|
480
|
||
|
|
00:24:03,909 --> 00:24:05,377
|
||
|
|
I just wanted to know
|
||
|
|
if you got
|
||
|
|
|
||
|
|
481
|
||
|
|
00:24:05,443 --> 00:24:06,878
|
||
|
|
the lieutenant
|
||
|
|
what he wanted.
|
||
|
|
|
||
|
|
482
|
||
|
|
00:24:06,945 --> 00:24:09,414
|
||
|
|
Yes, I gave him copies
|
||
|
|
of the files for pier 32.
|
||
|
|
|
||
|
|
483
|
||
|
|
00:24:09,481 --> 00:24:11,783
|
||
|
|
Good. That's good.
|
||
|
|
|
||
|
|
484
|
||
|
|
00:24:11,850 --> 00:24:14,286
|
||
|
|
He's an intriguing
|
||
|
|
fellow,
|
||
|
|
|
||
|
|
485
|
||
|
|
00:24:14,352 --> 00:24:15,887
|
||
|
|
this Lieutenant Drebin
|
||
|
|
|
||
|
|
486
|
||
|
|
00:24:15,954 --> 00:24:17,155
|
||
|
|
don't you think?
|
||
|
|
|
||
|
|
487
|
||
|
|
00:24:17,222 --> 00:24:19,457
|
||
|
|
Oh, well, I don't know.
|
||
|
|
|
||
|
|
488
|
||
|
|
00:24:19,524 --> 00:24:22,160
|
||
|
|
I've only just met him.
|
||
|
|
He seems very nice.
|
||
|
|
|
||
|
|
489
|
||
|
|
00:24:22,227 --> 00:24:25,831
|
||
|
|
Jane, I realize this
|
||
|
|
is an unusual request,
|
||
|
|
|
||
|
|
490
|
||
|
|
00:24:25,897 --> 00:24:28,266
|
||
|
|
but if there is
|
||
|
|
something illegal
|
||
|
|
|
||
|
|
491
|
||
|
|
00:24:28,333 --> 00:24:29,434
|
||
|
|
going on
|
||
|
|
in this company,
|
||
|
|
|
||
|
|
492
|
||
|
|
00:24:29,501 --> 00:24:30,869
|
||
|
|
I need to know
|
||
|
|
everything about it
|
||
|
|
|
||
|
|
493
|
||
|
|
00:24:30,936 --> 00:24:33,405
|
||
|
|
so we can root out
|
||
|
|
any wrongdoers.
|
||
|
|
|
||
|
|
494
|
||
|
|
00:24:33,471 --> 00:24:36,541
|
||
|
|
That's why
|
||
|
|
I want you to, well,
|
||
|
|
|
||
|
|
495
|
||
|
|
00:24:36,608 --> 00:24:39,778
|
||
|
|
to get to know Lieutenant Drebin
|
||
|
|
a little better,
|
||
|
|
|
||
|
|
496
|
||
|
|
00:24:39,845 --> 00:24:42,180
|
||
|
|
find out what he knows.
|
||
|
|
|
||
|
|
497
|
||
|
|
00:24:42,247 --> 00:24:43,448
|
||
|
|
Mr. Ludwig, don't you think
|
||
|
|
|
||
|
|
498
|
||
|
|
00:24:43,515 --> 00:24:44,916
|
||
|
|
this is best handled
|
||
|
|
by the police?
|
||
|
|
|
||
|
|
499
|
||
|
|
00:24:44,983 --> 00:24:47,886
|
||
|
|
But we are letting the police
|
||
|
|
handle it, my dear,
|
||
|
|
|
||
|
|
500
|
||
|
|
00:24:47,953 --> 00:24:51,089
|
||
|
|
but this company
|
||
|
|
needs to know the facts quickly
|
||
|
|
|
||
|
|
501
|
||
|
|
00:24:51,156 --> 00:24:53,491
|
||
|
|
before anything
|
||
|
|
gets into the newspapers.
|
||
|
|
|
||
|
|
502
|
||
|
|
00:24:53,558 --> 00:24:54,993
|
||
|
|
Don't forget,
|
||
|
|
|
||
|
|
503
|
||
|
|
00:24:55,060 --> 00:24:59,097
|
||
|
|
I have a responsibility
|
||
|
|
to the stockholders.
|
||
|
|
|
||
|
|
504
|
||
|
|
00:24:59,164 --> 00:25:02,467
|
||
|
|
Well... If you
|
||
|
|
put it that way, I mean, I--
|
||
|
|
|
||
|
|
505
|
||
|
|
00:25:02,534 --> 00:25:04,636
|
||
|
|
Yes, I'll do my best.
|
||
|
|
|
||
|
|
506
|
||
|
|
00:25:04,703 --> 00:25:06,538
|
||
|
|
That's better.
|
||
|
|
|
||
|
|
507
|
||
|
|
00:25:09,774 --> 00:25:11,543
|
||
|
|
I'm sure you will.
|
||
|
|
|
||
|
|
508
|
||
|
|
00:25:11,610 --> 00:25:13,745
|
||
|
|
(<i> suspenseful theme plays</i> )
|
||
|
|
|
||
|
|
509
|
||
|
|
00:25:13,812 --> 00:25:17,482
|
||
|
|
(<i> suspenseful theme</i>
|
||
|
|
<i>turns jazzy</i> )
|
||
|
|
|
||
|
|
510
|
||
|
|
00:25:17,549 --> 00:25:19,150
|
||
|
|
FRANK:
|
||
|
|
<i>It was about 4 p.m.</i>
|
||
|
|
|
||
|
|
511
|
||
|
|
00:25:19,217 --> 00:25:20,986
|
||
|
|
<i>when I returned</i>
|
||
|
|
<i>to police squad.</i>
|
||
|
|
|
||
|
|
512
|
||
|
|
00:25:22,420 --> 00:25:25,290
|
||
|
|
<i>I figured to stop by</i>
|
||
|
|
<i>and see what the lab boys</i>
|
||
|
|
|
||
|
|
513
|
||
|
|
00:25:25,357 --> 00:25:27,125
|
||
|
|
<i>had come up with</i>
|
||
|
|
<i>on Nordberg's jacket,</i>
|
||
|
|
|
||
|
|
514
|
||
|
|
00:25:27,192 --> 00:25:29,928
|
||
|
|
<i>the one they'd found</i>
|
||
|
|
<i>on the docks.</i>
|
||
|
|
|
||
|
|
515
|
||
|
|
00:25:29,995 --> 00:25:32,197
|
||
|
|
<i>You can tell a lot</i>
|
||
|
|
<i>from fiber samples</i>
|
||
|
|
|
||
|
|
516
|
||
|
|
00:25:32,264 --> 00:25:33,832
|
||
|
|
<i>if they aren't too wet,</i>
|
||
|
|
|
||
|
|
517
|
||
|
|
00:25:33,899 --> 00:25:36,568
|
||
|
|
<i>and I was hoping in this case</i>
|
||
|
|
<i>we wouldn't come up dry.</i>
|
||
|
|
|
||
|
|
518
|
||
|
|
00:25:36,635 --> 00:25:38,069
|
||
|
|
Hey, look out!
|
||
|
|
|
||
|
|
519
|
||
|
|
00:25:40,305 --> 00:25:42,073
|
||
|
|
Police! Halt!
|
||
|
|
|
||
|
|
520
|
||
|
|
00:25:43,642 --> 00:25:45,944
|
||
|
|
( screaming )
|
||
|
|
|
||
|
|
521
|
||
|
|
00:25:50,882 --> 00:25:53,618
|
||
|
|
Anybody catch
|
||
|
|
the license plate?
|
||
|
|
|
||
|
|
522
|
||
|
|
00:25:53,685 --> 00:25:56,021
|
||
|
|
Anybody get a look
|
||
|
|
at the driver?
|
||
|
|
|
||
|
|
523
|
||
|
|
00:25:56,087 --> 00:25:58,723
|
||
|
|
WOMAN:
|
||
|
|
Get out of the way!
|
||
|
|
|
||
|
|
524
|
||
|
|
00:26:00,158 --> 00:26:03,128
|
||
|
|
Uh, take the names of everybody
|
||
|
|
here for questioning.
|
||
|
|
|
||
|
|
525
|
||
|
|
00:26:03,194 --> 00:26:06,398
|
||
|
|
Uh, I got to get, uh...
|
||
|
|
|
||
|
|
526
|
||
|
|
00:26:06,464 --> 00:26:08,867
|
||
|
|
inside.
|
||
|
|
|
||
|
|
527
|
||
|
|
00:26:08,934 --> 00:26:10,669
|
||
|
|
MAN:
|
||
|
|
Did you see what happened?
|
||
|
|
|
||
|
|
528
|
||
|
|
00:26:14,339 --> 00:26:17,142
|
||
|
|
Hi, Ed, Ted, you got
|
||
|
|
those fiber samples?
|
||
|
|
|
||
|
|
529
|
||
|
|
00:26:17,208 --> 00:26:20,078
|
||
|
|
Shh, we got some action here. What's up?
|
||
|
|
Shh, we got some action here. What's up?
|
||
|
|
|
||
|
|
530
|
||
|
|
00:26:20,145 --> 00:26:22,447
|
||
|
|
TED:
|
||
|
|
We're testing that new anti-graffiti wall.
|
||
|
|
|
||
|
|
531
|
||
|
|
00:26:22,514 --> 00:26:24,482
|
||
|
|
FRANK:
|
||
|
|
Looks like we've got a few customers.
|
||
|
|
|
||
|
|
532
|
||
|
|
00:26:24,549 --> 00:26:26,818
|
||
|
|
It's set to react when the
|
||
|
|
spray hits the sensors.
|
||
|
|
|
||
|
|
533
|
||
|
|
00:26:26,885 --> 00:26:29,154
|
||
|
|
You guys are crazy...
|
||
|
|
|
||
|
|
534
|
||
|
|
00:26:29,220 --> 00:26:31,656
|
||
|
|
( all yelling )
|
||
|
|
|
||
|
|
535
|
||
|
|
00:26:31,723 --> 00:26:33,425
|
||
|
|
You've done it again.
|
||
|
|
Mazel tov.
|
||
|
|
|
||
|
|
536
|
||
|
|
00:26:33,491 --> 00:26:36,861
|
||
|
|
Good work, Ted. What will
|
||
|
|
you lab boys think up next?
|
||
|
|
|
||
|
|
537
|
||
|
|
00:26:36,928 --> 00:26:38,630
|
||
|
|
Now that you
|
||
|
|
mention it,
|
||
|
|
|
||
|
|
538
|
||
|
|
00:26:38,697 --> 00:26:41,700
|
||
|
|
here's something we developed
|
||
|
|
only yesterday.
|
||
|
|
|
||
|
|
539
|
||
|
|
00:26:41,766 --> 00:26:44,436
|
||
|
|
To the casual observer,
|
||
|
|
an ordinary shoe.
|
||
|
|
|
||
|
|
540
|
||
|
|
00:26:44,502 --> 00:26:47,205
|
||
|
|
But, in actuality...
|
||
|
|
|
||
|
|
541
|
||
|
|
00:26:47,272 --> 00:26:48,840
|
||
|
|
It makes
|
||
|
|
quite a handy weapon.
|
||
|
|
|
||
|
|
542
|
||
|
|
00:26:48,907 --> 00:26:52,477
|
||
|
|
And everything a cop
|
||
|
|
in the field would need.
|
||
|
|
|
||
|
|
543
|
||
|
|
00:26:52,544 --> 00:26:54,245
|
||
|
|
We call it
|
||
|
|
the Swiss Army shoe.
|
||
|
|
|
||
|
|
544
|
||
|
|
00:26:54,312 --> 00:26:56,982
|
||
|
|
That's great, Ted.
|
||
|
|
What about the fiber samples?
|
||
|
|
|
||
|
|
545
|
||
|
|
00:26:57,048 --> 00:26:59,050
|
||
|
|
Let me just show you
|
||
|
|
one more thing, Frank.
|
||
|
|
|
||
|
|
546
|
||
|
|
00:26:59,117 --> 00:27:01,486
|
||
|
|
Do you see these
|
||
|
|
cuff links I'm wearing?
|
||
|
|
|
||
|
|
547
|
||
|
|
00:27:01,553 --> 00:27:03,054
|
||
|
|
They're not
|
||
|
|
just cuff links.
|
||
|
|
|
||
|
|
548
|
||
|
|
00:27:03,121 --> 00:27:05,890
|
||
|
|
Each one fires
|
||
|
|
a single pin-sized dart
|
||
|
|
|
||
|
|
549
|
||
|
|
00:27:05,957 --> 00:27:07,959
|
||
|
|
that knocks out your victim
|
||
|
|
for a few minutes,
|
||
|
|
|
||
|
|
550
|
||
|
|
00:27:08,026 --> 00:27:09,694
|
||
|
|
but does no
|
||
|
|
permanent damage.
|
||
|
|
|
||
|
|
551
|
||
|
|
00:27:09,761 --> 00:27:11,796
|
||
|
|
Here, let me demonstrate on Ed.
|
||
|
|
Yeah?
|
||
|
|
|
||
|
|
552
|
||
|
|
00:27:13,164 --> 00:27:14,199
|
||
|
|
Ted...
|
||
|
|
|
||
|
|
553
|
||
|
|
00:27:15,934 --> 00:27:16,935
|
||
|
|
Why?
|
||
|
|
|
||
|
|
554
|
||
|
|
00:27:18,169 --> 00:27:21,039
|
||
|
|
Don't worry. He'll be up
|
||
|
|
and around in no time.
|
||
|
|
|
||
|
|
555
|
||
|
|
00:27:21,106 --> 00:27:23,108
|
||
|
|
Why don't you
|
||
|
|
take a pair, Frank?
|
||
|
|
|
||
|
|
556
|
||
|
|
00:27:23,174 --> 00:27:25,744
|
||
|
|
Well, actually I could use
|
||
|
|
another pair of cuff links.
|
||
|
|
|
||
|
|
557
|
||
|
|
00:27:25,810 --> 00:27:27,379
|
||
|
|
Good. I think
|
||
|
|
you'll like them.
|
||
|
|
|
||
|
|
558
|
||
|
|
00:27:27,445 --> 00:27:28,613
|
||
|
|
You want this, chief?
|
||
|
|
|
||
|
|
559
|
||
|
|
00:27:28,680 --> 00:27:29,981
|
||
|
|
Yes, thank you, Al.
|
||
|
|
|
||
|
|
560
|
||
|
|
00:27:30,048 --> 00:27:33,018
|
||
|
|
You've got something
|
||
|
|
on the side of your mouth, Al.
|
||
|
|
|
||
|
|
561
|
||
|
|
00:27:33,084 --> 00:27:35,086
|
||
|
|
No, no,
|
||
|
|
the other side.
|
||
|
|
|
||
|
|
562
|
||
|
|
00:27:36,087 --> 00:27:37,522
|
||
|
|
As you requested,
|
||
|
|
Frank,
|
||
|
|
|
||
|
|
563
|
||
|
|
00:27:37,589 --> 00:27:40,959
|
||
|
|
we took some fiber samples
|
||
|
|
from Nordberg's jacket.
|
||
|
|
|
||
|
|
564
|
||
|
|
00:27:41,026 --> 00:27:43,361
|
||
|
|
I'm afraid
|
||
|
|
it doesn't look good.
|
||
|
|
|
||
|
|
565
|
||
|
|
00:27:43,428 --> 00:27:44,529
|
||
|
|
What do you mean?
|
||
|
|
|
||
|
|
566
|
||
|
|
00:27:44,596 --> 00:27:46,431
|
||
|
|
Take a look for yourself.
|
||
|
|
|
||
|
|
567
|
||
|
|
00:27:49,634 --> 00:27:50,769
|
||
|
|
I-I can't see anything.
|
||
|
|
|
||
|
|
568
|
||
|
|
00:27:50,835 --> 00:27:52,804
|
||
|
|
Use your open eye,
|
||
|
|
Frank.
|
||
|
|
|
||
|
|
569
|
||
|
|
00:27:54,372 --> 00:27:55,907
|
||
|
|
Oh, yeah, I can see it now.
|
||
|
|
|
||
|
|
570
|
||
|
|
00:27:55,974 --> 00:27:57,709
|
||
|
|
At first glance,
|
||
|
|
it would appear to be
|
||
|
|
|
||
|
|
571
|
||
|
|
00:27:57,776 --> 00:27:59,444
|
||
|
|
only the normal
|
||
|
|
cotton fibers.
|
||
|
|
|
||
|
|
572
|
||
|
|
00:27:59,511 --> 00:28:01,613
|
||
|
|
But when we focused in
|
||
|
|
closer we discovered
|
||
|
|
|
||
|
|
573
|
||
|
|
00:28:01,679 --> 00:28:03,715
|
||
|
|
a fine white powder.
|
||
|
|
( glass breaks )
|
||
|
|
|
||
|
|
574
|
||
|
|
00:28:03,782 --> 00:28:06,317
|
||
|
|
We tested it.
|
||
|
|
Pure heroin.
|
||
|
|
|
||
|
|
575
|
||
|
|
00:28:06,384 --> 00:28:08,386
|
||
|
|
How well do you know
|
||
|
|
Nordberg, Frank?
|
||
|
|
|
||
|
|
576
|
||
|
|
00:28:10,121 --> 00:28:13,324
|
||
|
|
We were partners for nine years,
|
||
|
|
and he's my best friend.
|
||
|
|
|
||
|
|
577
|
||
|
|
00:28:13,391 --> 00:28:15,026
|
||
|
|
I know, Frank,
|
||
|
|
but we can't allow
|
||
|
|
|
||
|
|
578
|
||
|
|
00:28:15,093 --> 00:28:16,995
|
||
|
|
personal feelings
|
||
|
|
to get in the way of duty.
|
||
|
|
|
||
|
|
579
|
||
|
|
00:28:17,062 --> 00:28:18,363
|
||
|
|
Are you saying
|
||
|
|
that Nordberg is--
|
||
|
|
|
||
|
|
580
|
||
|
|
00:28:18,430 --> 00:28:20,331
|
||
|
|
I'm telling you
|
||
|
|
the Queen arrives here
|
||
|
|
|
||
|
|
581
|
||
|
|
00:28:20,398 --> 00:28:21,699
|
||
|
|
the day after tomorrow.
|
||
|
|
|
||
|
|
582
|
||
|
|
00:28:21,766 --> 00:28:23,034
|
||
|
|
If the press
|
||
|
|
should pick this up
|
||
|
|
|
||
|
|
583
|
||
|
|
00:28:23,101 --> 00:28:24,602
|
||
|
|
with Nordberg
|
||
|
|
still part of the force,
|
||
|
|
|
||
|
|
584
|
||
|
|
00:28:24,669 --> 00:28:27,639
|
||
|
|
it could be embarrassing
|
||
|
|
to the police and the city.
|
||
|
|
|
||
|
|
585
|
||
|
|
00:28:27,705 --> 00:28:28,940
|
||
|
|
I'm sorry, Frank,
|
||
|
|
|
||
|
|
586
|
||
|
|
00:28:29,007 --> 00:28:31,109
|
||
|
|
I'm giving you 24 hours
|
||
|
|
to clear Nordberg.
|
||
|
|
|
||
|
|
587
|
||
|
|
00:28:31,176 --> 00:28:34,312
|
||
|
|
(<i> ominous theme playing</i> )
|
||
|
|
|
||
|
|
588
|
||
|
|
00:28:42,187 --> 00:28:43,755
|
||
|
|
Mr. Ludwig?
|
||
|
|
|
||
|
|
589
|
||
|
|
00:28:43,822 --> 00:28:44,756
|
||
|
|
Yes?
|
||
|
|
|
||
|
|
590
|
||
|
|
00:28:44,823 --> 00:28:47,392
|
||
|
|
A Mr. Pahpshmir is here.
|
||
|
|
|
||
|
|
591
|
||
|
|
00:28:47,459 --> 00:28:49,194
|
||
|
|
Show him in.
|
||
|
|
|
||
|
|
592
|
||
|
|
00:28:55,834 --> 00:28:58,069
|
||
|
|
Is there something wrong,
|
||
|
|
Mr. Ludwig?
|
||
|
|
|
||
|
|
593
|
||
|
|
00:28:59,604 --> 00:29:01,239
|
||
|
|
No, no, no.
|
||
|
|
It's nothing.
|
||
|
|
|
||
|
|
594
|
||
|
|
00:29:01,306 --> 00:29:02,941
|
||
|
|
Then may we get down
|
||
|
|
to business?
|
||
|
|
|
||
|
|
595
|
||
|
|
00:29:03,007 --> 00:29:05,310
|
||
|
|
Certainly.
|
||
|
|
Please have a seat.
|
||
|
|
|
||
|
|
596
|
||
|
|
00:29:05,376 --> 00:29:08,413
|
||
|
|
I can carry out
|
||
|
|
your request.
|
||
|
|
|
||
|
|
597
|
||
|
|
00:29:08,480 --> 00:29:11,015
|
||
|
|
My price is $20 million.
|
||
|
|
|
||
|
|
598
|
||
|
|
00:29:11,082 --> 00:29:13,318
|
||
|
|
Price is not a problem.
|
||
|
|
|
||
|
|
599
|
||
|
|
00:29:14,552 --> 00:29:15,987
|
||
|
|
But there is some concern
|
||
|
|
|
||
|
|
600
|
||
|
|
00:29:16,054 --> 00:29:17,922
|
||
|
|
on the part of those
|
||
|
|
I represent
|
||
|
|
|
||
|
|
601
|
||
|
|
00:29:17,989 --> 00:29:21,493
|
||
|
|
that you would
|
||
|
|
be able to complete
|
||
|
|
|
||
|
|
602
|
||
|
|
00:29:21,559 --> 00:29:23,261
|
||
|
|
so difficult a task.
|
||
|
|
|
||
|
|
603
|
||
|
|
00:29:23,328 --> 00:29:24,963
|
||
|
|
( scoffs )
|
||
|
|
|
||
|
|
604
|
||
|
|
00:29:25,029 --> 00:29:27,265
|
||
|
|
Tell me, Mr. Pahpshmir,
|
||
|
|
|
||
|
|
605
|
||
|
|
00:29:27,332 --> 00:29:28,833
|
||
|
|
in all the world,
|
||
|
|
|
||
|
|
606
|
||
|
|
00:29:28,900 --> 00:29:31,469
|
||
|
|
who is the most
|
||
|
|
effective assassin?
|
||
|
|
|
||
|
|
607
|
||
|
|
00:29:32,770 --> 00:29:35,807
|
||
|
|
Well, I would think
|
||
|
|
anyone who manages
|
||
|
|
|
||
|
|
608
|
||
|
|
00:29:35,874 --> 00:29:38,376
|
||
|
|
to conceal his identity
|
||
|
|
as an assassin.
|
||
|
|
|
||
|
|
609
|
||
|
|
00:29:38,443 --> 00:29:39,811
|
||
|
|
Yes...
|
||
|
|
|
||
|
|
610
|
||
|
|
00:29:39,878 --> 00:29:43,681
|
||
|
|
But there is even
|
||
|
|
a more ideal assassin.
|
||
|
|
|
||
|
|
611
|
||
|
|
00:29:43,748 --> 00:29:45,183
|
||
|
|
( phone buzzes )
|
||
|
|
|
||
|
|
612
|
||
|
|
00:29:45,250 --> 00:29:49,687
|
||
|
|
One who doesn't know
|
||
|
|
he's an assassin.
|
||
|
|
|
||
|
|
613
|
||
|
|
00:29:49,754 --> 00:29:50,688
|
||
|
|
Care for some tea?
|
||
|
|
|
||
|
|
614
|
||
|
|
00:29:50,755 --> 00:29:52,290
|
||
|
|
Yes, please.
|
||
|
|
|
||
|
|
615
|
||
|
|
00:29:52,357 --> 00:29:55,827
|
||
|
|
Dominique,
|
||
|
|
service for two, please.
|
||
|
|
|
||
|
|
616
|
||
|
|
00:29:57,028 --> 00:29:58,897
|
||
|
|
( beeping )
|
||
|
|
|
||
|
|
617
|
||
|
|
00:29:58,963 --> 00:30:01,833
|
||
|
|
(<i> ominous theme playing</i> )
|
||
|
|
|
||
|
|
618
|
||
|
|
00:30:07,105 --> 00:30:09,674
|
||
|
|
I must kill Pahpshmir.
|
||
|
|
|
||
|
|
619
|
||
|
|
00:30:09,741 --> 00:30:12,043
|
||
|
|
( clicking )
|
||
|
|
|
||
|
|
620
|
||
|
|
00:30:14,979 --> 00:30:16,447
|
||
|
|
( beeps )
|
||
|
|
|
||
|
|
621
|
||
|
|
00:30:17,949 --> 00:30:20,251
|
||
|
|
Will that be
|
||
|
|
with cream and sugar, sir?
|
||
|
|
|
||
|
|
622
|
||
|
|
00:30:20,318 --> 00:30:21,886
|
||
|
|
Mr. Pahpshmir?
|
||
|
|
|
||
|
|
623
|
||
|
|
00:30:25,390 --> 00:30:26,824
|
||
|
|
Cream only, please.
|
||
|
|
|
||
|
|
624
|
||
|
|
00:30:28,059 --> 00:30:30,528
|
||
|
|
Oh, there's a gun
|
||
|
|
on the floor, sir.
|
||
|
|
|
||
|
|
625
|
||
|
|
00:30:30,595 --> 00:30:31,996
|
||
|
|
Oh, just leave it there.
|
||
|
|
|
||
|
|
626
|
||
|
|
00:30:32,063 --> 00:30:34,632
|
||
|
|
It's all right, Dominique.
|
||
|
|
The tea, please.
|
||
|
|
|
||
|
|
627
|
||
|
|
00:30:34,699 --> 00:30:35,934
|
||
|
|
Of course.
|
||
|
|
|
||
|
|
628
|
||
|
|
00:30:38,069 --> 00:30:39,637
|
||
|
|
Tell me, Mr. Pahpshmir,
|
||
|
|
|
||
|
|
629
|
||
|
|
00:30:39,704 --> 00:30:43,374
|
||
|
|
have you ever seen
|
||
|
|
sensory-induced hypnosis?
|
||
|
|
|
||
|
|
630
|
||
|
|
00:30:43,441 --> 00:30:46,144
|
||
|
|
I think I just have.
|
||
|
|
|
||
|
|
631
|
||
|
|
00:30:46,211 --> 00:30:48,146
|
||
|
|
But how will you get her
|
||
|
|
near the target?
|
||
|
|
|
||
|
|
632
|
||
|
|
00:30:48,213 --> 00:30:51,783
|
||
|
|
Oh, I doubt
|
||
|
|
whether it will be her.
|
||
|
|
|
||
|
|
633
|
||
|
|
00:30:51,849 --> 00:30:53,384
|
||
|
|
Good secretaries
|
||
|
|
|
||
|
|
634
|
||
|
|
00:30:53,451 --> 00:30:56,020
|
||
|
|
are so hard to find
|
||
|
|
these days.
|
||
|
|
|
||
|
|
635
|
||
|
|
00:30:56,087 --> 00:30:58,790
|
||
|
|
And it seems to me...
|
||
|
|
|
||
|
|
636
|
||
|
|
00:30:58,856 --> 00:31:01,392
|
||
|
|
anyone...
|
||
|
|
|
||
|
|
637
|
||
|
|
00:31:01,459 --> 00:31:03,328
|
||
|
|
can be an assassin.
|
||
|
|
|
||
|
|
638
|
||
|
|
00:31:03,394 --> 00:31:06,464
|
||
|
|
(<i> suspenseful theme playing</i> )
|
||
|
|
|
||
|
|
639
|
||
|
|
00:31:06,531 --> 00:31:08,933
|
||
|
|
FRANK:
|
||
|
|
<i>I had 24 hours</i> <i>to come up with something</i>
|
||
|
|
|
||
|
|
640
|
||
|
|
00:31:09,000 --> 00:31:11,869
|
||
|
|
<i>that would clear</i>
|
||
|
|
<i>my good friend's name.</i>
|
||
|
|
|
||
|
|
641
|
||
|
|
00:31:11,936 --> 00:31:13,471
|
||
|
|
<i>I decided to return</i>
|
||
|
|
<i>to the hospital</i>
|
||
|
|
|
||
|
|
642
|
||
|
|
00:31:13,538 --> 00:31:15,139
|
||
|
|
<i>with Ludwig's</i>
|
||
|
|
<i>shipping records</i>
|
||
|
|
|
||
|
|
643
|
||
|
|
00:31:15,206 --> 00:31:17,108
|
||
|
|
<i>to see if I could</i>
|
||
|
|
<i>jog Nordberg's memory.</i>
|
||
|
|
|
||
|
|
644
|
||
|
|
00:31:17,175 --> 00:31:20,044
|
||
|
|
Oh, Dr. Alford,
|
||
|
|
I have Mrs. Kepley's chart
|
||
|
|
|
||
|
|
645
|
||
|
|
00:31:20,111 --> 00:31:21,479
|
||
|
|
if you're ready to go over it.
|
||
|
|
|
||
|
|
646
|
||
|
|
00:31:21,546 --> 00:31:23,848
|
||
|
|
I'll be with you when
|
||
|
|
I finish with Mr. Nordberg.
|
||
|
|
|
||
|
|
647
|
||
|
|
00:31:23,915 --> 00:31:25,883
|
||
|
|
Yes, doctor.
|
||
|
|
|
||
|
|
648
|
||
|
|
00:31:25,950 --> 00:31:29,554
|
||
|
|
(<i> ominous theme playing</i> )
|
||
|
|
|
||
|
|
649
|
||
|
|
00:31:29,621 --> 00:31:30,555
|
||
|
|
( beeps )
|
||
|
|
|
||
|
|
650
|
||
|
|
00:31:31,889 --> 00:31:33,558
|
||
|
|
Have you out of here
|
||
|
|
in a couple of--
|
||
|
|
|
||
|
|
651
|
||
|
|
00:31:33,625 --> 00:31:35,393
|
||
|
|
( beeping )
|
||
|
|
|
||
|
|
652
|
||
|
|
00:31:40,398 --> 00:31:42,300
|
||
|
|
I'd like to see
|
||
|
|
Officer Nordberg.
|
||
|
|
|
||
|
|
653
|
||
|
|
00:31:42,367 --> 00:31:44,335
|
||
|
|
All right, I'll need
|
||
|
|
you to sign in--
|
||
|
|
|
||
|
|
654
|
||
|
|
00:31:44,402 --> 00:31:46,804
|
||
|
|
Wait a minute.
|
||
|
|
Where's the police officer
|
||
|
|
|
||
|
|
655
|
||
|
|
00:31:46,871 --> 00:31:48,172
|
||
|
|
who was on guard at that door?
|
||
|
|
|
||
|
|
656
|
||
|
|
00:31:48,239 --> 00:31:50,475
|
||
|
|
Oh, Lieutenant Drebin called
|
||
|
|
and sent him home.
|
||
|
|
|
||
|
|
657
|
||
|
|
00:31:50,541 --> 00:31:51,876
|
||
|
|
Lieutenant Drebin?
|
||
|
|
|
||
|
|
658
|
||
|
|
00:31:51,943 --> 00:31:54,679
|
||
|
|
I must kill Nordberg.
|
||
|
|
|
||
|
|
659
|
||
|
|
00:31:54,746 --> 00:31:57,649
|
||
|
|
I must kill Nordberg.
|
||
|
|
|
||
|
|
660
|
||
|
|
00:31:57,715 --> 00:31:59,517
|
||
|
|
Drebin, police squad!
|
||
|
|
|
||
|
|
661
|
||
|
|
00:31:59,584 --> 00:32:01,119
|
||
|
|
Let go of that pillow!
|
||
|
|
|
||
|
|
662
|
||
|
|
00:32:01,185 --> 00:32:02,553
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
663
|
||
|
|
00:32:05,223 --> 00:32:06,157
|
||
|
|
Unh!
|
||
|
|
|
||
|
|
664
|
||
|
|
00:32:07,492 --> 00:32:08,926
|
||
|
|
( groaning )
|
||
|
|
|
||
|
|
665
|
||
|
|
00:32:15,667 --> 00:32:17,435
|
||
|
|
Agh!
|
||
|
|
|
||
|
|
666
|
||
|
|
00:32:24,309 --> 00:32:26,611
|
||
|
|
( horn honks )
|
||
|
|
Hey! Hey!
|
||
|
|
|
||
|
|
667
|
||
|
|
00:32:26,678 --> 00:32:28,579
|
||
|
|
Hey! Hey!
|
||
|
|
|
||
|
|
668
|
||
|
|
00:32:30,014 --> 00:32:31,516
|
||
|
|
Medical emergency!
|
||
|
|
|
||
|
|
669
|
||
|
|
00:32:31,582 --> 00:32:33,184
|
||
|
|
( car honks )
|
||
|
|
|
||
|
|
670
|
||
|
|
00:32:38,956 --> 00:32:41,859
|
||
|
|
Drebin, police squad!
|
||
|
|
|
||
|
|
671
|
||
|
|
00:32:41,926 --> 00:32:43,494
|
||
|
|
Follow that black car!
|
||
|
|
|
||
|
|
672
|
||
|
|
00:32:45,163 --> 00:32:47,031
|
||
|
|
The car!
|
||
|
|
Follow that car!
|
||
|
|
|
||
|
|
673
|
||
|
|
00:32:47,098 --> 00:32:48,866
|
||
|
|
All right, Stephanie,
|
||
|
|
check your mirror.
|
||
|
|
|
||
|
|
674
|
||
|
|
00:32:48,933 --> 00:32:51,202
|
||
|
|
Signal.
|
||
|
|
|
||
|
|
675
|
||
|
|
00:32:51,269 --> 00:32:53,638
|
||
|
|
Now pull into traffic.
|
||
|
|
|
||
|
|
676
|
||
|
|
00:32:56,874 --> 00:32:59,177
|
||
|
|
Try and ease off
|
||
|
|
on the brake.
|
||
|
|
|
||
|
|
677
|
||
|
|
00:33:01,212 --> 00:33:03,481
|
||
|
|
Give it a little gas.
|
||
|
|
|
||
|
|
678
|
||
|
|
00:33:03,548 --> 00:33:05,416
|
||
|
|
I know a short cut.
|
||
|
|
Turn left here.
|
||
|
|
|
||
|
|
679
|
||
|
|
00:33:07,985 --> 00:33:10,388
|
||
|
|
There he is!
|
||
|
|
INSTRUCTOR: Easy.
|
||
|
|
|
||
|
|
680
|
||
|
|
00:33:20,898 --> 00:33:22,633
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
681
|
||
|
|
00:33:26,104 --> 00:33:27,705
|
||
|
|
Turn right!
|
||
|
|
Follow him to the right!
|
||
|
|
|
||
|
|
682
|
||
|
|
00:33:27,772 --> 00:33:31,509
|
||
|
|
It's okay. Normally, you would
|
||
|
|
not be going 65
|
||
|
|
|
||
|
|
683
|
||
|
|
00:33:31,576 --> 00:33:34,145
|
||
|
|
down the wrong way
|
||
|
|
of a one-way street.
|
||
|
|
|
||
|
|
684
|
||
|
|
00:33:34,212 --> 00:33:36,481
|
||
|
|
( honking )
|
||
|
|
|
||
|
|
685
|
||
|
|
00:33:36,547 --> 00:33:37,615
|
||
|
|
Oh!
|
||
|
|
|
||
|
|
686
|
||
|
|
00:33:37,682 --> 00:33:38,649
|
||
|
|
Apply the brakes.
|
||
|
|
|
||
|
|
687
|
||
|
|
00:33:39,984 --> 00:33:42,053
|
||
|
|
Now put it in reverse.
|
||
|
|
|
||
|
|
688
|
||
|
|
00:33:49,494 --> 00:33:50,728
|
||
|
|
You dumb broad!
|
||
|
|
|
||
|
|
689
|
||
|
|
00:33:50,795 --> 00:33:54,232
|
||
|
|
All right, Stephanie,
|
||
|
|
gently extend your arm.
|
||
|
|
|
||
|
|
690
|
||
|
|
00:33:55,800 --> 00:33:58,202
|
||
|
|
Extend your middle finger.
|
||
|
|
|
||
|
|
691
|
||
|
|
00:34:01,973 --> 00:34:04,075
|
||
|
|
Very good. Well done.
|
||
|
|
|
||
|
|
692
|
||
|
|
00:34:04,142 --> 00:34:05,343
|
||
|
|
There he is!
|
||
|
|
|
||
|
|
693
|
||
|
|
00:34:05,410 --> 00:34:07,211
|
||
|
|
Go for it, Stephanie.
|
||
|
|
|
||
|
|
694
|
||
|
|
00:34:07,278 --> 00:34:09,580
|
||
|
|
( inhales deeply )
|
||
|
|
|
||
|
|
695
|
||
|
|
00:34:19,257 --> 00:34:21,492
|
||
|
|
( honking )
|
||
|
|
|
||
|
|
696
|
||
|
|
00:34:26,631 --> 00:34:27,732
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
697
|
||
|
|
00:34:34,172 --> 00:34:36,841
|
||
|
|
( screaming )
|
||
|
|
|
||
|
|
698
|
||
|
|
00:34:43,481 --> 00:34:48,519
|
||
|
|
Oh, no!
|
||
|
|
|
||
|
|
699
|
||
|
|
00:34:50,988 --> 00:34:52,156
|
||
|
|
( people exclaiming )
|
||
|
|
|
||
|
|
700
|
||
|
|
00:34:52,223 --> 00:34:54,325
|
||
|
|
Excuse me.
|
||
|
|
Excuse me.
|
||
|
|
|
||
|
|
701
|
||
|
|
00:34:54,392 --> 00:34:58,196
|
||
|
|
All right, move on!
|
||
|
|
Nothing to see here!
|
||
|
|
|
||
|
|
702
|
||
|
|
00:34:58,262 --> 00:35:00,198
|
||
|
|
Please disperse!
|
||
|
|
|
||
|
|
703
|
||
|
|
00:35:00,264 --> 00:35:03,601
|
||
|
|
Nothing to see here!
|
||
|
|
Please!
|
||
|
|
|
||
|
|
704
|
||
|
|
00:35:05,770 --> 00:35:07,505
|
||
|
|
FRANK:
|
||
|
|
<i>The attempt on Nordberg's life</i>
|
||
|
|
|
||
|
|
705
|
||
|
|
00:35:07,572 --> 00:35:09,740
|
||
|
|
<i>left me shaken and disturbed.</i>
|
||
|
|
|
||
|
|
706
|
||
|
|
00:35:09,807 --> 00:35:11,843
|
||
|
|
<i>And all the questions</i>
|
||
|
|
<i>kept coming up</i>
|
||
|
|
|
||
|
|
707
|
||
|
|
00:35:11,909 --> 00:35:13,177
|
||
|
|
<i>over and over again,</i>
|
||
|
|
|
||
|
|
708
|
||
|
|
00:35:13,244 --> 00:35:15,780
|
||
|
|
<i>like bubbles</i>
|
||
|
|
<i>in a case of club soda.</i>
|
||
|
|
|
||
|
|
709
|
||
|
|
00:35:15,847 --> 00:35:18,516
|
||
|
|
<i>Who was this character</i>
|
||
|
|
<i>in the hospital?</i>
|
||
|
|
|
||
|
|
710
|
||
|
|
00:35:18,583 --> 00:35:20,785
|
||
|
|
<i>Why was he trying</i>
|
||
|
|
<i>to kill Nordberg?</i>
|
||
|
|
|
||
|
|
711
|
||
|
|
00:35:20,852 --> 00:35:22,854
|
||
|
|
<i>And for whom?</i>
|
||
|
|
|
||
|
|
712
|
||
|
|
00:35:22,920 --> 00:35:24,355
|
||
|
|
<i>Did Ludwig lie to me?</i>
|
||
|
|
|
||
|
|
713
|
||
|
|
00:35:24,422 --> 00:35:26,757
|
||
|
|
<i>I didn't have any proof,</i>
|
||
|
|
<i>but somehow</i>
|
||
|
|
|
||
|
|
714
|
||
|
|
00:35:26,824 --> 00:35:28,960
|
||
|
|
<i>I didn't entirely trust him,</i>
|
||
|
|
<i>either.</i>
|
||
|
|
|
||
|
|
715
|
||
|
|
00:35:29,026 --> 00:35:32,597
|
||
|
|
<i>Why was the</i> I Luv You
|
||
|
|
<i>not listed in Ludwig's records?</i>
|
||
|
|
|
||
|
|
716
|
||
|
|
00:35:32,663 --> 00:35:35,500
|
||
|
|
<i>And if it was,</i>
|
||
|
|
<i>did he know about it?</i>
|
||
|
|
|
||
|
|
717
|
||
|
|
00:35:35,566 --> 00:35:37,301
|
||
|
|
<i>And if he didn't,</i>
|
||
|
|
<i>who did?</i>
|
||
|
|
|
||
|
|
718
|
||
|
|
00:35:37,368 --> 00:35:38,536
|
||
|
|
( animals chittering )
|
||
|
|
|
||
|
|
719
|
||
|
|
00:35:38,603 --> 00:35:40,705
|
||
|
|
<i>And where the hell was I?</i>
|
||
|
|
|
||
|
|
720
|
||
|
|
00:35:43,574 --> 00:35:45,743
|
||
|
|
<i>It was almost midnight</i>
|
||
|
|
<i>when I got to my door.</i>
|
||
|
|
|
||
|
|
721
|
||
|
|
00:35:45,810 --> 00:35:47,411
|
||
|
|
<i>I just wanted</i>
|
||
|
|
<i>a glass of Bosco</i>
|
||
|
|
|
||
|
|
722
|
||
|
|
00:35:47,478 --> 00:35:49,213
|
||
|
|
<i>and then slip</i>
|
||
|
|
<i>under my blankets.</i>
|
||
|
|
|
||
|
|
723
|
||
|
|
00:35:49,280 --> 00:35:52,450
|
||
|
|
<i>But my night</i>
|
||
|
|
<i>was just about to begin.</i>
|
||
|
|
|
||
|
|
724
|
||
|
|
00:35:52,517 --> 00:35:55,353
|
||
|
|
(<i> suspenseful theme playing</i> )
|
||
|
|
|
||
|
|
725
|
||
|
|
00:36:26,117 --> 00:36:27,618
|
||
|
|
( grunts )
|
||
|
|
|
||
|
|
726
|
||
|
|
00:36:31,656 --> 00:36:32,857
|
||
|
|
You're late.
|
||
|
|
|
||
|
|
727
|
||
|
|
00:36:35,226 --> 00:36:37,695
|
||
|
|
That depends on
|
||
|
|
what I'm late for.
|
||
|
|
|
||
|
|
728
|
||
|
|
00:36:37,762 --> 00:36:40,464
|
||
|
|
You said we should
|
||
|
|
have dinner sometime.
|
||
|
|
|
||
|
|
729
|
||
|
|
00:36:40,531 --> 00:36:44,669
|
||
|
|
Tonight became...
|
||
|
|
sometime.
|
||
|
|
|
||
|
|
730
|
||
|
|
00:36:44,735 --> 00:36:46,637
|
||
|
|
I'm boiling a roast.
|
||
|
|
|
||
|
|
731
|
||
|
|
00:36:49,740 --> 00:36:52,310
|
||
|
|
How hot and wet
|
||
|
|
do you like it?
|
||
|
|
|
||
|
|
732
|
||
|
|
00:36:52,376 --> 00:36:54,845
|
||
|
|
Very hot...
|
||
|
|
|
||
|
|
733
|
||
|
|
00:36:54,912 --> 00:36:57,448
|
||
|
|
And awfully wet.
|
||
|
|
|
||
|
|
734
|
||
|
|
00:36:57,515 --> 00:37:01,552
|
||
|
|
You seem to know
|
||
|
|
your way around the kitchen.
|
||
|
|
|
||
|
|
735
|
||
|
|
00:37:01,619 --> 00:37:03,888
|
||
|
|
I'm just as handy
|
||
|
|
in other rooms of the house.
|
||
|
|
|
||
|
|
736
|
||
|
|
00:37:04,922 --> 00:37:06,557
|
||
|
|
That shirt looks familiar.
|
||
|
|
|
||
|
|
737
|
||
|
|
00:37:07,658 --> 00:37:09,360
|
||
|
|
It's yours.
|
||
|
|
|
||
|
|
738
|
||
|
|
00:37:09,427 --> 00:37:11,596
|
||
|
|
I didn't want to get
|
||
|
|
stained or wrinkled,
|
||
|
|
|
||
|
|
739
|
||
|
|
00:37:11,662 --> 00:37:13,898
|
||
|
|
at least...
|
||
|
|
|
||
|
|
740
|
||
|
|
00:37:13,965 --> 00:37:15,499
|
||
|
|
not yet.
|
||
|
|
|
||
|
|
741
|
||
|
|
00:37:18,069 --> 00:37:22,239
|
||
|
|
Do you mind if I slip into
|
||
|
|
something more comfortable?
|
||
|
|
|
||
|
|
742
|
||
|
|
00:37:28,613 --> 00:37:30,047
|
||
|
|
There...
|
||
|
|
|
||
|
|
743
|
||
|
|
00:37:30,114 --> 00:37:31,315
|
||
|
|
That's better.
|
||
|
|
|
||
|
|
744
|
||
|
|
00:37:32,883 --> 00:37:35,286
|
||
|
|
I hope you brought
|
||
|
|
your appetite.
|
||
|
|
|
||
|
|
745
|
||
|
|
00:37:36,287 --> 00:37:37,989
|
||
|
|
I brought everything.
|
||
|
|
|
||
|
|
746
|
||
|
|
00:37:38,055 --> 00:37:39,657
|
||
|
|
Well, then...
|
||
|
|
|
||
|
|
747
|
||
|
|
00:37:39,724 --> 00:37:40,925
|
||
|
|
dig in.
|
||
|
|
|
||
|
|
748
|
||
|
|
00:37:40,992 --> 00:37:42,693
|
||
|
|
( thunder rumbling )
|
||
|
|
|
||
|
|
749
|
||
|
|
00:37:45,196 --> 00:37:46,764
|
||
|
|
Hmm, interesting.
|
||
|
|
|
||
|
|
750
|
||
|
|
00:37:46,831 --> 00:37:50,201
|
||
|
|
Almost as interesting
|
||
|
|
as the photographs I saw today.
|
||
|
|
|
||
|
|
751
|
||
|
|
00:37:50,267 --> 00:37:52,570
|
||
|
|
I was young.
|
||
|
|
I needed the work.
|
||
|
|
|
||
|
|
752
|
||
|
|
00:37:52,637 --> 00:37:55,206
|
||
|
|
No, no. They were taken
|
||
|
|
down at Ludwig's docks.
|
||
|
|
|
||
|
|
753
|
||
|
|
00:37:55,272 --> 00:37:57,241
|
||
|
|
A ship came in,
|
||
|
|
a Panamanian ship.
|
||
|
|
|
||
|
|
754
|
||
|
|
00:37:57,308 --> 00:38:00,277
|
||
|
|
It wasn't on
|
||
|
|
Ludwig's records.
|
||
|
|
|
||
|
|
755
|
||
|
|
00:38:00,344 --> 00:38:02,813
|
||
|
|
Probably an oversight.
|
||
|
|
|
||
|
|
756
|
||
|
|
00:38:02,880 --> 00:38:05,016
|
||
|
|
How's your, um...
|
||
|
|
|
||
|
|
757
|
||
|
|
00:38:05,082 --> 00:38:06,384
|
||
|
|
meat?
|
||
|
|
|
||
|
|
758
|
||
|
|
00:38:09,053 --> 00:38:11,389
|
||
|
|
You be the judge of that.
|
||
|
|
|
||
|
|
759
|
||
|
|
00:38:14,725 --> 00:38:15,960
|
||
|
|
Mmm.
|
||
|
|
|
||
|
|
760
|
||
|
|
00:38:16,761 --> 00:38:17,695
|
||
|
|
( chuckles )
|
||
|
|
|
||
|
|
761
|
||
|
|
00:38:18,696 --> 00:38:21,432
|
||
|
|
Mmm.
|
||
|
|
I've got nine more.
|
||
|
|
|
||
|
|
762
|
||
|
|
00:38:26,003 --> 00:38:27,104
|
||
|
|
Have you seen that ship?
|
||
|
|
|
||
|
|
763
|
||
|
|
00:38:27,171 --> 00:38:30,574
|
||
|
|
I don't know. It doesn't
|
||
|
|
look like one of ours.
|
||
|
|
|
||
|
|
764
|
||
|
|
00:38:30,641 --> 00:38:32,877
|
||
|
|
But then again,
|
||
|
|
we deal with so many ships.
|
||
|
|
|
||
|
|
765
|
||
|
|
00:38:32,943 --> 00:38:36,180
|
||
|
|
Has officer Nordberg been able
|
||
|
|
to tell you anything?
|
||
|
|
|
||
|
|
766
|
||
|
|
00:38:36,247 --> 00:38:37,448
|
||
|
|
No. Unfortunately,
|
||
|
|
|
||
|
|
767
|
||
|
|
00:38:37,515 --> 00:38:39,216
|
||
|
|
there was another
|
||
|
|
attempt on his life.
|
||
|
|
|
||
|
|
768
|
||
|
|
00:38:39,283 --> 00:38:40,217
|
||
|
|
He's back in a coma.
|
||
|
|
|
||
|
|
769
|
||
|
|
00:38:40,284 --> 00:38:42,553
|
||
|
|
Oh, that's terrible.
|
||
|
|
|
||
|
|
770
|
||
|
|
00:38:42,620 --> 00:38:44,522
|
||
|
|
This world
|
||
|
|
is such a violent place.
|
||
|
|
|
||
|
|
771
|
||
|
|
00:38:44,588 --> 00:38:46,857
|
||
|
|
If it wasn't,
|
||
|
|
I'd be out of a job.
|
||
|
|
|
||
|
|
772
|
||
|
|
00:38:46,924 --> 00:38:49,326
|
||
|
|
Be back on the circuit
|
||
|
|
riding motocross.
|
||
|
|
|
||
|
|
773
|
||
|
|
00:38:49,393 --> 00:38:50,728
|
||
|
|
But I'd give it all up
|
||
|
|
tomorrow
|
||
|
|
|
||
|
|
774
|
||
|
|
00:38:50,795 --> 00:38:53,130
|
||
|
|
to live in a world
|
||
|
|
without crime.
|
||
|
|
|
||
|
|
775
|
||
|
|
00:38:53,197 --> 00:38:54,532
|
||
|
|
That's beautiful.
|
||
|
|
|
||
|
|
776
|
||
|
|
00:38:58,369 --> 00:39:00,938
|
||
|
|
This is all happening
|
||
|
|
too fast.
|
||
|
|
|
||
|
|
777
|
||
|
|
00:39:02,807 --> 00:39:06,043
|
||
|
|
( sighs )
|
||
|
|
I've...been hurt before.
|
||
|
|
|
||
|
|
778
|
||
|
|
00:39:07,044 --> 00:39:07,978
|
||
|
|
I'm sorry.
|
||
|
|
|
||
|
|
779
|
||
|
|
00:39:10,381 --> 00:39:11,916
|
||
|
|
I'd known her for years.
|
||
|
|
|
||
|
|
780
|
||
|
|
00:39:11,982 --> 00:39:14,385
|
||
|
|
We used to go to all
|
||
|
|
the police functions together.
|
||
|
|
|
||
|
|
781
|
||
|
|
00:39:14,452 --> 00:39:17,354
|
||
|
|
Oh, how I loved her.
|
||
|
|
|
||
|
|
782
|
||
|
|
00:39:17,421 --> 00:39:19,223
|
||
|
|
But she had her music.
|
||
|
|
|
||
|
|
783
|
||
|
|
00:39:19,290 --> 00:39:21,492
|
||
|
|
I think she had her music.
|
||
|
|
|
||
|
|
784
|
||
|
|
00:39:21,559 --> 00:39:25,730
|
||
|
|
She hung out with the Chicago
|
||
|
|
Male Chorus and Symphony.
|
||
|
|
|
||
|
|
785
|
||
|
|
00:39:25,796 --> 00:39:28,232
|
||
|
|
I don't recall her
|
||
|
|
playing an instrument
|
||
|
|
|
||
|
|
786
|
||
|
|
00:39:28,299 --> 00:39:29,700
|
||
|
|
or being able to carry a tune,
|
||
|
|
|
||
|
|
787
|
||
|
|
00:39:29,767 --> 00:39:32,970
|
||
|
|
yet she was on the road
|
||
|
|
300 days out of the year.
|
||
|
|
|
||
|
|
788
|
||
|
|
00:39:33,037 --> 00:39:36,340
|
||
|
|
In fact, I bought her
|
||
|
|
a harp for Christmas.
|
||
|
|
|
||
|
|
789
|
||
|
|
00:39:36,407 --> 00:39:38,476
|
||
|
|
She asked me what it was.
|
||
|
|
|
||
|
|
790
|
||
|
|
00:39:40,644 --> 00:39:42,113
|
||
|
|
It's the same old story.
|
||
|
|
|
||
|
|
791
|
||
|
|
00:39:42,179 --> 00:39:43,914
|
||
|
|
Boy finds girl,
|
||
|
|
boy loses girl,
|
||
|
|
|
||
|
|
792
|
||
|
|
00:39:43,981 --> 00:39:46,917
|
||
|
|
girl finds boy,
|
||
|
|
boy forgets girl,
|
||
|
|
|
||
|
|
793
|
||
|
|
00:39:46,984 --> 00:39:48,786
|
||
|
|
boy remembers girl...
|
||
|
|
|
||
|
|
794
|
||
|
|
00:39:48,853 --> 00:39:50,955
|
||
|
|
Girl dies in
|
||
|
|
a tragic blimp accident
|
||
|
|
|
||
|
|
795
|
||
|
|
00:39:51,021 --> 00:39:53,057
|
||
|
|
over the Orange Bowl
|
||
|
|
on New Year's Day.
|
||
|
|
|
||
|
|
796
|
||
|
|
00:39:54,291 --> 00:39:55,426
|
||
|
|
Goodyear?
|
||
|
|
|
||
|
|
797
|
||
|
|
00:39:55,493 --> 00:39:57,528
|
||
|
|
No, the worst.
|
||
|
|
|
||
|
|
798
|
||
|
|
00:39:57,595 --> 00:39:58,929
|
||
|
|
You poor dear.
|
||
|
|
|
||
|
|
799
|
||
|
|
00:39:58,996 --> 00:40:02,833
|
||
|
|
(<i> romantic theme playing</i> )
|
||
|
|
|
||
|
|
800
|
||
|
|
00:40:02,900 --> 00:40:04,335
|
||
|
|
Now, now.
|
||
|
|
|
||
|
|
801
|
||
|
|
00:40:04,401 --> 00:40:06,137
|
||
|
|
I don't want
|
||
|
|
to upset you.
|
||
|
|
|
||
|
|
802
|
||
|
|
00:40:06,203 --> 00:40:09,073
|
||
|
|
Oh, Frank, it's not that.
|
||
|
|
|
||
|
|
803
|
||
|
|
00:40:09,140 --> 00:40:11,876
|
||
|
|
Why did you have to be
|
||
|
|
so wonderful?
|
||
|
|
|
||
|
|
804
|
||
|
|
00:40:13,144 --> 00:40:15,546
|
||
|
|
There's something
|
||
|
|
I ought to tell you. No.
|
||
|
|
|
||
|
|
805
|
||
|
|
00:40:15,613 --> 00:40:17,615
|
||
|
|
No need to tell me anything.
|
||
|
|
|
||
|
|
806
|
||
|
|
00:40:17,681 --> 00:40:21,051
|
||
|
|
What's in the past,
|
||
|
|
it doesn't matter, anyway.
|
||
|
|
|
||
|
|
807
|
||
|
|
00:40:21,118 --> 00:40:23,154
|
||
|
|
Maybe...
|
||
|
|
|
||
|
|
808
|
||
|
|
00:40:23,220 --> 00:40:25,523
|
||
|
|
Maybe we're just
|
||
|
|
two lonely souls
|
||
|
|
|
||
|
|
809
|
||
|
|
00:40:25,589 --> 00:40:27,558
|
||
|
|
who have found each other.
|
||
|
|
|
||
|
|
810
|
||
|
|
00:40:31,595 --> 00:40:33,197
|
||
|
|
Funny face.
|
||
|
|
|
||
|
|
811
|
||
|
|
00:40:39,336 --> 00:40:42,006
|
||
|
|
(<i> romantic theme swells</i> )
|
||
|
|
|
||
|
|
812
|
||
|
|
00:40:51,682 --> 00:40:53,984
|
||
|
|
I want you to know,
|
||
|
|
I...
|
||
|
|
|
||
|
|
813
|
||
|
|
00:40:54,051 --> 00:40:55,586
|
||
|
|
practice safe sex.
|
||
|
|
|
||
|
|
814
|
||
|
|
00:40:56,153 --> 00:40:57,488
|
||
|
|
So do I.
|
||
|
|
|
||
|
|
815
|
||
|
|
00:41:11,569 --> 00:41:15,306
|
||
|
|
(<i> Herman's Hermits' "I'm into</i>
|
||
|
|
<i>Something Good" playing</i> )
|
||
|
|
|
||
|
|
816
|
||
|
|
00:41:15,372 --> 00:41:18,342
|
||
|
|
<i>♪ Woke up this morning</i>
|
||
|
|
<i>Feelin' fine ♪</i>
|
||
|
|
|
||
|
|
817
|
||
|
|
00:41:18,409 --> 00:41:22,012
|
||
|
|
<i>♪ Had something special</i>
|
||
|
|
<i>On my mind ♪</i>
|
||
|
|
|
||
|
|
818
|
||
|
|
00:41:22,079 --> 00:41:26,584
|
||
|
|
<i>♪ Last night, I met a new girl</i>
|
||
|
|
<i>In the neighborhood ♪</i>
|
||
|
|
|
||
|
|
819
|
||
|
|
00:41:26,650 --> 00:41:28,853
|
||
|
|
<i>♪ Whoa, yeah ♪</i>
|
||
|
|
|
||
|
|
820
|
||
|
|
00:41:28,919 --> 00:41:32,656
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something good ♪</i>
|
||
|
|
|
||
|
|
821
|
||
|
|
00:41:32,723 --> 00:41:35,860
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
822
|
||
|
|
00:41:35,926 --> 00:41:39,330
|
||
|
|
<i>♪ She's the kind of girl</i>
|
||
|
|
<i>Who's not too shy ♪</i>
|
||
|
|
|
||
|
|
823
|
||
|
|
00:41:39,396 --> 00:41:42,666
|
||
|
|
<i>♪ And I can tell</i>
|
||
|
|
<i>I'm her kind of guy ♪</i>
|
||
|
|
|
||
|
|
824
|
||
|
|
00:41:42,733 --> 00:41:45,069
|
||
|
|
<i>♪ 'Cause she danced</i>
|
||
|
|
<i>Close to me ♪</i>
|
||
|
|
|
||
|
|
825
|
||
|
|
00:41:45,135 --> 00:41:47,371
|
||
|
|
<i>♪ Like I hoped she would ♪</i>
|
||
|
|
<i>♪ She danced with me ♪</i>
|
||
|
|
|
||
|
|
826
|
||
|
|
00:41:47,438 --> 00:41:49,840
|
||
|
|
<i>♪ Like I hoped she would ♪</i> <i>♪ Oh, yeah ♪</i>
|
||
|
|
<i>♪ Like I hoped she would ♪</i> <i>♪ Oh, yeah ♪</i>
|
||
|
|
|
||
|
|
827
|
||
|
|
00:41:49,907 --> 00:41:53,310
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something good ♪</i>
|
||
|
|
|
||
|
|
828
|
||
|
|
00:41:53,377 --> 00:41:56,981
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
829
|
||
|
|
00:41:57,047 --> 00:42:03,787
|
||
|
|
<i>♪ Ahh, ahh ♪</i>
|
||
|
|
|
||
|
|
830
|
||
|
|
00:42:03,854 --> 00:42:07,124
|
||
|
|
<i>♪ I walked her home</i>
|
||
|
|
<i>And she held my hand ♪</i>
|
||
|
|
|
||
|
|
831
|
||
|
|
00:42:07,191 --> 00:42:10,361
|
||
|
|
<i>♪ I knew it wouldn't be</i>
|
||
|
|
<i>Just a one-night stand ♪</i>
|
||
|
|
|
||
|
|
832
|
||
|
|
00:42:10,427 --> 00:42:12,997
|
||
|
|
<i>♪ So I asked</i>
|
||
|
|
<i>To see her next week ♪</i>
|
||
|
|
|
||
|
|
833
|
||
|
|
00:42:13,063 --> 00:42:15,432
|
||
|
|
<i>♪ And she told me I could ♪</i>
|
||
|
|
<i>♪ I asked to see her ♪</i>
|
||
|
|
|
||
|
|
834
|
||
|
|
00:42:15,499 --> 00:42:17,468
|
||
|
|
<i>♪ And she told me I could ♪</i>
|
||
|
|
<i>♪ Whoa, yeah ♪</i>
|
||
|
|
|
||
|
|
835
|
||
|
|
00:42:17,534 --> 00:42:21,171
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something good ♪</i>
|
||
|
|
|
||
|
|
836
|
||
|
|
00:42:21,238 --> 00:42:23,674
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
837
|
||
|
|
00:42:23,741 --> 00:42:26,043
|
||
|
|
<i>♪ I'm into something good ♪</i>
|
||
|
|
|
||
|
|
838
|
||
|
|
00:42:26,110 --> 00:42:28,746
|
||
|
|
<i>♪ Oh, yeah</i>
|
||
|
|
<i>Something good ♪</i>
|
||
|
|
|
||
|
|
839
|
||
|
|
00:42:28,812 --> 00:42:30,915
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
840
|
||
|
|
00:42:30,981 --> 00:42:33,150
|
||
|
|
I had a wonderful day,
|
||
|
|
Frank.
|
||
|
|
|
||
|
|
841
|
||
|
|
00:42:33,217 --> 00:42:35,786
|
||
|
|
I can't believe
|
||
|
|
we just met yesterday.
|
||
|
|
|
||
|
|
842
|
||
|
|
00:42:36,787 --> 00:42:38,522
|
||
|
|
You really mean that,
|
||
|
|
Jane?
|
||
|
|
|
||
|
|
843
|
||
|
|
00:42:38,589 --> 00:42:39,757
|
||
|
|
You're not just saying it
|
||
|
|
|
||
|
|
844
|
||
|
|
00:42:39,823 --> 00:42:42,026
|
||
|
|
because we exchanged
|
||
|
|
bodily fluids?
|
||
|
|
|
||
|
|
845
|
||
|
|
00:42:42,092 --> 00:42:45,596
|
||
|
|
No, I really mean it.
|
||
|
|
You're very special.
|
||
|
|
|
||
|
|
846
|
||
|
|
00:42:45,663 --> 00:42:47,665
|
||
|
|
Can I interest you
|
||
|
|
in a nightcap?
|
||
|
|
|
||
|
|
847
|
||
|
|
00:42:47,731 --> 00:42:49,266
|
||
|
|
No, thank you.
|
||
|
|
I don't wear them.
|
||
|
|
|
||
|
|
848
|
||
|
|
00:42:49,333 --> 00:42:52,469
|
||
|
|
Actually, I'm on duty.
|
||
|
|
We're on stakeout tonight.
|
||
|
|
|
||
|
|
849
|
||
|
|
00:42:52,536 --> 00:42:54,405
|
||
|
|
But I'll be thinking
|
||
|
|
about you.
|
||
|
|
|
||
|
|
850
|
||
|
|
00:42:54,471 --> 00:42:56,540
|
||
|
|
I'll call you tomorrow.
|
||
|
|
|
||
|
|
851
|
||
|
|
00:42:56,607 --> 00:42:58,208
|
||
|
|
Okay.
|
||
|
|
|
||
|
|
852
|
||
|
|
00:42:58,275 --> 00:43:03,047
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something good ♪</i>
|
||
|
|
|
||
|
|
853
|
||
|
|
00:43:03,113 --> 00:43:05,382
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
854
|
||
|
|
00:43:05,449 --> 00:43:07,785
|
||
|
|
Good night.
|
||
|
|
|
||
|
|
855
|
||
|
|
00:43:07,851 --> 00:43:09,853
|
||
|
|
<i>♪ Oh, yeah</i>
|
||
|
|
<i>Something good ♪</i>
|
||
|
|
|
||
|
|
856
|
||
|
|
00:43:09,920 --> 00:43:12,356
|
||
|
|
{\an8}<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
857
|
||
|
|
00:43:12,423 --> 00:43:14,591
|
||
|
|
{\an8}<i>♪ Into something good</i>
|
||
|
|
<i>Something good ♪</i>
|
||
|
|
|
||
|
|
858
|
||
|
|
00:43:14,658 --> 00:43:17,895
|
||
|
|
<i>♪ Something good... ♪</i>
|
||
|
|
|
||
|
|
859
|
||
|
|
00:43:17,962 --> 00:43:19,163
|
||
|
|
FRANK:
|
||
|
|
I'm telling you, Ed,
|
||
|
|
|
||
|
|
860
|
||
|
|
00:43:19,229 --> 00:43:21,332
|
||
|
|
the answer's up there
|
||
|
|
in Ludwig's office.
|
||
|
|
|
||
|
|
861
|
||
|
|
00:43:21,398 --> 00:43:23,968
|
||
|
|
Call it what you will--
|
||
|
|
A hunch, woman's intuition.
|
||
|
|
|
||
|
|
862
|
||
|
|
00:43:24,034 --> 00:43:26,603
|
||
|
|
Ludwig knows a lot more
|
||
|
|
than he's telling us.
|
||
|
|
|
||
|
|
863
|
||
|
|
00:43:26,670 --> 00:43:28,872
|
||
|
|
A hunch won't stand up
|
||
|
|
in court, Frank.
|
||
|
|
|
||
|
|
864
|
||
|
|
00:43:28,939 --> 00:43:30,674
|
||
|
|
Where are your hard facts?
|
||
|
|
|
||
|
|
865
|
||
|
|
00:43:30,741 --> 00:43:32,643
|
||
|
|
Look, he's the only one
|
||
|
|
outside of ourselves
|
||
|
|
|
||
|
|
866
|
||
|
|
00:43:32,710 --> 00:43:34,445
|
||
|
|
who knew that Nordberg
|
||
|
|
was still alive.
|
||
|
|
|
||
|
|
867
|
||
|
|
00:43:34,511 --> 00:43:38,148
|
||
|
|
Next thing we know, some thug
|
||
|
|
tries to knock Nordberg off
|
||
|
|
|
||
|
|
868
|
||
|
|
00:43:38,215 --> 00:43:39,283
|
||
|
|
in the hospital.
|
||
|
|
|
||
|
|
869
|
||
|
|
00:43:39,350 --> 00:43:40,551
|
||
|
|
That may be...
|
||
|
|
|
||
|
|
870
|
||
|
|
00:43:40,617 --> 00:43:42,920
|
||
|
|
But breaking into
|
||
|
|
Ludwig's office--
|
||
|
|
|
||
|
|
871
|
||
|
|
00:43:42,987 --> 00:43:44,655
|
||
|
|
You're taking a big chance.
|
||
|
|
|
||
|
|
872
|
||
|
|
00:43:44,722 --> 00:43:45,923
|
||
|
|
I know.
|
||
|
|
|
||
|
|
873
|
||
|
|
00:43:45,990 --> 00:43:47,858
|
||
|
|
You take a chance
|
||
|
|
getting up in the morning
|
||
|
|
|
||
|
|
874
|
||
|
|
00:43:47,925 --> 00:43:50,728
|
||
|
|
crossing the street
|
||
|
|
or sticking your face in a fan.
|
||
|
|
|
||
|
|
875
|
||
|
|
00:43:50,794 --> 00:43:51,996
|
||
|
|
Look. There he is.
|
||
|
|
|
||
|
|
876
|
||
|
|
00:43:55,933 --> 00:43:58,435
|
||
|
|
All right, just trust me
|
||
|
|
on this, Ed.
|
||
|
|
|
||
|
|
877
|
||
|
|
00:43:58,502 --> 00:43:59,737
|
||
|
|
I know I'm right.
|
||
|
|
|
||
|
|
878
|
||
|
|
00:43:59,803 --> 00:44:00,871
|
||
|
|
Okay, but be careful.
|
||
|
|
|
||
|
|
879
|
||
|
|
00:44:00,938 --> 00:44:02,773
|
||
|
|
You get a good night's sleep.
|
||
|
|
|
||
|
|
880
|
||
|
|
00:44:02,840 --> 00:44:04,208
|
||
|
|
I'll see you in the morning.
|
||
|
|
|
||
|
|
881
|
||
|
|
00:44:04,274 --> 00:44:05,342
|
||
|
|
Mmph. Mmph.
|
||
|
|
|
||
|
|
882
|
||
|
|
00:44:11,315 --> 00:44:14,651
|
||
|
|
(<i> suspenseful theme playing</i> )
|
||
|
|
|
||
|
|
883
|
||
|
|
00:44:57,027 --> 00:44:58,429
|
||
|
|
Bingo.
|
||
|
|
|
||
|
|
884
|
||
|
|
00:45:14,144 --> 00:45:17,281
|
||
|
|
( ragtime music playing )
|
||
|
|
|
||
|
|
885
|
||
|
|
00:45:20,317 --> 00:45:22,453
|
||
|
|
(<i> suspenseful theme resumes</i> )
|
||
|
|
|
||
|
|
886
|
||
|
|
00:45:45,542 --> 00:45:48,545
|
||
|
|
"20 million deposited,
|
||
|
|
Omani Bank, Zurich,
|
||
|
|
|
||
|
|
887
|
||
|
|
00:45:48,612 --> 00:45:51,215
|
||
|
|
upon proof
|
||
|
|
of Queen's death"?
|
||
|
|
|
||
|
|
888
|
||
|
|
00:45:59,690 --> 00:46:02,192
|
||
|
|
( exclaiming )
|
||
|
|
|
||
|
|
889
|
||
|
|
00:46:06,864 --> 00:46:09,433
|
||
|
|
( ragtime music playing )
|
||
|
|
|
||
|
|
890
|
||
|
|
00:46:22,613 --> 00:46:24,548
|
||
|
|
( glass shattering )
|
||
|
|
|
||
|
|
891
|
||
|
|
00:46:24,615 --> 00:46:26,250
|
||
|
|
Ah! Ah!
|
||
|
|
|
||
|
|
892
|
||
|
|
00:46:31,155 --> 00:46:32,789
|
||
|
|
Oh!
|
||
|
|
|
||
|
|
893
|
||
|
|
00:46:39,796 --> 00:46:41,198
|
||
|
|
Oh?
|
||
|
|
|
||
|
|
894
|
||
|
|
00:46:45,102 --> 00:46:47,871
|
||
|
|
(<i> suspenseful theme playing</i> )
|
||
|
|
|
||
|
|
895
|
||
|
|
00:46:51,742 --> 00:46:54,511
|
||
|
|
( sirens wailing )
|
||
|
|
|
||
|
|
896
|
||
|
|
00:47:15,666 --> 00:47:17,768
|
||
|
|
(<i> Klaxon sounds</i> )
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
897
|
||
|
|
00:47:17,834 --> 00:47:19,570
|
||
|
|
(<i> Klaxon sounds</i> ) Aah!
|
||
|
|
(<i> Klaxon sounds</i> ) Aah!
|
||
|
|
|
||
|
|
898
|
||
|
|
00:47:19,636 --> 00:47:21,305
|
||
|
|
Oh, oh...
|
||
|
|
|
||
|
|
899
|
||
|
|
00:47:21,371 --> 00:47:22,406
|
||
|
|
Oh!
|
||
|
|
|
||
|
|
900
|
||
|
|
00:47:23,574 --> 00:47:25,442
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
901
|
||
|
|
00:47:35,652 --> 00:47:37,287
|
||
|
|
( screaming )
|
||
|
|
|
||
|
|
902
|
||
|
|
00:47:49,499 --> 00:47:51,435
|
||
|
|
( creaking )
|
||
|
|
|
||
|
|
903
|
||
|
|
00:47:56,673 --> 00:47:59,977
|
||
|
|
( screams )
|
||
|
|
|
||
|
|
904
|
||
|
|
00:48:03,347 --> 00:48:04,548
|
||
|
|
( gasps )
|
||
|
|
|
||
|
|
905
|
||
|
|
00:48:04,615 --> 00:48:06,550
|
||
|
|
( screaming )
|
||
|
|
|
||
|
|
906
|
||
|
|
00:48:11,054 --> 00:48:12,990
|
||
|
|
MAYOR:
|
||
|
|
Entering without a search warrant,
|
||
|
|
|
||
|
|
907
|
||
|
|
00:48:13,056 --> 00:48:15,726
|
||
|
|
destroying property, arson,
|
||
|
|
|
||
|
|
908
|
||
|
|
00:48:15,792 --> 00:48:18,795
|
||
|
|
sexual assault
|
||
|
|
with a concrete dildo.
|
||
|
|
|
||
|
|
909
|
||
|
|
00:48:18,862 --> 00:48:20,564
|
||
|
|
What the hell
|
||
|
|
were you doing there
|
||
|
|
|
||
|
|
910
|
||
|
|
00:48:20,631 --> 00:48:22,399
|
||
|
|
in the first place?
|
||
|
|
Yes. Yes, I know.
|
||
|
|
|
||
|
|
911
|
||
|
|
00:48:22,466 --> 00:48:23,967
|
||
|
|
I'm sorry about that,
|
||
|
|
Your Honor,
|
||
|
|
|
||
|
|
912
|
||
|
|
00:48:24,034 --> 00:48:26,236
|
||
|
|
but we have reason to believe
|
||
|
|
that Vincent Ludwig
|
||
|
|
|
||
|
|
913
|
||
|
|
00:48:26,303 --> 00:48:28,538
|
||
|
|
is involved in a plot
|
||
|
|
to assassinate the Queen.
|
||
|
|
|
||
|
|
914
|
||
|
|
00:48:28,605 --> 00:48:30,574
|
||
|
|
That's ridiculous!
|
||
|
|
|
||
|
|
915
|
||
|
|
00:48:30,641 --> 00:48:32,409
|
||
|
|
Where is this evidence?
|
||
|
|
|
||
|
|
916
|
||
|
|
00:48:33,510 --> 00:48:34,711
|
||
|
|
Well, it...
|
||
|
|
|
||
|
|
917
|
||
|
|
00:48:34,778 --> 00:48:36,480
|
||
|
|
burned in the fire.
|
||
|
|
|
||
|
|
918
|
||
|
|
00:48:36,546 --> 00:48:38,148
|
||
|
|
Gentlemen...
|
||
|
|
|
||
|
|
919
|
||
|
|
00:48:38,215 --> 00:48:41,184
|
||
|
|
Vincent Ludwig is
|
||
|
|
one of the most respected
|
||
|
|
|
||
|
|
920
|
||
|
|
00:48:41,251 --> 00:48:42,452
|
||
|
|
members of this community,
|
||
|
|
|
||
|
|
921
|
||
|
|
00:48:42,519 --> 00:48:44,955
|
||
|
|
and if we're all
|
||
|
|
very nice to him,
|
||
|
|
|
||
|
|
922
|
||
|
|
00:48:45,022 --> 00:48:47,257
|
||
|
|
he will agree
|
||
|
|
not to press charges.
|
||
|
|
|
||
|
|
923
|
||
|
|
00:48:47,324 --> 00:48:50,127
|
||
|
|
Your Honor... Did I make myself clear?
|
||
|
|
Your Honor... Did I make myself clear?
|
||
|
|
|
||
|
|
924
|
||
|
|
00:48:50,193 --> 00:48:52,963
|
||
|
|
Yes, Your Honor, very clear.
|
||
|
|
Good day.
|
||
|
|
|
||
|
|
925
|
||
|
|
00:48:54,998 --> 00:48:57,167
|
||
|
|
Oh, Drebin.
|
||
|
|
|
||
|
|
926
|
||
|
|
00:48:57,234 --> 00:48:58,435
|
||
|
|
I don't want
|
||
|
|
any more trouble
|
||
|
|
|
||
|
|
927
|
||
|
|
00:48:58,502 --> 00:49:00,737
|
||
|
|
like you had last year
|
||
|
|
on the south side.
|
||
|
|
|
||
|
|
928
|
||
|
|
00:49:00,804 --> 00:49:01,938
|
||
|
|
Understand?
|
||
|
|
|
||
|
|
929
|
||
|
|
00:49:02,005 --> 00:49:03,473
|
||
|
|
That's my policy.
|
||
|
|
|
||
|
|
930
|
||
|
|
00:49:03,540 --> 00:49:06,977
|
||
|
|
Yes, well, when I see
|
||
|
|
five weirdos dressed in togas
|
||
|
|
|
||
|
|
931
|
||
|
|
00:49:07,044 --> 00:49:08,812
|
||
|
|
stabbing a guy
|
||
|
|
in the middle of the park
|
||
|
|
|
||
|
|
932
|
||
|
|
00:49:08,879 --> 00:49:10,147
|
||
|
|
in full view of 100 people,
|
||
|
|
|
||
|
|
933
|
||
|
|
00:49:10,213 --> 00:49:12,082
|
||
|
|
I shoot the bastards,
|
||
|
|
that's my policy.
|
||
|
|
|
||
|
|
934
|
||
|
|
00:49:12,149 --> 00:49:14,885
|
||
|
|
That was a Shakespeare
|
||
|
|
in the Park production
|
||
|
|
|
||
|
|
935
|
||
|
|
00:49:14,951 --> 00:49:18,088
|
||
|
|
of<i> Julius Caesar,</i>
|
||
|
|
you moron.
|
||
|
|
|
||
|
|
936
|
||
|
|
00:49:18,155 --> 00:49:20,991
|
||
|
|
You killed five actors.
|
||
|
|
|
||
|
|
937
|
||
|
|
00:49:21,058 --> 00:49:22,859
|
||
|
|
Good ones.
|
||
|
|
Your Honor--
|
||
|
|
|
||
|
|
938
|
||
|
|
00:49:22,926 --> 00:49:26,263
|
||
|
|
Drebin, your presence
|
||
|
|
at the Queen's reception tonight
|
||
|
|
|
||
|
|
939
|
||
|
|
00:49:26,330 --> 00:49:28,165
|
||
|
|
will not be necessary.
|
||
|
|
|
||
|
|
940
|
||
|
|
00:49:28,231 --> 00:49:30,200
|
||
|
|
Is that understood?
|
||
|
|
|
||
|
|
941
|
||
|
|
00:49:30,267 --> 00:49:32,069
|
||
|
|
We understand,
|
||
|
|
Your Honor.
|
||
|
|
|
||
|
|
942
|
||
|
|
00:49:32,135 --> 00:49:33,737
|
||
|
|
Thank you. Heh-heh.
|
||
|
|
|
||
|
|
943
|
||
|
|
00:49:36,206 --> 00:49:39,343
|
||
|
|
(<i> jazzy theme playing</i> )
|
||
|
|
|
||
|
|
944
|
||
|
|
00:49:56,026 --> 00:49:58,562
|
||
|
|
BOB ( on radio ):
|
||
|
|
<i>...and the plane</i> <i>has taxied to a stop.</i>
|
||
|
|
|
||
|
|
945
|
||
|
|
00:49:58,628 --> 00:50:00,364
|
||
|
|
<i>They're rolling out</i>
|
||
|
|
<i>the steps</i>
|
||
|
|
|
||
|
|
946
|
||
|
|
00:50:00,430 --> 00:50:02,499
|
||
|
|
<i>and any minute now,</i>
|
||
|
|
<i>we expect the doors to open.</i>
|
||
|
|
|
||
|
|
947
|
||
|
|
00:50:02,566 --> 00:50:04,935
|
||
|
|
<i>And we'll get our first</i>
|
||
|
|
<i>glimpse of the Queen, Ken,</i>
|
||
|
|
|
||
|
|
948
|
||
|
|
00:50:05,001 --> 00:50:06,403
|
||
|
|
<i>as she begins her first visit</i>
|
||
|
|
|
||
|
|
949
|
||
|
|
00:50:06,470 --> 00:50:08,405
|
||
|
|
<i>to the Los Angeles area</i>
|
||
|
|
<i>in over five years.</i>
|
||
|
|
|
||
|
|
950
|
||
|
|
00:50:08,472 --> 00:50:10,340
|
||
|
|
KEN:
|
||
|
|
<i>That's right, Bob,</i> <i>and it's a balmy,</i>
|
||
|
|
|
||
|
|
951
|
||
|
|
00:50:10,407 --> 00:50:11,708
|
||
|
|
<i>beautiful evening</i>
|
||
|
|
<i>for it too.</i>
|
||
|
|
|
||
|
|
952
|
||
|
|
00:50:11,775 --> 00:50:13,443
|
||
|
|
<i>She'll be going</i>
|
||
|
|
<i>straight from here</i>
|
||
|
|
|
||
|
|
953
|
||
|
|
00:50:13,510 --> 00:50:15,612
|
||
|
|
<i>to a formal reception</i>
|
||
|
|
<i>hosted by the mayor...</i>
|
||
|
|
|
||
|
|
954
|
||
|
|
00:50:15,679 --> 00:50:17,047
|
||
|
|
( doorbell rings )
|
||
|
|
|
||
|
|
955
|
||
|
|
00:50:17,114 --> 00:50:18,582
|
||
|
|
( radio clicks )
|
||
|
|
|
||
|
|
956
|
||
|
|
00:50:22,919 --> 00:50:24,521
|
||
|
|
Jane. Frank.
|
||
|
|
Jane. Frank.
|
||
|
|
|
||
|
|
957
|
||
|
|
00:50:26,523 --> 00:50:28,759
|
||
|
|
I'm just making some dinner.
|
||
|
|
Are you hungry?
|
||
|
|
|
||
|
|
958
|
||
|
|
00:50:28,825 --> 00:50:31,228
|
||
|
|
Well...
|
||
|
|
Maybe just a bite.
|
||
|
|
|
||
|
|
959
|
||
|
|
00:50:31,294 --> 00:50:33,029
|
||
|
|
I just talked to Vincent Ludwig,
|
||
|
|
|
||
|
|
960
|
||
|
|
00:50:33,096 --> 00:50:34,798
|
||
|
|
he wanted me to ask you
|
||
|
|
to meet him tonight.
|
||
|
|
|
||
|
|
961
|
||
|
|
00:50:34,865 --> 00:50:37,234
|
||
|
|
Jane, I think there's
|
||
|
|
something you should know.
|
||
|
|
|
||
|
|
962
|
||
|
|
00:50:37,300 --> 00:50:39,503
|
||
|
|
I was up in Vincent Ludwig's
|
||
|
|
place last night.
|
||
|
|
|
||
|
|
963
|
||
|
|
00:50:39,569 --> 00:50:40,971
|
||
|
|
Oh, how nice!
|
||
|
|
Did he show you
|
||
|
|
|
||
|
|
964
|
||
|
|
00:50:41,037 --> 00:50:42,572
|
||
|
|
his priceless collection
|
||
|
|
of Ming vases
|
||
|
|
|
||
|
|
965
|
||
|
|
00:50:42,639 --> 00:50:44,508
|
||
|
|
and those rare oil paintings?
|
||
|
|
What about--
|
||
|
|
|
||
|
|
966
|
||
|
|
00:50:44,574 --> 00:50:47,377
|
||
|
|
Jane, I think that
|
||
|
|
Vincent Ludwig is involved
|
||
|
|
|
||
|
|
967
|
||
|
|
00:50:47,444 --> 00:50:49,045
|
||
|
|
in a number of
|
||
|
|
criminal activities.
|
||
|
|
|
||
|
|
968
|
||
|
|
00:50:49,112 --> 00:50:50,580
|
||
|
|
Oh, Frank, stop it.
|
||
|
|
|
||
|
|
969
|
||
|
|
00:50:50,647 --> 00:50:53,016
|
||
|
|
Vincent Ludwig
|
||
|
|
is a well-respected,
|
||
|
|
|
||
|
|
970
|
||
|
|
00:50:53,083 --> 00:50:54,484
|
||
|
|
generous, kind man.
|
||
|
|
|
||
|
|
971
|
||
|
|
00:50:54,551 --> 00:50:56,787
|
||
|
|
It's just too bad
|
||
|
|
you don't know him like I do.
|
||
|
|
|
||
|
|
972
|
||
|
|
00:50:56,853 --> 00:50:57,954
|
||
|
|
Oh, yeah,
|
||
|
|
and how's that?
|
||
|
|
|
||
|
|
973
|
||
|
|
00:50:58,021 --> 00:50:59,723
|
||
|
|
What's that
|
||
|
|
supposed to mean?
|
||
|
|
|
||
|
|
974
|
||
|
|
00:50:59,790 --> 00:51:01,358
|
||
|
|
I'm...sorry.
|
||
|
|
|
||
|
|
975
|
||
|
|
00:51:01,425 --> 00:51:03,226
|
||
|
|
I'm worried
|
||
|
|
about you.
|
||
|
|
|
||
|
|
976
|
||
|
|
00:51:03,293 --> 00:51:05,095
|
||
|
|
I don't trust him,
|
||
|
|
and I don't want you
|
||
|
|
|
||
|
|
977
|
||
|
|
00:51:05,162 --> 00:51:07,030
|
||
|
|
getting mixed up
|
||
|
|
in anything dangerous.
|
||
|
|
|
||
|
|
978
|
||
|
|
00:51:07,097 --> 00:51:09,099
|
||
|
|
Wong Wu's?
|
||
|
|
They back in business?
|
||
|
|
|
||
|
|
979
|
||
|
|
00:51:09,166 --> 00:51:11,034
|
||
|
|
I thought they closed down
|
||
|
|
three years ago.
|
||
|
|
|
||
|
|
980
|
||
|
|
00:51:11,101 --> 00:51:13,370
|
||
|
|
Gee, has it been
|
||
|
|
that long?
|
||
|
|
|
||
|
|
981
|
||
|
|
00:51:13,437 --> 00:51:15,705
|
||
|
|
I don't feel like Chinese
|
||
|
|
tonight, anyway.
|
||
|
|
|
||
|
|
982
|
||
|
|
00:51:15,772 --> 00:51:16,873
|
||
|
|
( inhales deeply )
|
||
|
|
|
||
|
|
983
|
||
|
|
00:51:16,940 --> 00:51:18,308
|
||
|
|
Uhh...
|
||
|
|
|
||
|
|
984
|
||
|
|
00:51:18,375 --> 00:51:20,277
|
||
|
|
It's sweet of you
|
||
|
|
to be concerned about me,
|
||
|
|
|
||
|
|
985
|
||
|
|
00:51:20,343 --> 00:51:22,512
|
||
|
|
but you're wrong
|
||
|
|
about Vincent Ludwig.
|
||
|
|
|
||
|
|
986
|
||
|
|
00:51:22,579 --> 00:51:26,183
|
||
|
|
He's such a gentleman,
|
||
|
|
and he's so generous.
|
||
|
|
|
||
|
|
987
|
||
|
|
00:51:26,249 --> 00:51:27,784
|
||
|
|
He just wants to have
|
||
|
|
a talk with you
|
||
|
|
|
||
|
|
988
|
||
|
|
00:51:27,851 --> 00:51:30,620
|
||
|
|
to clear up any doubts
|
||
|
|
that you might have about him.
|
||
|
|
|
||
|
|
989
|
||
|
|
00:51:31,755 --> 00:51:32,889
|
||
|
|
When?
|
||
|
|
Tonight.
|
||
|
|
|
||
|
|
990
|
||
|
|
00:51:32,956 --> 00:51:35,392
|
||
|
|
He wants you to meet him
|
||
|
|
at the 7th Street stockyards
|
||
|
|
|
||
|
|
991
|
||
|
|
00:51:35,459 --> 00:51:36,860
|
||
|
|
near the 53rd Street entrance.
|
||
|
|
|
||
|
|
992
|
||
|
|
00:51:36,927 --> 00:51:40,063
|
||
|
|
All right, but you promise me
|
||
|
|
you'll be careful.
|
||
|
|
|
||
|
|
993
|
||
|
|
00:51:40,130 --> 00:51:43,633
|
||
|
|
Of course I will,
|
||
|
|
funny face, for you.
|
||
|
|
|
||
|
|
994
|
||
|
|
00:51:43,700 --> 00:51:46,870
|
||
|
|
Oh, I got to go.
|
||
|
|
I'll see you tomorrow.
|
||
|
|
|
||
|
|
995
|
||
|
|
00:51:48,371 --> 00:51:51,441
|
||
|
|
Are you sure you won't have
|
||
|
|
something to eat?
|
||
|
|
|
||
|
|
996
|
||
|
|
00:51:54,678 --> 00:51:56,813
|
||
|
|
(<i> suspenseful theme playing</i> )
|
||
|
|
|
||
|
|
997
|
||
|
|
00:51:56,880 --> 00:51:58,815
|
||
|
|
( mooing )
|
||
|
|
|
||
|
|
998
|
||
|
|
00:52:16,700 --> 00:52:17,801
|
||
|
|
Ludwig?
|
||
|
|
|
||
|
|
999
|
||
|
|
00:52:19,035 --> 00:52:20,170
|
||
|
|
MAN:
|
||
|
|
Drebin?
|
||
|
|
|
||
|
|
1000
|
||
|
|
00:52:20,237 --> 00:52:22,138
|
||
|
|
Yeah, I'm Drebin.
|
||
|
|
|
||
|
|
1001
|
||
|
|
00:52:22,205 --> 00:52:25,542
|
||
|
|
I have a message for you
|
||
|
|
from Vincent Ludwig.
|
||
|
|
|
||
|
|
1002
|
||
|
|
00:52:25,609 --> 00:52:28,545
|
||
|
|
Take that,
|
||
|
|
you lousy scum!
|
||
|
|
|
||
|
|
1003
|
||
|
|
00:52:28,612 --> 00:52:30,814
|
||
|
|
I'm sorry.
|
||
|
|
I can't hear you.
|
||
|
|
|
||
|
|
1004
|
||
|
|
00:52:30,881 --> 00:52:33,850
|
||
|
|
Don't fire the gun
|
||
|
|
while you're talking.
|
||
|
|
|
||
|
|
1005
|
||
|
|
00:52:54,604 --> 00:52:55,906
|
||
|
|
( clicking )
|
||
|
|
|
||
|
|
1006
|
||
|
|
00:52:55,972 --> 00:52:57,340
|
||
|
|
All right...
|
||
|
|
|
||
|
|
1007
|
||
|
|
00:52:57,407 --> 00:53:01,912
|
||
|
|
Put your gun down
|
||
|
|
and your hand up.
|
||
|
|
|
||
|
|
1008
|
||
|
|
00:53:14,424 --> 00:53:16,192
|
||
|
|
( man gurgles )
|
||
|
|
|
||
|
|
1009
|
||
|
|
00:53:25,535 --> 00:53:27,671
|
||
|
|
(<i> jazzy theme playing</i> )
|
||
|
|
|
||
|
|
1010
|
||
|
|
00:53:35,111 --> 00:53:37,480
|
||
|
|
Matthews,
|
||
|
|
stake out that end.
|
||
|
|
|
||
|
|
1011
|
||
|
|
00:53:37,547 --> 00:53:40,483
|
||
|
|
Adcock, check for anyone
|
||
|
|
suspicious-looking.
|
||
|
|
|
||
|
|
1012
|
||
|
|
00:53:42,218 --> 00:53:44,087
|
||
|
|
Ed!
|
||
|
|
Frank, what are you doing here?
|
||
|
|
|
||
|
|
1013
|
||
|
|
00:53:44,154 --> 00:53:45,622
|
||
|
|
I just came
|
||
|
|
from the stockyards,
|
||
|
|
|
||
|
|
1014
|
||
|
|
00:53:45,689 --> 00:53:47,724
|
||
|
|
trading shots
|
||
|
|
with one of Ludwig's goons.
|
||
|
|
|
||
|
|
1015
|
||
|
|
00:53:47,791 --> 00:53:49,826
|
||
|
|
They're planning
|
||
|
|
on doing it tonight, Ed, here.
|
||
|
|
|
||
|
|
1016
|
||
|
|
00:53:49,893 --> 00:53:51,661
|
||
|
|
That's why they were
|
||
|
|
trying to knock me off.
|
||
|
|
|
||
|
|
1017
|
||
|
|
00:53:51,728 --> 00:53:53,396
|
||
|
|
Right. We'd better be
|
||
|
|
on the lookout.
|
||
|
|
|
||
|
|
1018
|
||
|
|
00:53:53,463 --> 00:53:56,333
|
||
|
|
Right. Excuse me, ma'am.
|
||
|
|
Security.
|
||
|
|
|
||
|
|
1019
|
||
|
|
00:53:56,399 --> 00:53:58,268
|
||
|
|
( wand whirring )
|
||
|
|
( exclaiming )
|
||
|
|
|
||
|
|
1020
|
||
|
|
00:53:58,335 --> 00:53:59,769
|
||
|
|
What's the meaning
|
||
|
|
of this?
|
||
|
|
|
||
|
|
1021
|
||
|
|
00:53:59,836 --> 00:54:02,105
|
||
|
|
All right, all right,
|
||
|
|
just relax, take it easy.
|
||
|
|
|
||
|
|
1022
|
||
|
|
00:54:02,172 --> 00:54:03,506
|
||
|
|
Nothing's gonna happen.
|
||
|
|
|
||
|
|
1023
|
||
|
|
00:54:03,573 --> 00:54:05,408
|
||
|
|
Hey, I didn't
|
||
|
|
do anything.
|
||
|
|
|
||
|
|
1024
|
||
|
|
00:54:05,475 --> 00:54:07,177
|
||
|
|
Oh, yeah?
|
||
|
|
Well, how about this?
|
||
|
|
|
||
|
|
1025
|
||
|
|
00:54:07,243 --> 00:54:09,112
|
||
|
|
You think we were
|
||
|
|
born yesterday?
|
||
|
|
|
||
|
|
1026
|
||
|
|
00:54:09,179 --> 00:54:10,914
|
||
|
|
You didn't do anything, huh?
|
||
|
|
|
||
|
|
1027
|
||
|
|
00:54:10,981 --> 00:54:12,082
|
||
|
|
I got rights!
|
||
|
|
|
||
|
|
1028
|
||
|
|
00:54:12,148 --> 00:54:13,617
|
||
|
|
Look, Ed.
|
||
|
|
|
||
|
|
1029
|
||
|
|
00:54:13,683 --> 00:54:16,186
|
||
|
|
He's got a picture
|
||
|
|
of your wife.
|
||
|
|
|
||
|
|
1030
|
||
|
|
00:54:16,252 --> 00:54:17,721
|
||
|
|
Ethel.
|
||
|
|
|
||
|
|
1031
|
||
|
|
00:54:19,456 --> 00:54:22,492
|
||
|
|
All right. Anyone else here
|
||
|
|
seeing his wife?
|
||
|
|
|
||
|
|
1032
|
||
|
|
00:54:22,559 --> 00:54:25,228
|
||
|
|
That's all right.
|
||
|
|
That's okay, Frank.
|
||
|
|
|
||
|
|
1033
|
||
|
|
00:54:25,295 --> 00:54:26,496
|
||
|
|
Let's get in the hall.
|
||
|
|
|
||
|
|
1034
|
||
|
|
00:54:36,673 --> 00:54:38,742
|
||
|
|
Are you enjoying yourself,
|
||
|
|
my dear?
|
||
|
|
|
||
|
|
1035
|
||
|
|
00:54:38,808 --> 00:54:41,444
|
||
|
|
Oh, Mr. Ludwig,
|
||
|
|
I'm so excited to be here.
|
||
|
|
|
||
|
|
1036
|
||
|
|
00:54:41,511 --> 00:54:43,446
|
||
|
|
I really do appreciate
|
||
|
|
your inviting me.
|
||
|
|
|
||
|
|
1037
|
||
|
|
00:54:43,513 --> 00:54:46,049
|
||
|
|
Oh, the pleasure
|
||
|
|
is all mine, my dear,
|
||
|
|
|
||
|
|
1038
|
||
|
|
00:54:46,116 --> 00:54:47,617
|
||
|
|
and perhaps afterwards,
|
||
|
|
we can--
|
||
|
|
|
||
|
|
1039
|
||
|
|
00:54:49,619 --> 00:54:51,488
|
||
|
|
Drebin.
|
||
|
|
Frank.
|
||
|
|
|
||
|
|
1040
|
||
|
|
00:54:51,554 --> 00:54:54,658
|
||
|
|
You're both right.
|
||
|
|
Surprised to see me, Mr. Ludwig?
|
||
|
|
|
||
|
|
1041
|
||
|
|
00:54:54,724 --> 00:54:57,661
|
||
|
|
This is not the time
|
||
|
|
or place to talk.
|
||
|
|
|
||
|
|
1042
|
||
|
|
00:54:57,727 --> 00:55:00,397
|
||
|
|
It's way past
|
||
|
|
the time we talked.
|
||
|
|
|
||
|
|
1043
|
||
|
|
00:55:00,463 --> 00:55:03,033
|
||
|
|
The gloves are off.
|
||
|
|
I'm playing hardball, Ludwig.
|
||
|
|
|
||
|
|
1044
|
||
|
|
00:55:03,099 --> 00:55:04,668
|
||
|
|
It's fourth and 15,
|
||
|
|
|
||
|
|
1045
|
||
|
|
00:55:04,734 --> 00:55:06,970
|
||
|
|
and you're looking
|
||
|
|
at a full-court press.
|
||
|
|
|
||
|
|
1046
|
||
|
|
00:55:07,037 --> 00:55:11,041
|
||
|
|
Mr. Drebin, if you have
|
||
|
|
evidence, then use it.
|
||
|
|
|
||
|
|
1047
|
||
|
|
00:55:11,107 --> 00:55:15,378
|
||
|
|
If not, I am warning you,
|
||
|
|
get off my back,
|
||
|
|
|
||
|
|
1048
|
||
|
|
00:55:15,445 --> 00:55:17,681
|
||
|
|
or I promise you,
|
||
|
|
it will cost you dearly.
|
||
|
|
|
||
|
|
1049
|
||
|
|
00:55:20,316 --> 00:55:22,986
|
||
|
|
Frank, what's wrong?
|
||
|
|
|
||
|
|
1050
|
||
|
|
00:55:23,053 --> 00:55:25,288
|
||
|
|
A lot of things,
|
||
|
|
sweetie pie.
|
||
|
|
|
||
|
|
1051
|
||
|
|
00:55:25,355 --> 00:55:26,656
|
||
|
|
A little meeting
|
||
|
|
that turned into
|
||
|
|
|
||
|
|
1052
|
||
|
|
00:55:26,723 --> 00:55:28,291
|
||
|
|
a peek-a-boo session
|
||
|
|
with bullets
|
||
|
|
|
||
|
|
1053
|
||
|
|
00:55:28,358 --> 00:55:29,793
|
||
|
|
all set up by someone
|
||
|
|
who's been playing me
|
||
|
|
|
||
|
|
1054
|
||
|
|
00:55:29,859 --> 00:55:31,928
|
||
|
|
like a violin at the annual
|
||
|
|
saps convention.
|
||
|
|
|
||
|
|
1055
|
||
|
|
00:55:31,995 --> 00:55:34,497
|
||
|
|
Funny face, I don't know
|
||
|
|
what you're talking about.
|
||
|
|
|
||
|
|
1056
|
||
|
|
00:55:34,564 --> 00:55:36,733
|
||
|
|
My stockyard meeting,
|
||
|
|
butterwings.
|
||
|
|
|
||
|
|
1057
|
||
|
|
00:55:36,800 --> 00:55:38,601
|
||
|
|
Or don't you remember
|
||
|
|
setting that up?
|
||
|
|
|
||
|
|
1058
|
||
|
|
00:55:38,668 --> 00:55:41,204
|
||
|
|
But Mr. Ludwig said you
|
||
|
|
called the meeting off.
|
||
|
|
|
||
|
|
1059
|
||
|
|
00:55:41,271 --> 00:55:42,972
|
||
|
|
Believe me, I-- Hum me another one,
|
||
|
|
Believe me, I-- Hum me another one,
|
||
|
|
|
||
|
|
1060
|
||
|
|
00:55:43,039 --> 00:55:44,240
|
||
|
|
snooky lumps.
|
||
|
|
|
||
|
|
1061
|
||
|
|
00:55:44,307 --> 00:55:46,409
|
||
|
|
Frank, it's the truth.
|
||
|
|
|
||
|
|
1062
|
||
|
|
00:55:46,476 --> 00:55:47,677
|
||
|
|
It's true
|
||
|
|
what they say--
|
||
|
|
|
||
|
|
1063
|
||
|
|
00:55:47,744 --> 00:55:49,546
|
||
|
|
Cops and women
|
||
|
|
don't mix.
|
||
|
|
|
||
|
|
1064
|
||
|
|
00:55:49,612 --> 00:55:51,281
|
||
|
|
It's like eating
|
||
|
|
a spoonful of Drano.
|
||
|
|
|
||
|
|
1065
|
||
|
|
00:55:51,347 --> 00:55:52,682
|
||
|
|
Sure,
|
||
|
|
it'll clean you out,
|
||
|
|
|
||
|
|
1066
|
||
|
|
00:55:52,749 --> 00:55:55,185
|
||
|
|
but it'll leave you
|
||
|
|
hollow inside.
|
||
|
|
|
||
|
|
1067
|
||
|
|
00:55:55,251 --> 00:55:56,953
|
||
|
|
Too bad, sugar puff.
|
||
|
|
|
||
|
|
1068
|
||
|
|
00:55:58,621 --> 00:56:00,523
|
||
|
|
We could have
|
||
|
|
been something.
|
||
|
|
|
||
|
|
1069
|
||
|
|
00:56:00,590 --> 00:56:04,227
|
||
|
|
I was only doing
|
||
|
|
what I was told to do.
|
||
|
|
|
||
|
|
1070
|
||
|
|
00:56:04,294 --> 00:56:06,696
|
||
|
|
Like make love to me? Frank!
|
||
|
|
Like make love to me? Frank!
|
||
|
|
|
||
|
|
1071
|
||
|
|
00:56:08,131 --> 00:56:10,567
|
||
|
|
That only makes things
|
||
|
|
easier, princess.
|
||
|
|
|
||
|
|
1072
|
||
|
|
00:56:10,633 --> 00:56:12,302
|
||
|
|
To think I trusted you.
|
||
|
|
|
||
|
|
1073
|
||
|
|
00:56:12,368 --> 00:56:13,837
|
||
|
|
I made a big mistake.
|
||
|
|
|
||
|
|
1074
|
||
|
|
00:56:13,903 --> 00:56:16,506
|
||
|
|
Here.
|
||
|
|
You take this back.
|
||
|
|
|
||
|
|
1075
|
||
|
|
00:56:16,573 --> 00:56:17,741
|
||
|
|
Whose is that?
|
||
|
|
|
||
|
|
1076
|
||
|
|
00:56:19,542 --> 00:56:21,478
|
||
|
|
Doesn't matter.
|
||
|
|
MAN: Hey, watch it!
|
||
|
|
|
||
|
|
1077
|
||
|
|
00:56:21,544 --> 00:56:23,613
|
||
|
|
Take care of yourself,
|
||
|
|
baby.
|
||
|
|
|
||
|
|
1078
|
||
|
|
00:56:25,248 --> 00:56:26,883
|
||
|
|
By the way...
|
||
|
|
|
||
|
|
1079
|
||
|
|
00:56:26,950 --> 00:56:29,285
|
||
|
|
I faked every orgasm.
|
||
|
|
|
||
|
|
1080
|
||
|
|
00:56:29,352 --> 00:56:31,387
|
||
|
|
Oh, funny face.
|
||
|
|
|
||
|
|
1081
|
||
|
|
00:56:31,454 --> 00:56:32,856
|
||
|
|
( applause )
|
||
|
|
|
||
|
|
1082
|
||
|
|
00:56:32,922 --> 00:56:35,058
|
||
|
|
And to commemorate
|
||
|
|
our friendship,
|
||
|
|
|
||
|
|
1083
|
||
|
|
00:56:35,125 --> 00:56:37,393
|
||
|
|
the city of Los Angeles
|
||
|
|
|
||
|
|
1084
|
||
|
|
00:56:37,460 --> 00:56:40,096
|
||
|
|
is proud to present
|
||
|
|
to the royal family
|
||
|
|
|
||
|
|
1085
|
||
|
|
00:56:40,163 --> 00:56:42,432
|
||
|
|
this revolutionary war musket
|
||
|
|
|
||
|
|
1086
|
||
|
|
00:56:42,499 --> 00:56:45,869
|
||
|
|
generously donated
|
||
|
|
by Mr. Vincent Ludwig.
|
||
|
|
|
||
|
|
1087
|
||
|
|
00:56:47,470 --> 00:56:48,738
|
||
|
|
Ladies and gentlemen,
|
||
|
|
|
||
|
|
1088
|
||
|
|
00:56:48,805 --> 00:56:51,174
|
||
|
|
her royal highness...
|
||
|
|
|
||
|
|
1089
|
||
|
|
00:56:51,241 --> 00:56:53,676
|
||
|
|
Queen Elizabeth II.
|
||
|
|
|
||
|
|
1090
|
||
|
|
00:56:57,547 --> 00:57:00,683
|
||
|
|
( playing fanfare )
|
||
|
|
|
||
|
|
1091
|
||
|
|
00:57:16,533 --> 00:57:18,434
|
||
|
|
( Elizabeth screams )
|
||
|
|
|
||
|
|
1092
|
||
|
|
00:57:23,439 --> 00:57:24,574
|
||
|
|
( gasps )
|
||
|
|
|
||
|
|
1093
|
||
|
|
00:57:26,075 --> 00:57:27,510
|
||
|
|
Get security in here!
|
||
|
|
|
||
|
|
1094
|
||
|
|
00:57:28,945 --> 00:57:31,648
|
||
|
|
ED:
|
||
|
|
It's disgusting the way they splash this stuff
|
||
|
|
|
||
|
|
1095
|
||
|
|
00:57:31,714 --> 00:57:33,683
|
||
|
|
all over the newspapers.
|
||
|
|
|
||
|
|
1096
|
||
|
|
00:57:33,750 --> 00:57:36,419
|
||
|
|
What is journalism coming to?
|
||
|
|
|
||
|
|
1097
|
||
|
|
00:57:36,486 --> 00:57:38,321
|
||
|
|
You're laying on top
|
||
|
|
of the Queen
|
||
|
|
|
||
|
|
1098
|
||
|
|
00:57:38,388 --> 00:57:40,290
|
||
|
|
with her legs
|
||
|
|
wrapped around you
|
||
|
|
|
||
|
|
1099
|
||
|
|
00:57:40,356 --> 00:57:41,825
|
||
|
|
and they call that news.
|
||
|
|
|
||
|
|
1100
|
||
|
|
00:57:41,891 --> 00:57:44,260
|
||
|
|
They can't kick you
|
||
|
|
off the force, Frank.
|
||
|
|
|
||
|
|
1101
|
||
|
|
00:57:44,327 --> 00:57:45,595
|
||
|
|
It's just not fair!
|
||
|
|
|
||
|
|
1102
|
||
|
|
00:57:45,662 --> 00:57:48,531
|
||
|
|
Now, now, Ed,
|
||
|
|
life isn't always fair.
|
||
|
|
|
||
|
|
1103
|
||
|
|
00:57:48,598 --> 00:57:51,267
|
||
|
|
Just think, the next time
|
||
|
|
I shoot someone,
|
||
|
|
|
||
|
|
1104
|
||
|
|
00:57:51,334 --> 00:57:52,836
|
||
|
|
I could be arrested.
|
||
|
|
|
||
|
|
1105
|
||
|
|
00:57:53,636 --> 00:57:56,339
|
||
|
|
Hey... Look at that.
|
||
|
|
|
||
|
|
1106
|
||
|
|
00:57:56,406 --> 00:57:58,508
|
||
|
|
The missing evidence
|
||
|
|
in the Kelner case.
|
||
|
|
|
||
|
|
1107
|
||
|
|
00:57:58,575 --> 00:58:01,511
|
||
|
|
My God, he was innocent.
|
||
|
|
|
||
|
|
1108
|
||
|
|
00:58:01,578 --> 00:58:03,746
|
||
|
|
He went to the chair
|
||
|
|
two years ago, Frank.
|
||
|
|
|
||
|
|
1109
|
||
|
|
00:58:03,813 --> 00:58:07,784
|
||
|
|
Well... What's the use?
|
||
|
|
|
||
|
|
1110
|
||
|
|
00:58:07,851 --> 00:58:10,920
|
||
|
|
What good are these
|
||
|
|
damn awards and citations?
|
||
|
|
|
||
|
|
1111
|
||
|
|
00:58:10,987 --> 00:58:13,223
|
||
|
|
Frank, uh... Twenty years--
|
||
|
|
Frank, uh... Twenty years--
|
||
|
|
|
||
|
|
1112
|
||
|
|
00:58:13,289 --> 00:58:15,758
|
||
|
|
Frank, that's not your desk.
|
||
|
|
|
||
|
|
1113
|
||
|
|
00:58:15,825 --> 00:58:17,126
|
||
|
|
JANE: Frank!
|
||
|
|
Jane!
|
||
|
|
|
||
|
|
1114
|
||
|
|
00:58:17,193 --> 00:58:19,362
|
||
|
|
I've been looking
|
||
|
|
all over for you.
|
||
|
|
|
||
|
|
1115
|
||
|
|
00:58:19,429 --> 00:58:20,597
|
||
|
|
What are you doing here,
|
||
|
|
|
||
|
|
1116
|
||
|
|
00:58:20,663 --> 00:58:22,298
|
||
|
|
running another errand
|
||
|
|
for your boyfriend?
|
||
|
|
|
||
|
|
1117
|
||
|
|
00:58:22,365 --> 00:58:25,134
|
||
|
|
I tried to call you last night.
|
||
|
|
I even went by your place.
|
||
|
|
|
||
|
|
1118
|
||
|
|
00:58:25,201 --> 00:58:28,538
|
||
|
|
Where were you?
|
||
|
|
I was out walking-- All night.
|
||
|
|
|
||
|
|
1119
|
||
|
|
00:58:28,605 --> 00:58:29,839
|
||
|
|
Frank, you got to
|
||
|
|
listen to me.
|
||
|
|
|
||
|
|
1120
|
||
|
|
00:58:29,906 --> 00:58:31,641
|
||
|
|
I have important
|
||
|
|
information for you.
|
||
|
|
|
||
|
|
1121
|
||
|
|
00:58:31,708 --> 00:58:33,543
|
||
|
|
Please believe me.
|
||
|
|
Vincent Ludwig and I,
|
||
|
|
|
||
|
|
1122
|
||
|
|
00:58:33,610 --> 00:58:35,511
|
||
|
|
there was never
|
||
|
|
anything between us.
|
||
|
|
|
||
|
|
1123
|
||
|
|
00:58:35,578 --> 00:58:37,680
|
||
|
|
He likes East German men.
|
||
|
|
|
||
|
|
1124
|
||
|
|
00:58:37,747 --> 00:58:39,916
|
||
|
|
And what about you?
|
||
|
|
|
||
|
|
1125
|
||
|
|
00:58:39,983 --> 00:58:41,251
|
||
|
|
I like cops.
|
||
|
|
|
||
|
|
1126
|
||
|
|
00:58:41,317 --> 00:58:43,620
|
||
|
|
All right! Hey, hey!
|
||
|
|
All right! Hey, hey!
|
||
|
|
|
||
|
|
1127
|
||
|
|
00:58:43,686 --> 00:58:45,221
|
||
|
|
Settle down.
|
||
|
|
Take it easy.
|
||
|
|
|
||
|
|
1128
|
||
|
|
00:58:45,288 --> 00:58:47,023
|
||
|
|
What have you got?
|
||
|
|
|
||
|
|
1129
|
||
|
|
00:58:47,090 --> 00:58:49,058
|
||
|
|
I overheard Ludwig
|
||
|
|
after the banquet.
|
||
|
|
|
||
|
|
1130
|
||
|
|
00:58:49,125 --> 00:58:51,160
|
||
|
|
You were right
|
||
|
|
all along, Frank.
|
||
|
|
|
||
|
|
1131
|
||
|
|
00:58:51,227 --> 00:58:54,030
|
||
|
|
Ludwig is planning to have
|
||
|
|
someone assassinate the Queen!
|
||
|
|
|
||
|
|
1132
|
||
|
|
00:58:54,097 --> 00:58:56,232
|
||
|
|
Where?
|
||
|
|
At the baseball game.
|
||
|
|
|
||
|
|
1133
|
||
|
|
00:58:56,299 --> 00:58:58,835
|
||
|
|
The Queen will be there this
|
||
|
|
afternoon as a guest of Ludwig.
|
||
|
|
|
||
|
|
1134
|
||
|
|
00:58:58,902 --> 00:59:00,103
|
||
|
|
I'm supposed to be
|
||
|
|
with them.
|
||
|
|
|
||
|
|
1135
|
||
|
|
00:59:00,169 --> 00:59:01,905
|
||
|
|
Are you telling us
|
||
|
|
that Vincent Ludwig
|
||
|
|
|
||
|
|
1136
|
||
|
|
00:59:01,971 --> 00:59:04,707
|
||
|
|
is going to just shoot the Queen
|
||
|
|
in front of 60,000 fans?
|
||
|
|
|
||
|
|
1137
|
||
|
|
00:59:04,774 --> 00:59:05,942
|
||
|
|
No. He said a player's
|
||
|
|
going to do it,
|
||
|
|
|
||
|
|
1138
|
||
|
|
00:59:06,009 --> 00:59:07,410
|
||
|
|
during the
|
||
|
|
7th-inning stretch.
|
||
|
|
|
||
|
|
1139
|
||
|
|
00:59:07,477 --> 00:59:08,611
|
||
|
|
That game starts
|
||
|
|
in 20 minutes.
|
||
|
|
|
||
|
|
1140
|
||
|
|
00:59:08,678 --> 00:59:10,413
|
||
|
|
I better get down there
|
||
|
|
right away.
|
||
|
|
|
||
|
|
1141
|
||
|
|
00:59:10,480 --> 00:59:11,714
|
||
|
|
I'll go with you.
|
||
|
|
|
||
|
|
1142
|
||
|
|
00:59:11,781 --> 00:59:13,182
|
||
|
|
No, it's best you stay
|
||
|
|
with Ludwig.
|
||
|
|
|
||
|
|
1143
|
||
|
|
00:59:13,249 --> 00:59:15,318
|
||
|
|
That way, we won't arouse
|
||
|
|
any suspicion.
|
||
|
|
|
||
|
|
1144
|
||
|
|
00:59:15,385 --> 00:59:16,686
|
||
|
|
Right.
|
||
|
|
Okay, let's go.
|
||
|
|
|
||
|
|
1145
|
||
|
|
00:59:16,753 --> 00:59:18,154
|
||
|
|
Wait! Listen!
|
||
|
|
|
||
|
|
1146
|
||
|
|
00:59:18,221 --> 00:59:20,757
|
||
|
|
I've gotten you guys
|
||
|
|
into enough trouble already.
|
||
|
|
|
||
|
|
1147
|
||
|
|
00:59:20,823 --> 00:59:22,792
|
||
|
|
I don't want you to risk
|
||
|
|
this for me. I'll go alone.
|
||
|
|
|
||
|
|
1148
|
||
|
|
00:59:22,859 --> 00:59:25,662
|
||
|
|
No! This is gonna get you
|
||
|
|
back on the force, Frank,
|
||
|
|
|
||
|
|
1149
|
||
|
|
00:59:25,728 --> 00:59:28,264
|
||
|
|
and we're all right behind you.
|
||
|
|
|
||
|
|
1150
|
||
|
|
00:59:28,331 --> 00:59:30,500
|
||
|
|
( officers agreeing )
|
||
|
|
|
||
|
|
1151
|
||
|
|
00:59:30,566 --> 00:59:31,601
|
||
|
|
Frank...
|
||
|
|
|
||
|
|
1152
|
||
|
|
00:59:31,668 --> 00:59:34,671
|
||
|
|
I wanted you
|
||
|
|
to know now...
|
||
|
|
|
||
|
|
1153
|
||
|
|
00:59:34,737 --> 00:59:37,407
|
||
|
|
I've loved you since
|
||
|
|
the first day I met you,
|
||
|
|
|
||
|
|
1154
|
||
|
|
00:59:37,473 --> 00:59:39,509
|
||
|
|
and I'll never stop.
|
||
|
|
|
||
|
|
1155
|
||
|
|
00:59:39,575 --> 00:59:41,644
|
||
|
|
I'm a very lucky woman.
|
||
|
|
|
||
|
|
1156
|
||
|
|
00:59:42,345 --> 00:59:43,846
|
||
|
|
So am I.
|
||
|
|
|
||
|
|
1157
|
||
|
|
00:59:44,881 --> 00:59:48,117
|
||
|
|
Programs!
|
||
|
|
Get your programs here!
|
||
|
|
|
||
|
|
1158
|
||
|
|
00:59:48,184 --> 00:59:51,487
|
||
|
|
(<i> ominous theme playing</i> )
|
||
|
|
|
||
|
|
1159
|
||
|
|
00:59:51,554 --> 00:59:54,057
|
||
|
|
GOWDY:
|
||
|
|
<i>And a good afternoon</i> <i>to everyone.</i>
|
||
|
|
|
||
|
|
1160
|
||
|
|
00:59:54,123 --> 00:59:55,992
|
||
|
|
<i>We're coming to you live</i>
|
||
|
|
<i>from the big A</i>
|
||
|
|
|
||
|
|
1161
|
||
|
|
00:59:56,059 --> 00:59:58,861
|
||
|
|
<i>Where the California Angels</i>
|
||
|
|
<i>meet the Seattle Mariners</i>
|
||
|
|
|
||
|
|
1162
|
||
|
|
00:59:58,928 --> 01:00:00,930
|
||
|
|
<i>in a showdown</i>
|
||
|
|
<i>for the division league</i>
|
||
|
|
|
||
|
|
1163
|
||
|
|
01:00:00,997 --> 01:00:03,900
|
||
|
|
<i>in this exciting</i>
|
||
|
|
<i>American League West race.</i>
|
||
|
|
|
||
|
|
1164
|
||
|
|
01:00:03,967 --> 01:00:05,735
|
||
|
|
Hello, everybody.
|
||
|
|
I'm Curt Gowdy,
|
||
|
|
|
||
|
|
1165
|
||
|
|
01:00:05,802 --> 01:00:08,671
|
||
|
|
along with Jim Palmer,
|
||
|
|
Tim McCarver,
|
||
|
|
|
||
|
|
1166
|
||
|
|
01:00:08,738 --> 01:00:11,174
|
||
|
|
Dick Vitale, Mel Allen,
|
||
|
|
|
||
|
|
1167
|
||
|
|
01:00:11,240 --> 01:00:14,143
|
||
|
|
Dick Enberg,
|
||
|
|
and Dr. Joyce Brothers
|
||
|
|
|
||
|
|
1168
|
||
|
|
01:00:14,210 --> 01:00:16,913
|
||
|
|
inviting you to join us for this
|
||
|
|
all-important ball game.
|
||
|
|
|
||
|
|
1169
|
||
|
|
01:00:16,980 --> 01:00:18,848
|
||
|
|
And a very
|
||
|
|
special game it is, Curt.
|
||
|
|
|
||
|
|
1170
|
||
|
|
01:00:18,915 --> 01:00:20,984
|
||
|
|
As we all know,
|
||
|
|
this game is being attended
|
||
|
|
|
||
|
|
1171
|
||
|
|
01:00:21,050 --> 01:00:22,819
|
||
|
|
by Her Majesty
|
||
|
|
Queen Elizabeth.
|
||
|
|
|
||
|
|
1172
|
||
|
|
01:00:22,885 --> 01:00:25,621
|
||
|
|
And I'm sure Her Majesty
|
||
|
|
will enjoy this game, Jim.
|
||
|
|
|
||
|
|
1173
|
||
|
|
01:00:25,688 --> 01:00:28,291
|
||
|
|
We've got
|
||
|
|
all the exits covered.
|
||
|
|
|
||
|
|
1174
|
||
|
|
01:00:28,358 --> 01:00:30,693
|
||
|
|
I ought to go down
|
||
|
|
and arrest Ludwig right now.
|
||
|
|
|
||
|
|
1175
|
||
|
|
01:00:30,760 --> 01:00:32,595
|
||
|
|
No, Frank.
|
||
|
|
Without any evidence,
|
||
|
|
|
||
|
|
1176
|
||
|
|
01:00:32,662 --> 01:00:34,497
|
||
|
|
we've got to let him
|
||
|
|
make the first move.
|
||
|
|
|
||
|
|
1177
|
||
|
|
01:00:34,564 --> 01:00:37,367
|
||
|
|
Besides, the mayor, she'd have
|
||
|
|
you arrested on the spot.
|
||
|
|
|
||
|
|
1178
|
||
|
|
01:00:37,433 --> 01:00:39,035
|
||
|
|
You've got to stay
|
||
|
|
out of sight.
|
||
|
|
|
||
|
|
1179
|
||
|
|
01:00:39,102 --> 01:00:41,237
|
||
|
|
I've got to get that assassin
|
||
|
|
before the 7th-inning stretch.
|
||
|
|
|
||
|
|
1180
|
||
|
|
01:00:41,304 --> 01:00:43,806
|
||
|
|
If Jane is right, it could be
|
||
|
|
any one of those players.
|
||
|
|
|
||
|
|
1181
|
||
|
|
01:00:43,873 --> 01:00:45,541
|
||
|
|
I've got to find
|
||
|
|
a way get down there
|
||
|
|
|
||
|
|
1182
|
||
|
|
01:00:45,608 --> 01:00:46,943
|
||
|
|
and search those players.
|
||
|
|
|
||
|
|
1183
|
||
|
|
01:00:47,010 --> 01:00:48,544
|
||
|
|
ANNOUNCER:
|
||
|
|
<i>Ladies and gentlemen,</i>
|
||
|
|
|
||
|
|
1184
|
||
|
|
01:00:48,611 --> 01:00:50,913
|
||
|
|
<i>please rise and give</i>
|
||
|
|
<i>a hearty Los Angeles welcome</i>
|
||
|
|
|
||
|
|
1185
|
||
|
|
01:00:50,980 --> 01:00:53,649
|
||
|
|
to Her Majesty
|
||
|
|
Queen Elizabeth II.
|
||
|
|
|
||
|
|
1186
|
||
|
|
01:00:53,716 --> 01:00:57,854
|
||
|
|
( organ playing
|
||
|
|
"God Save the Queen" )
|
||
|
|
|
||
|
|
1187
|
||
|
|
01:01:02,492 --> 01:01:04,093
|
||
|
|
One moment, ma'am.
|
||
|
|
|
||
|
|
1188
|
||
|
|
01:01:04,160 --> 01:01:05,728
|
||
|
|
Huh?
|
||
|
|
|
||
|
|
1189
|
||
|
|
01:01:06,829 --> 01:01:10,666
|
||
|
|
Over there.
|
||
|
|
These seats are taken.
|
||
|
|
|
||
|
|
1190
|
||
|
|
01:01:24,781 --> 01:01:26,649
|
||
|
|
My dear...
|
||
|
|
|
||
|
|
1191
|
||
|
|
01:01:26,716 --> 01:01:28,484
|
||
|
|
Is something
|
||
|
|
bothering you?
|
||
|
|
|
||
|
|
1192
|
||
|
|
01:01:28,551 --> 01:01:29,952
|
||
|
|
Why, no.
|
||
|
|
Why do you ask?
|
||
|
|
|
||
|
|
1193
|
||
|
|
01:01:30,019 --> 01:01:34,157
|
||
|
|
Well, you haven't said a word.
|
||
|
|
You seem...nervous.
|
||
|
|
|
||
|
|
1194
|
||
|
|
01:01:34,223 --> 01:01:36,559
|
||
|
|
Well, you know
|
||
|
|
how important
|
||
|
|
|
||
|
|
1195
|
||
|
|
01:01:36,626 --> 01:01:39,429
|
||
|
|
this game is
|
||
|
|
for the Angels.
|
||
|
|
|
||
|
|
1196
|
||
|
|
01:01:39,495 --> 01:01:40,830
|
||
|
|
Why he is
|
||
|
|
not here now?
|
||
|
|
|
||
|
|
1197
|
||
|
|
01:01:40,897 --> 01:01:43,132
|
||
|
|
I do not like being made
|
||
|
|
to wait for him.
|
||
|
|
|
||
|
|
1198
|
||
|
|
01:01:43,199 --> 01:01:44,967
|
||
|
|
WOMAN:
|
||
|
|
Mr. Pallazzo, our head usher
|
||
|
|
|
||
|
|
1199
|
||
|
|
01:01:45,034 --> 01:01:46,269
|
||
|
|
will be here
|
||
|
|
in two minutes
|
||
|
|
|
||
|
|
1200
|
||
|
|
01:01:46,335 --> 01:01:47,770
|
||
|
|
to take you
|
||
|
|
onto the field.
|
||
|
|
|
||
|
|
1201
|
||
|
|
01:01:47,837 --> 01:01:49,072
|
||
|
|
Please,
|
||
|
|
just wait in here.
|
||
|
|
|
||
|
|
1202
|
||
|
|
01:01:49,138 --> 01:01:51,374
|
||
|
|
He should be here now!
|
||
|
|
Do you understand?
|
||
|
|
|
||
|
|
1203
|
||
|
|
01:01:51,441 --> 01:01:53,643
|
||
|
|
Yes, sir, I'll send
|
||
|
|
him right over.
|
||
|
|
|
||
|
|
1204
|
||
|
|
01:01:53,709 --> 01:01:56,712
|
||
|
|
I do not wait for him.
|
||
|
|
He waits for me.
|
||
|
|
|
||
|
|
1205
|
||
|
|
01:02:01,384 --> 01:02:02,752
|
||
|
|
Yes?
|
||
|
|
Mr. Pallazzo?
|
||
|
|
|
||
|
|
1206
|
||
|
|
01:02:02,819 --> 01:02:04,353
|
||
|
|
<i>Si.</i>
|
||
|
|
I am the head usher.
|
||
|
|
|
||
|
|
1207
|
||
|
|
01:02:04,420 --> 01:02:06,355
|
||
|
|
Ah! I'm here to--
|
||
|
|
Ah! I'm here to--
|
||
|
|
|
||
|
|
1208
|
||
|
|
01:02:06,422 --> 01:02:07,824
|
||
|
|
Excuse me.
|
||
|
|
|
||
|
|
1209
|
||
|
|
01:02:13,529 --> 01:02:15,565
|
||
|
|
Mr. Pallazzo?
|
||
|
|
|
||
|
|
1210
|
||
|
|
01:02:15,631 --> 01:02:16,599
|
||
|
|
Yes?
|
||
|
|
|
||
|
|
1211
|
||
|
|
01:02:16,666 --> 01:02:18,534
|
||
|
|
I'm the head usher.
|
||
|
|
|
||
|
|
1212
|
||
|
|
01:02:18,601 --> 01:02:20,703
|
||
|
|
One second.
|
||
|
|
|
||
|
|
1213
|
||
|
|
01:02:20,770 --> 01:02:22,171
|
||
|
|
ANNOUNCER:
|
||
|
|
<i>Ladies and gentlemen,</i>
|
||
|
|
|
||
|
|
1214
|
||
|
|
01:02:22,238 --> 01:02:24,540
|
||
|
|
<i>on behalf of</i>
|
||
|
|
<i>the California Angels</i>
|
||
|
|
|
||
|
|
1215
|
||
|
|
01:02:24,607 --> 01:02:26,409
|
||
|
|
<i>and the city of Los Angeles</i>
|
||
|
|
|
||
|
|
1216
|
||
|
|
01:02:26,476 --> 01:02:29,345
|
||
|
|
<i>on the occasion of</i>
|
||
|
|
<i>Her Majesty's royal visit,</i>
|
||
|
|
|
||
|
|
1217
|
||
|
|
01:02:29,412 --> 01:02:32,615
|
||
|
|
<i>please welcome internationally</i>
|
||
|
|
<i>renowned opera star</i>
|
||
|
|
|
||
|
|
1218
|
||
|
|
01:02:32,682 --> 01:02:34,817
|
||
|
|
<i>Enrico Pallazzo.</i>
|
||
|
|
|
||
|
|
1219
|
||
|
|
01:02:38,121 --> 01:02:41,524
|
||
|
|
<i>Ladies and gentlemen,</i>
|
||
|
|
<i>let us honor America</i>
|
||
|
|
|
||
|
|
1220
|
||
|
|
01:02:41,591 --> 01:02:46,896
|
||
|
|
<i>as Mr. Pallazzo will now sing</i>
|
||
|
|
<i>our national anthem.</i>
|
||
|
|
|
||
|
|
1221
|
||
|
|
01:02:46,963 --> 01:02:49,165
|
||
|
|
( chuckles ) ( organ playing )
|
||
|
|
( chuckles ) ( organ playing )
|
||
|
|
|
||
|
|
1222
|
||
|
|
01:02:51,701 --> 01:02:56,072
|
||
|
|
( singing off-key ):
|
||
|
|
♪ Oh, say can you see ♪
|
||
|
|
|
||
|
|
1223
|
||
|
|
01:02:56,139 --> 01:03:01,077
|
||
|
|
♪ By the dawn's early light ♪
|
||
|
|
|
||
|
|
1224
|
||
|
|
01:03:01,144 --> 01:03:05,548
|
||
|
|
♪ What so proudly we hailed... ♪
|
||
|
|
|
||
|
|
1225
|
||
|
|
01:03:05,615 --> 01:03:06,949
|
||
|
|
Frank?
|
||
|
|
|
||
|
|
1226
|
||
|
|
01:03:07,016 --> 01:03:09,652
|
||
|
|
♪ In the twilight's
|
||
|
|
Last gleaming ♪
|
||
|
|
|
||
|
|
1227
|
||
|
|
01:03:09,719 --> 01:03:13,956
|
||
|
|
♪ Whose bright stripes
|
||
|
|
And broad stars ♪
|
||
|
|
|
||
|
|
1228
|
||
|
|
01:03:14,023 --> 01:03:19,362
|
||
|
|
♪ In the perilous night ♪
|
||
|
|
|
||
|
|
1229
|
||
|
|
01:03:19,428 --> 01:03:23,533
|
||
|
|
♪ O'er the ramparts
|
||
|
|
We watched ♪
|
||
|
|
|
||
|
|
1230
|
||
|
|
01:03:23,599 --> 01:03:29,438
|
||
|
|
♪ As the da, da, da
|
||
|
|
Da, da, da ♪
|
||
|
|
|
||
|
|
1231
|
||
|
|
01:03:29,505 --> 01:03:33,743
|
||
|
|
♪ And the rockets'
|
||
|
|
Red glare ♪
|
||
|
|
|
||
|
|
1232
|
||
|
|
01:03:33,809 --> 01:03:37,346
|
||
|
|
♪ Lots of bombs in the air ♪
|
||
|
|
|
||
|
|
1233
|
||
|
|
01:03:37,413 --> 01:03:41,150
|
||
|
|
♪ Gave proof
|
||
|
|
Through the night ♪
|
||
|
|
|
||
|
|
1234
|
||
|
|
01:03:41,217 --> 01:03:46,556
|
||
|
|
♪ That we still had
|
||
|
|
A flag ♪
|
||
|
|
|
||
|
|
1235
|
||
|
|
01:03:46,622 --> 01:03:52,128
|
||
|
|
♪ Oh, say does that
|
||
|
|
Spangled banner wave ♪
|
||
|
|
|
||
|
|
1236
|
||
|
|
01:03:52,195 --> 01:03:57,266
|
||
|
|
<i>♪ Over all that is free ♪</i> ( grunting )
|
||
|
|
<i>♪ Over all that is free ♪</i> ( grunting )
|
||
|
|
|
||
|
|
1237
|
||
|
|
01:03:57,333 --> 01:04:01,637
|
||
|
|
♪ In the home of the land ♪
|
||
|
|
|
||
|
|
1238
|
||
|
|
01:04:01,704 --> 01:04:06,309
|
||
|
|
♪ And the land of the free ♪
|
||
|
|
|
||
|
|
1239
|
||
|
|
01:04:06,375 --> 01:04:08,177
|
||
|
|
Get him!
|
||
|
|
|
||
|
|
1240
|
||
|
|
01:04:08,244 --> 01:04:09,212
|
||
|
|
Hold it!
|
||
|
|
|
||
|
|
1241
|
||
|
|
01:04:09,278 --> 01:04:11,247
|
||
|
|
And now as the crowd
|
||
|
|
settles back down,
|
||
|
|
|
||
|
|
1242
|
||
|
|
01:04:11,314 --> 01:04:13,849
|
||
|
|
we'll wait for the exchange
|
||
|
|
of lineups
|
||
|
|
|
||
|
|
1243
|
||
|
|
01:04:13,916 --> 01:04:16,018
|
||
|
|
and the start
|
||
|
|
of today's ball game.
|
||
|
|
|
||
|
|
1244
|
||
|
|
01:04:23,859 --> 01:04:26,729
|
||
|
|
Oh, excuse me.
|
||
|
|
Could you tell me...
|
||
|
|
|
||
|
|
1245
|
||
|
|
01:04:26,796 --> 01:04:28,864
|
||
|
|
Is this
|
||
|
|
an official bat?
|
||
|
|
|
||
|
|
1246
|
||
|
|
01:04:31,834 --> 01:04:34,670
|
||
|
|
Well, the Queen's visit
|
||
|
|
has brought a sellout crowd.
|
||
|
|
|
||
|
|
1247
|
||
|
|
01:04:34,737 --> 01:04:35,938
|
||
|
|
Could be a record.
|
||
|
|
|
||
|
|
1248
|
||
|
|
01:04:36,005 --> 01:04:37,640
|
||
|
|
While the fans
|
||
|
|
are awaiting first pitch,
|
||
|
|
|
||
|
|
1249
|
||
|
|
01:04:37,707 --> 01:04:40,243
|
||
|
|
they're being entertained by
|
||
|
|
the stadium's Angel Vision,
|
||
|
|
|
||
|
|
1250
|
||
|
|
01:04:40,309 --> 01:04:43,279
|
||
|
|
showing some of those
|
||
|
|
unusual moments in baseball
|
||
|
|
|
||
|
|
1251
|
||
|
|
01:04:43,346 --> 01:04:44,413
|
||
|
|
over the years.
|
||
|
|
|
||
|
|
1252
|
||
|
|
01:04:44,480 --> 01:04:46,249
|
||
|
|
( all exclaiming )
|
||
|
|
|
||
|
|
1253
|
||
|
|
01:05:01,197 --> 01:05:03,099
|
||
|
|
JANITOR:
|
||
|
|
Whoops.
|
||
|
|
|
||
|
|
1254
|
||
|
|
01:05:04,634 --> 01:05:06,168
|
||
|
|
Sorry, fellas.
|
||
|
|
|
||
|
|
1255
|
||
|
|
01:05:32,928 --> 01:05:36,098
|
||
|
|
Ha-ha-ha!
|
||
|
|
How about that?
|
||
|
|
|
||
|
|
1256
|
||
|
|
01:05:38,267 --> 01:05:39,702
|
||
|
|
ANNOUNCER:
|
||
|
|
<i>Ladies and gentlemen,</i>
|
||
|
|
|
||
|
|
1257
|
||
|
|
01:05:39,769 --> 01:05:43,105
|
||
|
|
<i>now taking the field--</i>
|
||
|
|
<i>Your California Angels.</i>
|
||
|
|
|
||
|
|
1258
|
||
|
|
01:05:43,172 --> 01:05:45,107
|
||
|
|
( crowd cheering )
|
||
|
|
|
||
|
|
1259
|
||
|
|
01:05:51,947 --> 01:05:54,183
|
||
|
|
<i>For the safety of the players</i>
|
||
|
|
<i>and yourself,</i>
|
||
|
|
|
||
|
|
1260
|
||
|
|
01:05:54,250 --> 01:05:57,186
|
||
|
|
<i>we ask that you do not</i>
|
||
|
|
<i>throw any objects</i>
|
||
|
|
|
||
|
|
1261
|
||
|
|
01:05:57,253 --> 01:05:59,021
|
||
|
|
<i>in the stands</i>
|
||
|
|
<i>or on the field.</i>
|
||
|
|
|
||
|
|
1262
|
||
|
|
01:05:59,088 --> 01:06:01,390
|
||
|
|
<i>We thank you</i>
|
||
|
|
<i>for your cooperation.</i>
|
||
|
|
|
||
|
|
1263
|
||
|
|
01:06:02,958 --> 01:06:04,293
|
||
|
|
( spits )
|
||
|
|
|
||
|
|
1264
|
||
|
|
01:06:04,360 --> 01:06:06,228
|
||
|
|
So as the Angels
|
||
|
|
take the field,
|
||
|
|
|
||
|
|
1265
|
||
|
|
01:06:06,295 --> 01:06:08,998
|
||
|
|
we're about ready for
|
||
|
|
the first-pitch ceremony
|
||
|
|
|
||
|
|
1266
|
||
|
|
01:06:09,065 --> 01:06:10,232
|
||
|
|
with the Queen of England
|
||
|
|
|
||
|
|
1267
|
||
|
|
01:06:10,299 --> 01:06:13,069
|
||
|
|
ready to toss out
|
||
|
|
the first ball.
|
||
|
|
|
||
|
|
1268
|
||
|
|
01:06:13,135 --> 01:06:15,871
|
||
|
|
( crowd cheers )
|
||
|
|
|
||
|
|
1269
|
||
|
|
01:06:15,938 --> 01:06:18,374
|
||
|
|
ANNOUNCER:
|
||
|
|
<i>How about that queen,</i> <i>ladies and gentlemen?</i>
|
||
|
|
|
||
|
|
1270
|
||
|
|
01:06:18,441 --> 01:06:20,476
|
||
|
|
<i>Let's have</i>
|
||
|
|
<i>a nice round of applause.</i>
|
||
|
|
|
||
|
|
1271
|
||
|
|
01:06:20,543 --> 01:06:22,912
|
||
|
|
We're ready for the start
|
||
|
|
of today's ball game.
|
||
|
|
|
||
|
|
1272
|
||
|
|
01:06:22,978 --> 01:06:25,581
|
||
|
|
And I'm sure that group of
|
||
|
|
lovely ladies would agree.
|
||
|
|
|
||
|
|
1273
|
||
|
|
01:06:25,648 --> 01:06:28,250
|
||
|
|
Well, they ought to.
|
||
|
|
Those are the players' wives.
|
||
|
|
|
||
|
|
1274
|
||
|
|
01:06:28,317 --> 01:06:29,852
|
||
|
|
On hand to enjoy the game
|
||
|
|
with us today.
|
||
|
|
|
||
|
|
1275
|
||
|
|
01:06:29,919 --> 01:06:32,355
|
||
|
|
The umpires
|
||
|
|
for today's game--
|
||
|
|
|
||
|
|
1276
|
||
|
|
01:06:32,421 --> 01:06:34,724
|
||
|
|
At first base, Louis Metz.
|
||
|
|
|
||
|
|
1277
|
||
|
|
01:06:34,790 --> 01:06:36,559
|
||
|
|
Second base, Dan Zowan.
|
||
|
|
|
||
|
|
1278
|
||
|
|
01:06:36,625 --> 01:06:39,428
|
||
|
|
Third base, Bob Boone.
|
||
|
|
What do you say, Cummings?
|
||
|
|
|
||
|
|
1279
|
||
|
|
01:06:39,495 --> 01:06:41,997
|
||
|
|
Are we going to do this today?
|
||
|
|
Do what? Oh.
|
||
|
|
|
||
|
|
1280
|
||
|
|
01:06:42,064 --> 01:06:44,533
|
||
|
|
Uh, play ball!
|
||
|
|
|
||
|
|
1281
|
||
|
|
01:06:44,600 --> 01:06:46,335
|
||
|
|
( crowd cheers )
|
||
|
|
|
||
|
|
1282
|
||
|
|
01:06:47,436 --> 01:06:48,704
|
||
|
|
Frank?
|
||
|
|
|
||
|
|
1283
|
||
|
|
01:06:48,771 --> 01:06:50,639
|
||
|
|
Al, it's Frank.
|
||
|
|
|
||
|
|
1284
|
||
|
|
01:06:55,444 --> 01:06:57,113
|
||
|
|
And this game's under way.
|
||
|
|
|
||
|
|
1285
|
||
|
|
01:06:57,179 --> 01:07:00,182
|
||
|
|
Dave Spiwack ready to face
|
||
|
|
Jay Johnstone.
|
||
|
|
|
||
|
|
1286
|
||
|
|
01:07:00,850 --> 01:07:02,718
|
||
|
|
( spits )
|
||
|
|
|
||
|
|
1287
|
||
|
|
01:07:19,034 --> 01:07:21,137
|
||
|
|
Nothing to report
|
||
|
|
so far, chief.
|
||
|
|
|
||
|
|
1288
|
||
|
|
01:07:21,203 --> 01:07:22,905
|
||
|
|
Don't worry, Al.
|
||
|
|
|
||
|
|
1289
|
||
|
|
01:07:22,972 --> 01:07:25,174
|
||
|
|
If one of those players
|
||
|
|
is the killer,
|
||
|
|
|
||
|
|
1290
|
||
|
|
01:07:25,241 --> 01:07:26,642
|
||
|
|
Frank is going
|
||
|
|
to find him,
|
||
|
|
|
||
|
|
1291
|
||
|
|
01:07:26,709 --> 01:07:28,744
|
||
|
|
even if he has to search
|
||
|
|
every one of them.
|
||
|
|
|
||
|
|
1292
|
||
|
|
01:07:28,811 --> 01:07:32,314
|
||
|
|
ANNOUNCER:
|
||
|
|
Jay Johnstone! Johnstone.
|
||
|
|
|
||
|
|
1293
|
||
|
|
01:07:32,381 --> 01:07:34,984
|
||
|
|
Good luck, pal.
|
||
|
|
Are you all right?
|
||
|
|
|
||
|
|
1294
|
||
|
|
01:07:35,050 --> 01:07:37,019
|
||
|
|
Let's see if that
|
||
|
|
uniform's on straight.
|
||
|
|
|
||
|
|
1295
|
||
|
|
01:07:37,086 --> 01:07:38,988
|
||
|
|
Looking good back here.
|
||
|
|
|
||
|
|
1296
|
||
|
|
01:07:39,054 --> 01:07:40,556
|
||
|
|
Let's see now, the shirt.
|
||
|
|
|
||
|
|
1297
|
||
|
|
01:07:40,623 --> 01:07:42,792
|
||
|
|
Well, you should
|
||
|
|
take a large, I bet.
|
||
|
|
|
||
|
|
1298
|
||
|
|
01:07:42,858 --> 01:07:44,693
|
||
|
|
Little tight in the crotch.
|
||
|
|
|
||
|
|
1299
|
||
|
|
01:07:44,760 --> 01:07:46,328
|
||
|
|
Doesn't swing. All right.
|
||
|
|
|
||
|
|
1300
|
||
|
|
01:07:46,395 --> 01:07:47,596
|
||
|
|
All set?
|
||
|
|
|
||
|
|
1301
|
||
|
|
01:07:49,965 --> 01:07:52,234
|
||
|
|
Okay. Play ball.
|
||
|
|
|
||
|
|
1302
|
||
|
|
01:08:02,545 --> 01:08:04,146
|
||
|
|
Batter up.
|
||
|
|
|
||
|
|
1303
|
||
|
|
01:08:21,163 --> 01:08:22,198
|
||
|
|
Strike?
|
||
|
|
|
||
|
|
1304
|
||
|
|
01:08:22,264 --> 01:08:24,533
|
||
|
|
( crowd cheering )
|
||
|
|
|
||
|
|
1305
|
||
|
|
01:08:26,502 --> 01:08:28,704
|
||
|
|
Strike one!
|
||
|
|
|
||
|
|
1306
|
||
|
|
01:08:41,617 --> 01:08:45,855
|
||
|
|
Strike 2!
|
||
|
|
|
||
|
|
1307
|
||
|
|
01:08:45,921 --> 01:08:47,556
|
||
|
|
( crowd cheering )
|
||
|
|
|
||
|
|
1308
|
||
|
|
01:09:00,903 --> 01:09:06,942
|
||
|
|
Strike 3!
|
||
|
|
|
||
|
|
1309
|
||
|
|
01:09:07,009 --> 01:09:10,312
|
||
|
|
Hey, hey,
|
||
|
|
hey, hey, hey!
|
||
|
|
|
||
|
|
1310
|
||
|
|
01:09:13,182 --> 01:09:14,750
|
||
|
|
Ooh!
|
||
|
|
|
||
|
|
1311
|
||
|
|
01:09:14,817 --> 01:09:16,552
|
||
|
|
Whee!
|
||
|
|
|
||
|
|
1312
|
||
|
|
01:09:21,023 --> 01:09:22,525
|
||
|
|
Hey!
|
||
|
|
|
||
|
|
1313
|
||
|
|
01:09:23,792 --> 01:09:26,929
|
||
|
|
( Randy Newman's
|
||
|
|
"I Love L.A." playing )
|
||
|
|
|
||
|
|
1314
|
||
|
|
01:09:39,441 --> 01:09:41,577
|
||
|
|
<i>♪ Rolling down ♪</i>
|
||
|
|
|
||
|
|
1315
|
||
|
|
01:09:41,644 --> 01:09:43,913
|
||
|
|
Strike!
|
||
|
|
|
||
|
|
1316
|
||
|
|
01:09:43,979 --> 01:09:46,849
|
||
|
|
<i>♪ A big, nasty redhead</i>
|
||
|
|
<i>At my side ♪</i>
|
||
|
|
|
||
|
|
1317
|
||
|
|
01:09:46,916 --> 01:09:49,685
|
||
|
|
<i>♪ Santa Ana winds</i>
|
||
|
|
<i>Blowing hot from the north ♪</i>
|
||
|
|
|
||
|
|
1318
|
||
|
|
01:09:49,752 --> 01:09:51,787
|
||
|
|
<i>♪ We was born to ride... ♪</i>
|
||
|
|
|
||
|
|
1319
|
||
|
|
01:09:55,324 --> 01:09:56,425
|
||
|
|
You're clean.
|
||
|
|
|
||
|
|
1320
|
||
|
|
01:09:56,492 --> 01:09:57,927
|
||
|
|
<i>♪ Put down the top ♪</i>
|
||
|
|
|
||
|
|
1321
|
||
|
|
01:09:57,993 --> 01:10:00,162
|
||
|
|
<i>♪ Crank up</i>
|
||
|
|
<i>The Beach Boys, baby... ♪</i>
|
||
|
|
|
||
|
|
1322
|
||
|
|
01:10:00,229 --> 01:10:01,630
|
||
|
|
You're out!
|
||
|
|
|
||
|
|
1323
|
||
|
|
01:10:01,697 --> 01:10:03,165
|
||
|
|
<i>♪ We're gonna ride it ♪</i>
|
||
|
|
|
||
|
|
1324
|
||
|
|
01:10:03,232 --> 01:10:05,768
|
||
|
|
<i>♪ Till we just can't</i>
|
||
|
|
<i>Ride it no more ♪</i>
|
||
|
|
|
||
|
|
1325
|
||
|
|
01:10:08,971 --> 01:10:12,474
|
||
|
|
<i>♪ From the South Bay</i>
|
||
|
|
<i>To the Valley ♪</i>
|
||
|
|
|
||
|
|
1326
|
||
|
|
01:10:12,541 --> 01:10:16,078
|
||
|
|
<i>♪ From the west side</i>
|
||
|
|
<i>To the east side ♪</i>
|
||
|
|
|
||
|
|
1327
|
||
|
|
01:10:16,145 --> 01:10:19,481
|
||
|
|
<i>♪ Everybody's very happy ♪</i>
|
||
|
|
|
||
|
|
1328
|
||
|
|
01:10:19,548 --> 01:10:22,818
|
||
|
|
<i>♪ 'Cause the sun</i>
|
||
|
|
<i>Is shinin' all the time ♪</i>
|
||
|
|
|
||
|
|
1329
|
||
|
|
01:10:22,885 --> 01:10:26,956
|
||
|
|
<i>♪ Looks like</i>
|
||
|
|
<i>Another perfect day ♪</i>
|
||
|
|
|
||
|
|
1330
|
||
|
|
01:10:27,022 --> 01:10:28,290
|
||
|
|
<i>♪ I love L.A. ♪</i>
|
||
|
|
|
||
|
|
1331
|
||
|
|
01:10:30,192 --> 01:10:31,961
|
||
|
|
<i>♪ We love it ♪</i>
|
||
|
|
|
||
|
|
1332
|
||
|
|
01:10:49,712 --> 01:10:51,614
|
||
|
|
<i>♪ Look at that mountain ♪</i>
|
||
|
|
|
||
|
|
1333
|
||
|
|
01:10:51,680 --> 01:10:53,115
|
||
|
|
<i>♪ Look at those trees ♪</i>
|
||
|
|
|
||
|
|
1334
|
||
|
|
01:10:53,182 --> 01:10:55,384
|
||
|
|
<i>♪ Look at that bum</i>
|
||
|
|
<i>Over there, man ♪</i>
|
||
|
|
|
||
|
|
1335
|
||
|
|
01:10:55,451 --> 01:10:57,286
|
||
|
|
<i>♪ He's down on his knees ♪</i>
|
||
|
|
|
||
|
|
1336
|
||
|
|
01:10:57,353 --> 01:10:58,754
|
||
|
|
<i>♪ Look at these women ♪</i>
|
||
|
|
|
||
|
|
1337
|
||
|
|
01:10:58,821 --> 01:11:01,490
|
||
|
|
<i>♪ Ain't nothin' like them</i>
|
||
|
|
<i>Nowhere ♪</i>
|
||
|
|
|
||
|
|
1338
|
||
|
|
01:11:04,326 --> 01:11:06,462
|
||
|
|
<i>♪ Century Boulevard ♪</i>
|
||
|
|
|
||
|
|
1339
|
||
|
|
01:11:06,528 --> 01:11:08,364
|
||
|
|
<i>♪ We love it ♪</i>
|
||
|
|
|
||
|
|
1340
|
||
|
|
01:11:08,430 --> 01:11:10,399
|
||
|
|
<i>♪ Victory Boulevard ♪</i>
|
||
|
|
|
||
|
|
1341
|
||
|
|
01:11:10,466 --> 01:11:12,067
|
||
|
|
<i>♪ We love it ♪</i>
|
||
|
|
|
||
|
|
1342
|
||
|
|
01:11:12,134 --> 01:11:14,069
|
||
|
|
<i>♪ Santa Monica Boulevard ♪</i>
|
||
|
|
|
||
|
|
1343
|
||
|
|
01:11:14,136 --> 01:11:15,404
|
||
|
|
<i>♪ We love it ♪</i>
|
||
|
|
|
||
|
|
1344
|
||
|
|
01:11:15,471 --> 01:11:16,739
|
||
|
|
<i>♪ 6th Street ♪</i>
|
||
|
|
|
||
|
|
1345
|
||
|
|
01:11:16,805 --> 01:11:20,609
|
||
|
|
<i>♪ We love it, we love it</i>
|
||
|
|
<i>We love it ♪</i>
|
||
|
|
|
||
|
|
1346
|
||
|
|
01:11:20,676 --> 01:11:23,312
|
||
|
|
<i>♪ We love L.A. ♪</i>
|
||
|
|
|
||
|
|
1347
|
||
|
|
01:11:41,563 --> 01:11:43,732
|
||
|
|
<i>♪ I love L.A. ♪</i>
|
||
|
|
|
||
|
|
1348
|
||
|
|
01:11:46,101 --> 01:11:48,370
|
||
|
|
<i>♪ We love it! ♪</i>
|
||
|
|
|
||
|
|
1349
|
||
|
|
01:11:48,437 --> 01:11:49,905
|
||
|
|
Have you
|
||
|
|
found him yet?
|
||
|
|
|
||
|
|
1350
|
||
|
|
01:11:49,972 --> 01:11:51,940
|
||
|
|
No, and I've searched
|
||
|
|
almost everybody.
|
||
|
|
|
||
|
|
1351
|
||
|
|
01:11:52,007 --> 01:11:52,941
|
||
|
|
Yeah, I saw that.
|
||
|
|
|
||
|
|
1352
|
||
|
|
01:11:53,008 --> 01:11:54,476
|
||
|
|
There's only
|
||
|
|
one more out before
|
||
|
|
|
||
|
|
1353
|
||
|
|
01:11:54,543 --> 01:11:56,145
|
||
|
|
the 7th-inning stretch,
|
||
|
|
Frank.
|
||
|
|
|
||
|
|
1354
|
||
|
|
01:11:56,211 --> 01:11:57,546
|
||
|
|
I'm gonna have my men
|
||
|
|
on the alert
|
||
|
|
|
||
|
|
1355
|
||
|
|
01:11:57,613 --> 01:11:59,281
|
||
|
|
but you're gonna
|
||
|
|
have to stall them.
|
||
|
|
|
||
|
|
1356
|
||
|
|
01:11:59,348 --> 01:12:01,350
|
||
|
|
Don't let them
|
||
|
|
get that third out.
|
||
|
|
|
||
|
|
1357
|
||
|
|
01:12:01,417 --> 01:12:03,519
|
||
|
|
Right, Ed.
|
||
|
|
|
||
|
|
1358
|
||
|
|
01:12:04,753 --> 01:12:06,689
|
||
|
|
ANNOUNCER:
|
||
|
|
<i>The mariner shortstop--</i>
|
||
|
|
|
||
|
|
1359
|
||
|
|
01:12:06,755 --> 01:12:09,925
|
||
|
|
Number 4,
|
||
|
|
Armando Crishonee.
|
||
|
|
|
||
|
|
1360
|
||
|
|
01:12:09,992 --> 01:12:10,926
|
||
|
|
Crishonee.
|
||
|
|
|
||
|
|
1361
|
||
|
|
01:12:17,966 --> 01:12:19,268
|
||
|
|
Ball.
|
||
|
|
|
||
|
|
1362
|
||
|
|
01:12:19,334 --> 01:12:21,103
|
||
|
|
Ball?
|
||
|
|
|
||
|
|
1363
|
||
|
|
01:12:21,170 --> 01:12:22,871
|
||
|
|
( crowd booing )
|
||
|
|
|
||
|
|
1364
|
||
|
|
01:12:31,280 --> 01:12:32,281
|
||
|
|
Ball.
|
||
|
|
|
||
|
|
1365
|
||
|
|
01:12:32,347 --> 01:12:34,750
|
||
|
|
( crowd booing )
|
||
|
|
|
||
|
|
1366
|
||
|
|
01:12:45,194 --> 01:12:47,062
|
||
|
|
What in the world?
|
||
|
|
Get out!
|
||
|
|
|
||
|
|
1367
|
||
|
|
01:12:48,163 --> 01:12:50,399
|
||
|
|
Catch it!
|
||
|
|
Catch it!
|
||
|
|
|
||
|
|
1368
|
||
|
|
01:12:53,302 --> 01:12:54,503
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
1369
|
||
|
|
01:12:54,570 --> 01:12:56,872
|
||
|
|
Fair ball!
|
||
|
|
Go! Go! Go!
|
||
|
|
|
||
|
|
1370
|
||
|
|
01:12:56,939 --> 01:12:58,874
|
||
|
|
He's going home!
|
||
|
|
|
||
|
|
1371
|
||
|
|
01:12:58,941 --> 01:13:01,043
|
||
|
|
Block the plate!
|
||
|
|
|
||
|
|
1372
|
||
|
|
01:13:01,110 --> 01:13:02,077
|
||
|
|
Safe.
|
||
|
|
|
||
|
|
1373
|
||
|
|
01:13:02,144 --> 01:13:03,545
|
||
|
|
Safe!
|
||
|
|
What do you mean?!
|
||
|
|
|
||
|
|
1374
|
||
|
|
01:13:03,612 --> 01:13:05,247
|
||
|
|
I don't believe it!
|
||
|
|
|
||
|
|
1375
|
||
|
|
01:13:05,314 --> 01:13:07,349
|
||
|
|
( crowd booing )
|
||
|
|
|
||
|
|
1376
|
||
|
|
01:13:07,416 --> 01:13:09,752
|
||
|
|
Hey, second base!
|
||
|
|
Hop to!
|
||
|
|
|
||
|
|
1377
|
||
|
|
01:13:10,786 --> 01:13:12,454
|
||
|
|
There's the throw
|
||
|
|
by the catcher.
|
||
|
|
|
||
|
|
1378
|
||
|
|
01:13:12,521 --> 01:13:14,389
|
||
|
|
They've got
|
||
|
|
Crishonee hung up
|
||
|
|
|
||
|
|
1379
|
||
|
|
01:13:14,456 --> 01:13:15,758
|
||
|
|
between first and second.
|
||
|
|
|
||
|
|
1380
|
||
|
|
01:13:15,824 --> 01:13:18,827
|
||
|
|
What the do you think
|
||
|
|
you're doing?
|
||
|
|
|
||
|
|
1381
|
||
|
|
01:13:18,894 --> 01:13:19,828
|
||
|
|
What?!
|
||
|
|
|
||
|
|
1382
|
||
|
|
01:13:19,895 --> 01:13:22,631
|
||
|
|
Hey, you're not
|
||
|
|
supposed to do that.
|
||
|
|
|
||
|
|
1383
|
||
|
|
01:13:22,698 --> 01:13:25,768
|
||
|
|
Hey, wait a minute!
|
||
|
|
Stop that right now!
|
||
|
|
|
||
|
|
1384
|
||
|
|
01:13:25,834 --> 01:13:28,504
|
||
|
|
Give me that ball!
|
||
|
|
You hear me?
|
||
|
|
|
||
|
|
1385
|
||
|
|
01:13:30,005 --> 01:13:31,774
|
||
|
|
I'll get you!
|
||
|
|
|
||
|
|
1386
|
||
|
|
01:13:31,840 --> 01:13:33,809
|
||
|
|
I know this is
|
||
|
|
hard to believe,
|
||
|
|
|
||
|
|
1387
|
||
|
|
01:13:33,876 --> 01:13:35,444
|
||
|
|
but apparently
|
||
|
|
the umpires
|
||
|
|
|
||
|
|
1388
|
||
|
|
01:13:35,511 --> 01:13:37,679
|
||
|
|
have got Crishonee
|
||
|
|
in a rundown.
|
||
|
|
|
||
|
|
1389
|
||
|
|
01:13:40,883 --> 01:13:42,484
|
||
|
|
Safe! Safe?
|
||
|
|
Safe! Safe?
|
||
|
|
|
||
|
|
1390
|
||
|
|
01:13:42,551 --> 01:13:44,086
|
||
|
|
How about that?
|
||
|
|
|
||
|
|
1391
|
||
|
|
01:13:44,153 --> 01:13:45,420
|
||
|
|
He was out!
|
||
|
|
|
||
|
|
1392
|
||
|
|
01:13:45,487 --> 01:13:46,522
|
||
|
|
Safe!
|
||
|
|
Out!
|
||
|
|
|
||
|
|
1393
|
||
|
|
01:13:46,588 --> 01:13:47,956
|
||
|
|
He was safe!
|
||
|
|
|
||
|
|
1394
|
||
|
|
01:13:48,023 --> 01:13:49,324
|
||
|
|
He was out!
|
||
|
|
Safe!
|
||
|
|
|
||
|
|
1395
|
||
|
|
01:13:49,391 --> 01:13:50,826
|
||
|
|
Now there's a sight
|
||
|
|
I've never seen.
|
||
|
|
|
||
|
|
1396
|
||
|
|
01:13:50,893 --> 01:13:53,562
|
||
|
|
Safe! Safe! Safe!
|
||
|
|
Out! Out! Out!
|
||
|
|
|
||
|
|
1397
|
||
|
|
01:13:53,629 --> 01:13:55,564
|
||
|
|
Safe! Safe! Safe! What are you doing?
|
||
|
|
Safe! Safe! Safe! What are you doing?
|
||
|
|
|
||
|
|
1398
|
||
|
|
01:13:55,631 --> 01:13:57,266
|
||
|
|
( umpires continue arguing )
|
||
|
|
|
||
|
|
1399
|
||
|
|
01:13:57,332 --> 01:13:58,667
|
||
|
|
Out!
|
||
|
|
He was safe!
|
||
|
|
|
||
|
|
1400
|
||
|
|
01:13:58,734 --> 01:14:00,269
|
||
|
|
He never tagged him
|
||
|
|
with the ball!
|
||
|
|
|
||
|
|
1401
|
||
|
|
01:14:00,335 --> 01:14:02,805
|
||
|
|
You idiot, he was out when
|
||
|
|
he ran out of the baseline!
|
||
|
|
|
||
|
|
1402
|
||
|
|
01:14:02,871 --> 01:14:05,440
|
||
|
|
All right, I've had enough!
|
||
|
|
You're out of here!
|
||
|
|
|
||
|
|
1403
|
||
|
|
01:14:05,507 --> 01:14:06,675
|
||
|
|
What do you mean?!
|
||
|
|
|
||
|
|
1404
|
||
|
|
01:14:06,742 --> 01:14:08,577
|
||
|
|
You can't throw
|
||
|
|
an umpire out of the game!
|
||
|
|
|
||
|
|
1405
|
||
|
|
01:14:08,644 --> 01:14:11,346
|
||
|
|
All right!
|
||
|
|
You're out of here!
|
||
|
|
|
||
|
|
1406
|
||
|
|
01:14:11,413 --> 01:14:13,482
|
||
|
|
Hey! Hold it a minute.
|
||
|
|
|
||
|
|
1407
|
||
|
|
01:14:13,549 --> 01:14:15,450
|
||
|
|
Even the guy
|
||
|
|
running the scoreboard up there
|
||
|
|
|
||
|
|
1408
|
||
|
|
01:14:15,517 --> 01:14:16,485
|
||
|
|
says he was out.
|
||
|
|
|
||
|
|
1409
|
||
|
|
01:14:16,552 --> 01:14:18,120
|
||
|
|
He's way up
|
||
|
|
on the mezzanine!
|
||
|
|
|
||
|
|
1410
|
||
|
|
01:14:19,888 --> 01:14:22,958
|
||
|
|
Oh, my God.
|
||
|
|
It's the third out.
|
||
|
|
|
||
|
|
1411
|
||
|
|
01:14:23,025 --> 01:14:24,226
|
||
|
|
( beeps )
|
||
|
|
|
||
|
|
1412
|
||
|
|
01:14:24,293 --> 01:14:25,861
|
||
|
|
( beeping )
|
||
|
|
|
||
|
|
1413
|
||
|
|
01:14:25,928 --> 01:14:29,064
|
||
|
|
(<i> ominous theme playing</i> )
|
||
|
|
|
||
|
|
1414
|
||
|
|
01:14:38,907 --> 01:14:40,576
|
||
|
|
I must kill...
|
||
|
|
|
||
|
|
1415
|
||
|
|
01:14:40,642 --> 01:14:42,010
|
||
|
|
the Queen.
|
||
|
|
|
||
|
|
1416
|
||
|
|
01:14:46,081 --> 01:14:48,183
|
||
|
|
I must kill...
|
||
|
|
|
||
|
|
1417
|
||
|
|
01:14:48,250 --> 01:14:49,852
|
||
|
|
the Queen.
|
||
|
|
|
||
|
|
1418
|
||
|
|
01:14:51,253 --> 01:14:52,354
|
||
|
|
JANE:
|
||
|
|
Frank!
|
||
|
|
|
||
|
|
1419
|
||
|
|
01:14:52,421 --> 01:14:54,723
|
||
|
|
Frank,
|
||
|
|
it's the right fielder!
|
||
|
|
|
||
|
|
1420
|
||
|
|
01:14:54,790 --> 01:14:57,292
|
||
|
|
You're the blindest umpire
|
||
|
|
I've ever seen!
|
||
|
|
|
||
|
|
1421
|
||
|
|
01:14:57,359 --> 01:14:59,428
|
||
|
|
What's the matter
|
||
|
|
with you?
|
||
|
|
|
||
|
|
1422
|
||
|
|
01:14:59,494 --> 01:15:01,697
|
||
|
|
Whoa. You're the boss.
|
||
|
|
|
||
|
|
1423
|
||
|
|
01:15:01,763 --> 01:15:03,866
|
||
|
|
He was safe.
|
||
|
|
You're right.
|
||
|
|
|
||
|
|
1424
|
||
|
|
01:15:03,932 --> 01:15:06,602
|
||
|
|
Now we're going to take you
|
||
|
|
for a little walk.
|
||
|
|
|
||
|
|
1425
|
||
|
|
01:15:06,668 --> 01:15:07,903
|
||
|
|
To think I respected you.
|
||
|
|
|
||
|
|
1426
|
||
|
|
01:15:07,970 --> 01:15:09,671
|
||
|
|
How could you do something
|
||
|
|
so vicious?
|
||
|
|
|
||
|
|
1427
|
||
|
|
01:15:09,738 --> 01:15:11,373
|
||
|
|
It was easy, my dear.
|
||
|
|
|
||
|
|
1428
|
||
|
|
01:15:11,440 --> 01:15:14,543
|
||
|
|
You forget, I spent two years
|
||
|
|
as a building contractor.
|
||
|
|
|
||
|
|
1429
|
||
|
|
01:15:14,610 --> 01:15:16,778
|
||
|
|
Now let's go...
|
||
|
|
quietly.
|
||
|
|
|
||
|
|
1430
|
||
|
|
01:15:20,082 --> 01:15:21,583
|
||
|
|
Aha!
|
||
|
|
|
||
|
|
1431
|
||
|
|
01:15:21,650 --> 01:15:23,919
|
||
|
|
Come on, let's get him!
|
||
|
|
Reggie, man!
|
||
|
|
|
||
|
|
1432
|
||
|
|
01:15:23,986 --> 01:15:26,255
|
||
|
|
Get the ump!
|
||
|
|
|
||
|
|
1433
|
||
|
|
01:15:26,321 --> 01:15:28,090
|
||
|
|
Hold it!
|
||
|
|
|
||
|
|
1434
|
||
|
|
01:15:28,156 --> 01:15:30,893
|
||
|
|
( all chattering )
|
||
|
|
|
||
|
|
1435
|
||
|
|
01:15:34,930 --> 01:15:37,199
|
||
|
|
MAN:
|
||
|
|
Kick him in the balls!
|
||
|
|
|
||
|
|
1436
|
||
|
|
01:15:54,716 --> 01:15:56,618
|
||
|
|
PLAYER:
|
||
|
|
Aah! My foot!
|
||
|
|
|
||
|
|
1437
|
||
|
|
01:16:10,299 --> 01:16:12,267
|
||
|
|
I must kill...
|
||
|
|
|
||
|
|
1438
|
||
|
|
01:16:12,334 --> 01:16:14,069
|
||
|
|
the Queen.
|
||
|
|
( gasps )
|
||
|
|
|
||
|
|
1439
|
||
|
|
01:16:15,404 --> 01:16:16,772
|
||
|
|
Whoops.
|
||
|
|
|
||
|
|
1440
|
||
|
|
01:16:18,774 --> 01:16:19,808
|
||
|
|
FAN 1:
|
||
|
|
Look!
|
||
|
|
|
||
|
|
1441
|
||
|
|
01:16:19,875 --> 01:16:21,476
|
||
|
|
FAN 2: Where?
|
||
|
|
FAN 3: Up there!
|
||
|
|
|
||
|
|
1442
|
||
|
|
01:16:21,543 --> 01:16:25,013
|
||
|
|
( screaming )
|
||
|
|
|
||
|
|
1443
|
||
|
|
01:16:25,080 --> 01:16:26,214
|
||
|
|
Watch out!
|
||
|
|
|
||
|
|
1444
|
||
|
|
01:16:28,250 --> 01:16:30,485
|
||
|
|
( groaning )
|
||
|
|
|
||
|
|
1445
|
||
|
|
01:16:30,552 --> 01:16:32,521
|
||
|
|
The umpire--
|
||
|
|
|
||
|
|
1446
|
||
|
|
01:16:32,587 --> 01:16:35,157
|
||
|
|
He saved the Queen's life.
|
||
|
|
|
||
|
|
1447
|
||
|
|
01:16:35,223 --> 01:16:37,793
|
||
|
|
That's not the umpire,
|
||
|
|
Your Honor.
|
||
|
|
|
||
|
|
1448
|
||
|
|
01:16:41,763 --> 01:16:43,799
|
||
|
|
Hey, it's Enrico Pallazzo!
|
||
|
|
|
||
|
|
1449
|
||
|
|
01:16:43,865 --> 01:16:46,501
|
||
|
|
( crowd cheering )
|
||
|
|
|
||
|
|
1450
|
||
|
|
01:16:46,568 --> 01:16:48,704
|
||
|
|
( chanting ):
|
||
|
|
<i>Enrico Pallazzo!</i>
|
||
|
|
|
||
|
|
1451
|
||
|
|
01:16:48,770 --> 01:16:51,106
|
||
|
|
<i>Enrico Pallazzo!</i>
|
||
|
|
<i>Enrico Pallazzo!</i>
|
||
|
|
|
||
|
|
1452
|
||
|
|
01:16:51,173 --> 01:16:52,140
|
||
|
|
Drebin.
|
||
|
|
|
||
|
|
1453
|
||
|
|
01:16:52,207 --> 01:16:54,076
|
||
|
|
Frank! Frank!
|
||
|
|
|
||
|
|
1454
|
||
|
|
01:16:54,776 --> 01:16:57,245
|
||
|
|
Frank! Frank! Help!
|
||
|
|
|
||
|
|
1455
|
||
|
|
01:16:57,312 --> 01:17:01,116
|
||
|
|
Frank! Frank!
|
||
|
|
|
||
|
|
1456
|
||
|
|
01:17:01,183 --> 01:17:04,052
|
||
|
|
Help! Frank!
|
||
|
|
|
||
|
|
1457
|
||
|
|
01:17:04,119 --> 01:17:06,855
|
||
|
|
Help! Frank!
|
||
|
|
|
||
|
|
1458
|
||
|
|
01:17:15,731 --> 01:17:17,666
|
||
|
|
Hold it, Ludwig!
|
||
|
|
JANE: Frank.
|
||
|
|
|
||
|
|
1459
|
||
|
|
01:17:17,733 --> 01:17:20,068
|
||
|
|
Stay where you are, Drebin.
|
||
|
|
|
||
|
|
1460
|
||
|
|
01:17:20,135 --> 01:17:21,536
|
||
|
|
He's got a gun.
|
||
|
|
|
||
|
|
1461
|
||
|
|
01:17:21,603 --> 01:17:22,671
|
||
|
|
I know.
|
||
|
|
|
||
|
|
1462
|
||
|
|
01:17:22,738 --> 01:17:24,706
|
||
|
|
You ruined my life,
|
||
|
|
Drebin.
|
||
|
|
|
||
|
|
1463
|
||
|
|
01:17:24,773 --> 01:17:26,508
|
||
|
|
Now I'm going to ruin yours.
|
||
|
|
|
||
|
|
1464
|
||
|
|
01:17:26,575 --> 01:17:27,576
|
||
|
|
Leave the girl alone.
|
||
|
|
|
||
|
|
1465
|
||
|
|
01:17:27,642 --> 01:17:29,578
|
||
|
|
I am. I'm going
|
||
|
|
to kill you.
|
||
|
|
|
||
|
|
1466
|
||
|
|
01:17:29,644 --> 01:17:31,046
|
||
|
|
I see.
|
||
|
|
|
||
|
|
1467
|
||
|
|
01:17:31,113 --> 01:17:32,981
|
||
|
|
( coin clinks in payphone )
|
||
|
|
|
||
|
|
1468
|
||
|
|
01:17:33,048 --> 01:17:37,352
|
||
|
|
Two can play at that game.
|
||
|
|
|
||
|
|
1469
|
||
|
|
01:17:38,186 --> 01:17:39,755
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
1470
|
||
|
|
01:17:40,489 --> 01:17:41,957
|
||
|
|
Aah!
|
||
|
|
|
||
|
|
1471
|
||
|
|
01:17:43,792 --> 01:17:45,093
|
||
|
|
You killed him.
|
||
|
|
|
||
|
|
1472
|
||
|
|
01:17:45,160 --> 01:17:46,828
|
||
|
|
No, no.
|
||
|
|
He's just stunned.
|
||
|
|
|
||
|
|
1473
|
||
|
|
01:17:46,895 --> 01:17:48,997
|
||
|
|
He'll be all right
|
||
|
|
in a couple of minutes.
|
||
|
|
|
||
|
|
1474
|
||
|
|
01:17:49,064 --> 01:17:50,599
|
||
|
|
( groans )
|
||
|
|
|
||
|
|
1475
|
||
|
|
01:17:50,665 --> 01:17:53,201
|
||
|
|
( screaming )
|
||
|
|
|
||
|
|
1476
|
||
|
|
01:17:53,268 --> 01:17:55,170
|
||
|
|
( Ludwig thuds )
|
||
|
|
|
||
|
|
1477
|
||
|
|
01:17:55,237 --> 01:17:56,671
|
||
|
|
Well.
|
||
|
|
|
||
|
|
1478
|
||
|
|
01:18:00,509 --> 01:18:02,411
|
||
|
|
( thumping )
|
||
|
|
|
||
|
|
1479
|
||
|
|
01:18:05,414 --> 01:18:07,682
|
||
|
|
( squelches )
|
||
|
|
|
||
|
|
1480
|
||
|
|
01:18:07,749 --> 01:18:12,120
|
||
|
|
( band playing "Louie, Louie" )
|
||
|
|
|
||
|
|
1481
|
||
|
|
01:18:21,663 --> 01:18:24,099
|
||
|
|
Oh, Frank...
|
||
|
|
|
||
|
|
1482
|
||
|
|
01:18:24,166 --> 01:18:26,535
|
||
|
|
It's horrible.
|
||
|
|
|
||
|
|
1483
|
||
|
|
01:18:26,601 --> 01:18:28,670
|
||
|
|
That's so horrible.
|
||
|
|
|
||
|
|
1484
|
||
|
|
01:18:28,737 --> 01:18:30,705
|
||
|
|
I know, Ed.
|
||
|
|
|
||
|
|
1485
|
||
|
|
01:18:30,772 --> 01:18:33,208
|
||
|
|
My father went
|
||
|
|
the same way.
|
||
|
|
|
||
|
|
1486
|
||
|
|
01:18:36,745 --> 01:18:38,647
|
||
|
|
( beeps )
|
||
|
|
|
||
|
|
1487
|
||
|
|
01:18:38,713 --> 01:18:40,916
|
||
|
|
( beeping )
|
||
|
|
|
||
|
|
1488
|
||
|
|
01:18:40,982 --> 01:18:44,119
|
||
|
|
(<i> ominous theme playing</i> )
|
||
|
|
|
||
|
|
1489
|
||
|
|
01:18:49,324 --> 01:18:51,393
|
||
|
|
I must kill...
|
||
|
|
|
||
|
|
1490
|
||
|
|
01:18:51,460 --> 01:18:53,495
|
||
|
|
Frank Drebin.
|
||
|
|
|
||
|
|
1491
|
||
|
|
01:18:53,562 --> 01:18:55,230
|
||
|
|
I must kill...
|
||
|
|
|
||
|
|
1492
|
||
|
|
01:18:55,297 --> 01:18:56,832
|
||
|
|
Frank Drebin.
|
||
|
|
|
||
|
|
1493
|
||
|
|
01:18:56,898 --> 01:18:59,101
|
||
|
|
No, no! Don't shoot!
|
||
|
|
|
||
|
|
1494
|
||
|
|
01:19:00,302 --> 01:19:01,803
|
||
|
|
Jane...
|
||
|
|
|
||
|
|
1495
|
||
|
|
01:19:02,771 --> 01:19:05,006
|
||
|
|
It's me...
|
||
|
|
|
||
|
|
1496
|
||
|
|
01:19:06,541 --> 01:19:07,876
|
||
|
|
<i>Funny face.</i>
|
||
|
|
|
||
|
|
1497
|
||
|
|
01:19:07,943 --> 01:19:10,846
|
||
|
|
JANE:
|
||
|
|
<i>I must kill Frank Drebin.</i>
|
||
|
|
|
||
|
|
1498
|
||
|
|
01:19:10,912 --> 01:19:12,380
|
||
|
|
Hey, look!
|
||
|
|
Up there!
|
||
|
|
|
||
|
|
1499
|
||
|
|
01:19:12,447 --> 01:19:14,116
|
||
|
|
FRANK:
|
||
|
|
<i>But you love Frank Drebin...</i>
|
||
|
|
|
||
|
|
1500
|
||
|
|
01:19:14,182 --> 01:19:17,586
|
||
|
|
<i>And Frank Drebin loves you.</i>
|
||
|
|
|
||
|
|
1501
|
||
|
|
01:19:17,652 --> 01:19:20,555
|
||
|
|
<i>Jane, listen to me,</i>
|
||
|
|
<i>if you don't love me,</i>
|
||
|
|
|
||
|
|
1502
|
||
|
|
01:19:20,622 --> 01:19:23,191
|
||
|
|
then you might as well
|
||
|
|
pull that trigger because...
|
||
|
|
|
||
|
|
1503
|
||
|
|
01:19:23,258 --> 01:19:24,926
|
||
|
|
Without you,
|
||
|
|
|
||
|
|
1504
|
||
|
|
01:19:24,993 --> 01:19:27,896
|
||
|
|
I wouldn't want
|
||
|
|
to live, anyway.
|
||
|
|
|
||
|
|
1505
|
||
|
|
01:19:27,963 --> 01:19:30,232
|
||
|
|
I finally found someone
|
||
|
|
I can love--
|
||
|
|
|
||
|
|
1506
|
||
|
|
01:19:31,032 --> 01:19:33,735
|
||
|
|
Good, clean love...
|
||
|
|
|
||
|
|
1507
|
||
|
|
01:19:33,802 --> 01:19:35,537
|
||
|
|
Without utensils.
|
||
|
|
|
||
|
|
1508
|
||
|
|
01:19:35,604 --> 01:19:39,107
|
||
|
|
I must kill Frank Drebin.
|
||
|
|
|
||
|
|
1509
|
||
|
|
01:19:39,174 --> 01:19:41,877
|
||
|
|
It's a topsy-turvy world,
|
||
|
|
Jane.
|
||
|
|
|
||
|
|
1510
|
||
|
|
01:19:41,943 --> 01:19:43,712
|
||
|
|
And maybe the problems
|
||
|
|
of two people
|
||
|
|
|
||
|
|
1511
|
||
|
|
01:19:43,778 --> 01:19:45,780
|
||
|
|
don't amount
|
||
|
|
to a hill of beans, but...
|
||
|
|
|
||
|
|
1512
|
||
|
|
01:19:45,847 --> 01:19:47,883
|
||
|
|
This is our hill,
|
||
|
|
|
||
|
|
1513
|
||
|
|
01:19:47,949 --> 01:19:50,352
|
||
|
|
and these are our beans.
|
||
|
|
|
||
|
|
1514
|
||
|
|
01:19:51,453 --> 01:19:52,821
|
||
|
|
Jane, since I've met you,
|
||
|
|
|
||
|
|
1515
|
||
|
|
01:19:52,888 --> 01:19:54,923
|
||
|
|
<i>I noticed things I never knew</i>
|
||
|
|
<i>were there before--</i>
|
||
|
|
|
||
|
|
1516
|
||
|
|
01:19:54,990 --> 01:19:56,958
|
||
|
|
<i>Birds singing,</i>
|
||
|
|
|
||
|
|
1517
|
||
|
|
01:19:57,025 --> 01:20:00,295
|
||
|
|
<i>dew glistening</i>
|
||
|
|
<i>on a newly formed leaf,</i>
|
||
|
|
|
||
|
|
1518
|
||
|
|
01:20:00,362 --> 01:20:02,664
|
||
|
|
<i>stoplights...</i>
|
||
|
|
|
||
|
|
1519
|
||
|
|
01:20:02,731 --> 01:20:04,399
|
||
|
|
I must kill--
|
||
|
|
|
||
|
|
1520
|
||
|
|
01:20:04,466 --> 01:20:07,536
|
||
|
|
Jane...
|
||
|
|
This morning...
|
||
|
|
|
||
|
|
1521
|
||
|
|
01:20:07,602 --> 01:20:10,539
|
||
|
|
I bought something for you.
|
||
|
|
|
||
|
|
1522
|
||
|
|
01:20:10,605 --> 01:20:12,274
|
||
|
|
It's not very much...
|
||
|
|
|
||
|
|
1523
|
||
|
|
01:20:12,340 --> 01:20:13,608
|
||
|
|
But pretty good
|
||
|
|
|
||
|
|
1524
|
||
|
|
01:20:13,675 --> 01:20:16,912
|
||
|
|
for an honest
|
||
|
|
policeman's salary.
|
||
|
|
|
||
|
|
1525
|
||
|
|
01:20:16,978 --> 01:20:19,181
|
||
|
|
It's an engagement ring.
|
||
|
|
|
||
|
|
1526
|
||
|
|
01:20:19,247 --> 01:20:21,383
|
||
|
|
I would have given it
|
||
|
|
to you earlier, but...
|
||
|
|
|
||
|
|
1527
|
||
|
|
01:20:21,449 --> 01:20:25,020
|
||
|
|
<i>I wanted to wait</i>
|
||
|
|
<i>until we were alone.</i>
|
||
|
|
|
||
|
|
1528
|
||
|
|
01:20:29,191 --> 01:20:30,492
|
||
|
|
I...
|
||
|
|
|
||
|
|
1529
|
||
|
|
01:20:30,559 --> 01:20:32,194
|
||
|
|
I love you, Jane.
|
||
|
|
|
||
|
|
1530
|
||
|
|
01:20:37,566 --> 01:20:39,201
|
||
|
|
Oh, Frank.
|
||
|
|
|
||
|
|
1531
|
||
|
|
01:20:39,267 --> 01:20:42,003
|
||
|
|
(<i> tender theme playing</i> )
|
||
|
|
|
||
|
|
1532
|
||
|
|
01:20:47,409 --> 01:20:49,177
|
||
|
|
( sniffling )
|
||
|
|
|
||
|
|
1533
|
||
|
|
01:20:51,413 --> 01:20:53,148
|
||
|
|
I'm sorry.
|
||
|
|
|
||
|
|
1534
|
||
|
|
01:21:04,426 --> 01:21:06,828
|
||
|
|
I'm sorry that I yelled
|
||
|
|
at you yesterday.
|
||
|
|
|
||
|
|
1535
|
||
|
|
01:21:06,895 --> 01:21:09,197
|
||
|
|
I really am.
|
||
|
|
|
||
|
|
1536
|
||
|
|
01:21:10,765 --> 01:21:14,636
|
||
|
|
Drebin, I was
|
||
|
|
wrong about you.
|
||
|
|
|
||
|
|
1537
|
||
|
|
01:21:14,703 --> 01:21:15,937
|
||
|
|
This city,
|
||
|
|
|
||
|
|
1538
|
||
|
|
01:21:16,004 --> 01:21:17,706
|
||
|
|
and I guess
|
||
|
|
the whole world,
|
||
|
|
|
||
|
|
1539
|
||
|
|
01:21:17,772 --> 01:21:20,508
|
||
|
|
owes you a debt of gratitude. Thank you, mayor.
|
||
|
|
owes you a debt of gratitude. Thank you, mayor.
|
||
|
|
|
||
|
|
1540
|
||
|
|
01:21:20,575 --> 01:21:24,045
|
||
|
|
And Monday morning, we want
|
||
|
|
you back at police squad,
|
||
|
|
|
||
|
|
1541
|
||
|
|
01:21:24,112 --> 01:21:27,082
|
||
|
|
with a promotion
|
||
|
|
to captain, of course.
|
||
|
|
|
||
|
|
1542
|
||
|
|
01:21:27,148 --> 01:21:29,684
|
||
|
|
Mayor--
|
||
|
|
But don't thank me.
|
||
|
|
|
||
|
|
1543
|
||
|
|
01:21:29,751 --> 01:21:32,754
|
||
|
|
There's someone else here
|
||
|
|
who wants to thank you.
|
||
|
|
|
||
|
|
1544
|
||
|
|
01:21:32,821 --> 01:21:33,955
|
||
|
|
Nordberg!
|
||
|
|
|
||
|
|
1545
|
||
|
|
01:21:34,022 --> 01:21:35,056
|
||
|
|
Hiya, buddy.
|
||
|
|
|
||
|
|
1546
|
||
|
|
01:21:35,123 --> 01:21:36,992
|
||
|
|
Doc says I should be
|
||
|
|
on my feet
|
||
|
|
|
||
|
|
1547
|
||
|
|
01:21:37,058 --> 01:21:38,426
|
||
|
|
and as good as new
|
||
|
|
in a week.
|
||
|
|
|
||
|
|
1548
|
||
|
|
01:21:38,493 --> 01:21:42,797
|
||
|
|
And back on the force. Nordberg, that's wonderful!
|
||
|
|
And back on the force. Nordberg, that's wonderful!
|
||
|
|
|
||
|
|
1549
|
||
|
|
01:21:42,864 --> 01:21:44,466
|
||
|
|
Whoa!
|
||
|
|
Oh, Frank...
|
||
|
|
|
||
|
|
1550
|
||
|
|
01:21:44,532 --> 01:21:46,701
|
||
|
|
Everyone should have
|
||
|
|
a friend like you.
|
||
|
|
|
||
|
|
1551
|
||
|
|
01:21:46,768 --> 01:21:48,737
|
||
|
|
Whoa!
|
||
|
|
|
||
|
|
1552
|
||
|
|
01:21:48,803 --> 01:21:50,338
|
||
|
|
( Nordberg thuds )
|
||
|
|
|
||
|
|
1553
|
||
|
|
01:21:50,405 --> 01:21:53,708
|
||
|
|
( Herman's Hermits' "I'm into
|
||
|
|
Something Good" playing )
|
||
|
|
|
||
|
|
1554
|
||
|
|
01:21:53,775 --> 01:21:57,112
|
||
|
|
<i>♪ Woke up this morning</i>
|
||
|
|
<i>Feelin' fine ♪</i>
|
||
|
|
|
||
|
|
1555
|
||
|
|
01:21:57,178 --> 01:22:00,582
|
||
|
|
<i>♪ Had something special</i>
|
||
|
|
<i>On my mind ♪</i>
|
||
|
|
|
||
|
|
1556
|
||
|
|
01:22:00,649 --> 01:22:05,153
|
||
|
|
<i>♪ Last night, I met a new girl</i>
|
||
|
|
<i>In the neighborhood ♪</i>
|
||
|
|
|
||
|
|
1557
|
||
|
|
01:22:05,220 --> 01:22:07,422
|
||
|
|
<i>♪ Oh, yeah ♪</i>
|
||
|
|
|
||
|
|
1558
|
||
|
|
01:22:07,489 --> 01:22:11,159
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something good ♪</i>
|
||
|
|
|
||
|
|
1559
|
||
|
|
01:22:11,226 --> 01:22:14,396
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
1560
|
||
|
|
01:22:14,462 --> 01:22:18,199
|
||
|
|
<i>♪ She's the kind of girl</i>
|
||
|
|
<i>Who's not too shy ♪</i>
|
||
|
|
|
||
|
|
1561
|
||
|
|
01:22:18,266 --> 01:22:21,469
|
||
|
|
<i>♪ And I can tell</i>
|
||
|
|
<i>I'm her kind of guy ♪</i>
|
||
|
|
|
||
|
|
1562
|
||
|
|
01:22:21,536 --> 01:22:23,805
|
||
|
|
<i>♪ 'Cause she danced</i>
|
||
|
|
<i>Close to me ♪</i>
|
||
|
|
|
||
|
|
1563
|
||
|
|
01:22:23,872 --> 01:22:26,341
|
||
|
|
<i>♪ Like I hoped she would ♪</i> <i>♪ She danced with me ♪</i>
|
||
|
|
<i>♪ Like I hoped she would ♪</i> <i>♪ She danced with me ♪</i>
|
||
|
|
|
||
|
|
1564
|
||
|
|
01:22:26,408 --> 01:22:28,376
|
||
|
|
<i>♪ Like I hoped she would ♪</i>
|
||
|
|
<i>♪ Oh, yeah ♪</i>
|
||
|
|
|
||
|
|
1565
|
||
|
|
01:22:28,443 --> 01:22:32,180
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something good ♪</i>
|
||
|
|
|
||
|
|
1566
|
||
|
|
01:22:32,247 --> 01:22:35,483
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
1567
|
||
|
|
01:22:35,550 --> 01:22:38,553
|
||
|
|
<i>♪ We only danced</i>
|
||
|
|
<i>For a minute or two ♪</i>
|
||
|
|
|
||
|
|
1568
|
||
|
|
01:22:38,620 --> 01:22:43,091
|
||
|
|
<i>♪ And then she stuck close</i>
|
||
|
|
<i>To me the whole night through ♪</i>
|
||
|
|
|
||
|
|
1569
|
||
|
|
01:22:43,158 --> 01:22:46,261
|
||
|
|
<i>♪ Can I be the one in love? ♪</i>
|
||
|
|
|
||
|
|
1570
|
||
|
|
01:22:46,328 --> 01:22:49,230
|
||
|
|
<i>♪ She's everything</i>
|
||
|
|
<i>I've been dreaming of ♪</i>
|
||
|
|
|
||
|
|
1571
|
||
|
|
01:22:49,297 --> 01:22:52,233
|
||
|
|
<i>♪ She's everything</i>
|
||
|
|
<i>I've been dreaming of ♪</i>
|
||
|
|
|
||
|
|
1572
|
||
|
|
01:22:52,300 --> 01:22:55,503
|
||
|
|
<i>♪ I walked her home</i>
|
||
|
|
<i>And she held my hand ♪</i>
|
||
|
|
|
||
|
|
1573
|
||
|
|
01:22:55,570 --> 01:22:58,907
|
||
|
|
<i>♪ I knew it wouldn't be</i>
|
||
|
|
<i>Just a one-night stand ♪</i>
|
||
|
|
|
||
|
|
1574
|
||
|
|
01:22:58,973 --> 01:23:01,576
|
||
|
|
<i>♪ So I asked</i>
|
||
|
|
<i>To see her next week ♪</i>
|
||
|
|
|
||
|
|
1575
|
||
|
|
01:23:01,643 --> 01:23:04,212
|
||
|
|
<i>♪ And she told me I could ♪</i>
|
||
|
|
<i>♪ I asked to see her ♪</i>
|
||
|
|
|
||
|
|
1576
|
||
|
|
01:23:04,279 --> 01:23:06,081
|
||
|
|
<i>♪ And she told me I could ♪</i> <i>♪ Oh, yeah ♪</i>
|
||
|
|
<i>♪ And she told me I could ♪</i> <i>♪ Oh, yeah ♪</i>
|
||
|
|
|
||
|
|
1577
|
||
|
|
01:23:06,147 --> 01:23:09,751
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something good ♪</i>
|
||
|
|
|
||
|
|
1578
|
||
|
|
01:23:09,818 --> 01:23:13,388
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
1579
|
||
|
|
01:23:13,455 --> 01:23:16,925
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
1580
|
||
|
|
01:23:16,991 --> 01:23:20,729
|
||
|
|
<i>♪ Ahh ♪</i>
|
||
|
|
|
||
|
|
1581
|
||
|
|
01:23:34,476 --> 01:23:37,746
|
||
|
|
<i>♪ I walked her home</i>
|
||
|
|
<i>And she held my hand ♪</i>
|
||
|
|
|
||
|
|
1582
|
||
|
|
01:23:37,812 --> 01:23:40,915
|
||
|
|
<i>♪ I knew it wouldn't be</i>
|
||
|
|
<i>Just a one-night stand ♪</i>
|
||
|
|
|
||
|
|
1583
|
||
|
|
01:23:40,982 --> 01:23:43,585
|
||
|
|
<i>♪ So I asked</i>
|
||
|
|
<i>To see her next week ♪</i>
|
||
|
|
|
||
|
|
1584
|
||
|
|
01:23:43,651 --> 01:23:46,254
|
||
|
|
<i>♪ And she told me I could ♪</i>
|
||
|
|
<i>♪ I asked to see her ♪</i>
|
||
|
|
|
||
|
|
1585
|
||
|
|
01:23:46,321 --> 01:23:48,356
|
||
|
|
<i>♪ And she told me I could ♪</i> <i>♪ Oh, yeah ♪</i>
|
||
|
|
<i>♪ And she told me I could ♪</i> <i>♪ Oh, yeah ♪</i>
|
||
|
|
|
||
|
|
1586
|
||
|
|
01:23:48,423 --> 01:23:51,826
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something good ♪</i>
|
||
|
|
|
||
|
|
1587
|
||
|
|
01:23:51,893 --> 01:23:55,630
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
1588
|
||
|
|
01:23:55,697 --> 01:23:59,200
|
||
|
|
<i>♪ Ahh ♪</i>
|
||
|
|
|
||
|
|
1589
|
||
|
|
01:24:12,747 --> 01:24:16,050
|
||
|
|
<i>♪ I walked her home</i>
|
||
|
|
<i>And she held my hand ♪</i>
|
||
|
|
|
||
|
|
1590
|
||
|
|
01:24:16,117 --> 01:24:19,587
|
||
|
|
<i>♪ I knew it wouldn't be</i>
|
||
|
|
<i>Just a one-night stand ♪</i>
|
||
|
|
|
||
|
|
1591
|
||
|
|
01:24:19,654 --> 01:24:21,990
|
||
|
|
<i>♪ So I asked</i>
|
||
|
|
<i>To see her next week ♪</i>
|
||
|
|
|
||
|
|
1592
|
||
|
|
01:24:22,056 --> 01:24:24,659
|
||
|
|
<i>♪ And she told me I could ♪</i> <i>♪ I asked to see her ♪</i>
|
||
|
|
<i>♪ And she told me I could ♪</i> <i>♪ I asked to see her ♪</i>
|
||
|
|
|
||
|
|
1593
|
||
|
|
01:24:24,726 --> 01:24:26,561
|
||
|
|
<i>♪ And she told me I could ♪</i>
|
||
|
|
<i>♪ Oh, yeah ♪</i>
|
||
|
|
|
||
|
|
1594
|
||
|
|
01:24:26,628 --> 01:24:30,498
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something good ♪</i>
|
||
|
|
|
||
|
|
1595
|
||
|
|
01:24:30,565 --> 01:24:32,667
|
||
|
|
<i>♪ Something tells me</i>
|
||
|
|
<i>I'm into something ♪</i>
|
||
|
|
|
||
|
|
1596
|
||
|
|
01:24:32,734 --> 01:24:35,236
|
||
|
|
<i>♪ I'm into something good ♪</i>
|
||
|
|
|
||
|
|
1597
|
||
|
|
01:24:35,303 --> 01:24:36,838
|
||
|
|
<i>♪ Oh, yeah ♪</i>
|
||
|
|
|
||
|
|
1598
|
||
|
|
01:24:36,905 --> 01:24:38,973
|
||
|
|
<i>♪ Something good ♪</i>
|
||
|
|
<i>♪ Something tells me ♪</i>
|
||
|
|
|
||
|
|
1599
|
||
|
|
01:24:39,040 --> 01:24:41,976
|
||
|
|
<i>♪ I'm into something good ♪</i>
|
||
|
|
|
||
|
|
1600
|
||
|
|
01:24:42,043 --> 01:24:43,344
|
||
|
|
<i>♪ Something good ♪</i>
|
||
|
|
|
||
|
|
1601
|
||
|
|
01:24:43,411 --> 01:24:44,345
|
||
|
|
<i>♪ Something-- ♪</i>
|
||
|
|
|
||
|
|
1602
|
||
|
|
01:24:44,412 --> 01:24:48,550
|
||
|
|
(<i> dramatic theme plays</i> )
|
||
|
|
|